Miguel Seabra Lopes

One night Jorge will meet with a Japanese industrialist, who will allow him to abandon his teaching position and resume his chemical work. However, when he gets home he finds a person there.

A Portuguese king who disappeared in the desert of Morocco in the sixteenth century comes forward. Under the threat of having to return to Portugal in the XXI century, Dom Sebastian reveals his whereabouts and the secrets of the kingdom he built over all these years in faraway Ilha de Lençóis in Northeastern Brazil.

The film is inspired by the Mário de Sá-Carneiro short story, where the narration is made by Professor Antena's assistant who walks by his side when he is run over in a perhaps enigmatic way.

Beside the savage desire to realize the enormities which he brooded on, nothing was sacred.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.

In exile, a Brazilian child develops strategies to rise.

The Forensic Psychiatric Hospital is a medium-security level, closed structure, with a rehabilitation component. The service provided includes psychiatric, psychological, medical, therapeutic and social care. The 32 men who inhabit the unit were considered exempt from punishment by the court. They feel time going by. Slowly. The film settles in this individual time.

If I didn’t blossom, if I remained unbloomed, it’s because my roots were poisoned. I know it's false, an induced error, but... this is me.

Beside the savage desire to realize the enormities which he brooded on, nothing was sacred.

Beside the savage desire to realize the enormities which he brooded on, nothing was sacred.

Beside the savage desire to realize the enormities which he brooded on, nothing was sacred.

À Deriva gives us a couple and a cargo ship stranded on the banks of the Tagus, a relationship in ruins, a nautical metaphor.

Child solidarity is stronger than death.

Cinematographic transcreation of a text censored in 1968.

Justino, a 45-year-old member of the indigenous Desana people, is a security guard at the Manaus harbor. As his daughter prepares to soon depart to Brasília, Justino comes down with a mysterious fever.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.

The Forensic Psychiatric Hospital is a medium-security level, closed structure, with a rehabilitation component. The service provided includes psychiatric, psychological, medical, therapeutic and social care. The 32 men who inhabit the unit were considered exempt from punishment by the court. They feel time going by. Slowly. The film settles in this individual time.

The Forensic Psychiatric Hospital is a medium-security level, closed structure, with a rehabilitation component. The service provided includes psychiatric, psychological, medical, therapeutic and social care. The 32 men who inhabit the unit were considered exempt from punishment by the court. They feel time going by. Slowly. The film settles in this individual time.

Thirteen elderly people with cognitive illnesses attend the Psychogeriatric Day Clinic at the CHPL Hospital. The treatment is based on psychotherapeutic practices, wich allow for intervention on the Person, improving the preserved abilities, implementing autonomy and rehabilitating identity.

In Alasca landscape never changes, only grows old.

In Alasca landscape never changes, only grows old.

Insomnia drains the soul, only the body remains. Gustavo decides to get rid of the body.

Insomnia drains the soul, only the body remains. Gustavo decides to get rid of the body.

Insomnia drains the soul, only the body remains. Gustavo decides to get rid of the body.

A nurse takes care of a patient in her house. Maria do Céu has been a nurse for more than forty years, working at an old Hospital in Lisbon. She was sixteen, when she arrived to Lisbon, coming from a small village in Alentejo. At the Hospital, she reads the file of an old patient who was also her friend. The file is then closed. Maria do Céu returns to her village, where she sings at the people’s house choir.