William Greaves

An architect whose iconic buildings defined a newly independent Cambodia struggles to come to terms with the reckless development that threatens his legacy.

A crooked real estate tycoon tricks a trusting young woman out of her small candy store. When he is found dead, the girl is suspected of the crime.

Joe Louis, portraying himself, is a good influence on a group of Harlem youths who are tempted to "go bad" by a gangster known as Caper, an older brother of one of the youths.

A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress. Then, 35 years later, Greaves brings back to Central Park those actors and some of the original crew (plus others) to film a reunion of the characters Alice and Freddie. We watch scenes of these characters and discussions among the actors and crew. Greaves explores and dramatizes the dialectic in the creative process.

A documentary on the career of William Greaves, featuring Greaves, his wife and co-producer Louise Archambault, actor Ruby Dee, filmmaker St. Clair Bourne, and film scholar Scott MacDonald. Released within Criterion's Symbiopsychotaxiplasm set.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Unsuccessful gambler 'Dollar Bill' Burton lives in a crummy New York basement room with old friend Bob and a new roommate, friendly blues singer 'Alabama' Lee. But, tired of being broke, Dollar Bill gets more steady employment...doing illegal errands for gangster Bad Boy George. The now prosperous Bill ignores pretty, adoring Etta and takes up with sultry singer Regina. Will Bill's way of life catch up with him? Will his upright friends be more successful in the end?

A light-skinned African-American family are "passing" in an all-white New England town. When the truth comes out, the more prejudiced neighbors demand their expulsion from the community.

"This documentary film covers a 24-day arts festival in Dakar, Senegal that highlighted Black contributions to the cultural heritage of mankind and was attended by an extraordinary cast of over 2,000 luminaries - including Duke Ellington, Langston Hughes, Alvin Ailey, Aime Cesaire, and Leopold Senghor - from dozens of countries. The film depicts performances by African and American entertainers and shows various works of art while also providing unparalleled insight from the perspective of the African American delegation. The film was written and directed by William Greaves" (US National Archives).

This documentary presents clips from black films from 1929 through 1957.

A retrospective look at the career of Paul Robeson and his legacy as both an American and a citizen of the world.

The film questions whether the Civil Rights Movement of the 1960s effectively changed the Black community, and American society more widely, and examines the notion of Black power itself. Greaves interviewed major Black leaders, such as Franklin Thomas, Clifton Wharton Jr., Eleanor Holmes Norton, and Lerone Bennett Jr. to present a candid take on issues within the African American community, revealing wider societal problems in America at large.

A struggling songwriter abandons his girlfriend for a flashy woman after landing a hit.

Directed by African American William Greaves and narrated by actor Ricardo Montalban, Where Dreams Come True is a 1979 NASA film highlighting the contributions of women and minorities and encouraging more to consider a career at the agency. The documentary includes interviews with astronaut-scientists Kathryn Sullivan and Ronald McNair, research psychologist Patricia Cowings, engineer Ruben Ramos, and former astronaut and deputy administrator Frederick Gregory. Much of the work depicted in this film relates to the fledgling Space Shuttle program - which was two years away from its first mission.

An American detective investigates the drug trade's influence on violence in Jamaica and corruption among government officials and high-ranking members of the police force.

A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress. Then, 35 years later, Greaves brings back to Central Park those actors and some of the original crew (plus others) to film a reunion of the characters Alice and Freddie. We watch scenes of these characters and discussions among the actors and crew. Greaves explores and dramatizes the dialectic in the creative process.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

An American detective investigates the drug trade's influence on violence in Jamaica and corruption among government officials and high-ranking members of the police force.

An American detective investigates the drug trade's influence on violence in Jamaica and corruption among government officials and high-ranking members of the police force.

An American detective investigates the drug trade's influence on violence in Jamaica and corruption among government officials and high-ranking members of the police force.

In this intimate portrait—produced for a segment of National Education Television's "Black Journal" television program—legendary jazz musician Alice Coltrane plays the harp and discusses her thoughts on music, spirituality, family, and the legacy of her late husband, John Coltrane.

The Black middle class, torn between white goals and Black needs, are examined by producers William Greaves and William Branch in a 90-minute NET Journal documentary.

This 1959 documentary short is a frank portrait of the daily operations inside the Montreal General Hospital’s emergency ward.

Designed for class instruction and career education, and to prove that space exploration isn’t just for the boys. The film interviews women employed in the space transportation programs of the National Aeronautics and Space Administration (NASA) and shows the variety of positions that they hold as electrical engineers, aerial photography analysts, safety specialists and astronaut mission specialists. It notes how the women obtained their training and qualified for their positions. Astronaut Anna Lee Fisher, Dr. Patricia Cowings, Shirley Chevalier, Sue Norman, Sharon Orkansky, Brenda Willis, and Astronaut Catherine Sullivan are profiled. Narrated by Ricardo Montalban. Winner of NAACP Image Award For Picture Of The Year

Designed for class instruction and career education, and to prove that space exploration isn’t just for the boys. The film interviews women employed in the space transportation programs of the National Aeronautics and Space Administration (NASA) and shows the variety of positions that they hold as electrical engineers, aerial photography analysts, safety specialists and astronaut mission specialists. It notes how the women obtained their training and qualified for their positions. Astronaut Anna Lee Fisher, Dr. Patricia Cowings, Shirley Chevalier, Sue Norman, Sharon Orkansky, Brenda Willis, and Astronaut Catherine Sullivan are profiled. Narrated by Ricardo Montalban. Winner of NAACP Image Award For Picture Of The Year

Designed for class instruction and career education, and to prove that space exploration isn’t just for the boys. The film interviews women employed in the space transportation programs of the National Aeronautics and Space Administration (NASA) and shows the variety of positions that they hold as electrical engineers, aerial photography analysts, safety specialists and astronaut mission specialists. It notes how the women obtained their training and qualified for their positions. Astronaut Anna Lee Fisher, Dr. Patricia Cowings, Shirley Chevalier, Sue Norman, Sharon Orkansky, Brenda Willis, and Astronaut Catherine Sullivan are profiled. Narrated by Ricardo Montalban. Winner of NAACP Image Award For Picture Of The Year

Frederick Douglass, Fighter for Freedom is a 19-minute documentary on the life and times of Frederick Douglass. Historic photos and documdrama segments cover the live of this great orator, emancipator and statesman. The story is told by a young narrator.

Frederick Douglass, Fighter for Freedom is a 19-minute documentary on the life and times of Frederick Douglass. Historic photos and documdrama segments cover the live of this great orator, emancipator and statesman. The story is told by a young narrator.

Frederick Douglass, Fighter for Freedom is a 19-minute documentary on the life and times of Frederick Douglass. Historic photos and documdrama segments cover the live of this great orator, emancipator and statesman. The story is told by a young narrator.

The Salvation Army in action. Band rehearsals, personal reminiscences of an Army officer, and an unrehearsed "coming to Christ" in the Army Citadel make for a revealing film study of men and women dedicated to a life of service to humanity.

This 1959 documentary short is a frank portrait of the daily operations inside the Montreal General Hospital’s emergency ward.

"This documentary film covers a 24-day arts festival in Dakar, Senegal that highlighted Black contributions to the cultural heritage of mankind and was attended by an extraordinary cast of over 2,000 luminaries - including Duke Ellington, Langston Hughes, Alvin Ailey, Aime Cesaire, and Leopold Senghor - from dozens of countries. The film depicts performances by African and American entertainers and shows various works of art while also providing unparalleled insight from the perspective of the African American delegation. The film was written and directed by William Greaves" (US National Archives).

A look at the destruction that follows the breaking of long-neglected dikes and the measures being taken to prevent future problems.

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).

Explores the extraordinary artistic, cultural and political flowering that took place in Harlem during the "Roaring 20s." This vivid portrait of the "Harlem Renaissance" is created entirely with period photographs.

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).

Documentary about Ali's rise to glory, beginning with his "Cassius Clay" days back in Louisville.

Ida B. Wells: A Passion for Justice documents the dramatic life and turbulent times of the pioneering African American journalist, activist, suffragist and anti-lynching crusader of the post-Reconstruction period. Nobel Prize-winning author Toni Morrison reads selections from Wells' memoirs and other writings in this winner of more than 20 film festival awards.

The Black middle class, torn between white goals and Black needs, are examined by producers William Greaves and William Branch in a 90-minute NET Journal documentary.

The Black middle class, torn between white goals and Black needs, are examined by producers William Greaves and William Branch in a 90-minute NET Journal documentary.

Few remember the name, much less the historical achievements, of Dr. Ralph Johnson Bunche. Yet, this African American mediator and United Nations diplomat was the first person of color anywhere in the world to be awarded the Nobel Prize for Peace.

During the fire season, look-out men keep constant vigilance for the first sign of smoke, scanning the territory for miles around. How they are trained for the work and how their efforts save many valuable stands of timber are illustrated at a fire tower in the Forestry Branch's Petawawa Forest Experiment Station in Ontario.

A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.

The film questions whether the Civil Rights Movement of the 1960s effectively changed the Black community, and American society more widely, and examines the notion of Black power itself. Greaves interviewed major Black leaders, such as Franklin Thomas, Clifton Wharton Jr., Eleanor Holmes Norton, and Lerone Bennett Jr. to present a candid take on issues within the African American community, revealing wider societal problems in America at large.

Few remember the name, much less the historical achievements, of Dr. Ralph Johnson Bunche. Yet, this African American mediator and United Nations diplomat was the first person of color anywhere in the world to be awarded the Nobel Prize for Peace.

Documentary about Ali's rise to glory, beginning with his "Cassius Clay" days back in Louisville.

A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.

The Black middle class, torn between white goals and Black needs, are examined by producers William Greaves and William Branch in a 90-minute NET Journal documentary.

Produced by the Equal Employment Opportunity Commission, this film traces the ongoing struggle for equality by the Spanish-speaking residents of the United States. Through a fictitious scenario and real discussions with a range of individuals, including local business leaders, parents, and student activists, the film explores job discrimination and the resulting hardships within the Hispanic community. Many of the interviews are conducted by actor Anthony Quinn, who relates his own family's struggles as Mexican immigrants in East Los Angeles.

A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.

Produced by the Equal Employment Opportunity Commission, this film traces the ongoing struggle for equality by the Spanish-speaking residents of the United States. Through a fictitious scenario and real discussions with a range of individuals, including local business leaders, parents, and student activists, the film explores job discrimination and the resulting hardships within the Hispanic community. Many of the interviews are conducted by actor Anthony Quinn, who relates his own family's struggles as Mexican immigrants in East Los Angeles.

Few remember the name, much less the historical achievements, of Dr. Ralph Johnson Bunche. Yet, this African American mediator and United Nations diplomat was the first person of color anywhere in the world to be awarded the Nobel Prize for Peace.

Produced by the Equal Employment Opportunity Commission, this film traces the ongoing struggle for equality by the Spanish-speaking residents of the United States. Through a fictitious scenario and real discussions with a range of individuals, including local business leaders, parents, and student activists, the film explores job discrimination and the resulting hardships within the Hispanic community. Many of the interviews are conducted by actor Anthony Quinn, who relates his own family's struggles as Mexican immigrants in East Los Angeles.

Produced by the Equal Employment Opportunity Commission, this film traces the ongoing struggle for equality by the Spanish-speaking residents of the United States. Through a fictitious scenario and real discussions with a range of individuals, including local business leaders, parents, and student activists, the film explores job discrimination and the resulting hardships within the Hispanic community. Many of the interviews are conducted by actor Anthony Quinn, who relates his own family's struggles as Mexican immigrants in East Los Angeles.

During the fire season, look-out men keep constant vigilance for the first sign of smoke, scanning the territory for miles around. How they are trained for the work and how their efforts save many valuable stands of timber are illustrated at a fire tower in the Forestry Branch's Petawawa Forest Experiment Station in Ontario.

Traces the life of Booker T. Washington, ex-slave, author, educator, and political leader, focusing on his stewardship of Tuskegee Institute in Alabama. Uses historic photographs, re-created vignettes, and interviews with contemporaries such as W.E.B. DuBois to present Washington's complex personality and his influence on southern life after the Civil War. Also examines his controversial policies of Black economic self-reliance and political accommodation

Traces the life of Booker T. Washington, ex-slave, author, educator, and political leader, focusing on his stewardship of Tuskegee Institute in Alabama. Uses historic photographs, re-created vignettes, and interviews with contemporaries such as W.E.B. DuBois to present Washington's complex personality and his influence on southern life after the Civil War. Also examines his controversial policies of Black economic self-reliance and political accommodation

Traces the life of Booker T. Washington, ex-slave, author, educator, and political leader, focusing on his stewardship of Tuskegee Institute in Alabama. Uses historic photographs, re-created vignettes, and interviews with contemporaries such as W.E.B. DuBois to present Washington's complex personality and his influence on southern life after the Civil War. Also examines his controversial policies of Black economic self-reliance and political accommodation

This film records the struggle for life within the Arctic Circle. It reveals flowers of startling beauty, whose entire life cycles last less than thirty days, and strange animals like the shaggy musk-ox, the shy lemming, and migrant water birds that survive in a land of vast deserts and almost perpetual cold.

"This documentary film covers a 24-day arts festival in Dakar, Senegal that highlighted Black contributions to the cultural heritage of mankind and was attended by an extraordinary cast of over 2,000 luminaries - including Duke Ellington, Langston Hughes, Alvin Ailey, Aime Cesaire, and Leopold Senghor - from dozens of countries. The film depicts performances by African and American entertainers and shows various works of art while also providing unparalleled insight from the perspective of the African American delegation. The film was written and directed by William Greaves" (US National Archives).

The camera traces the Trans-Canada Highway, unveiling Canada's people, resources, and diverse geography from east to west. It showcases remarkable engineering accomplishments integral to constructing the highway.

Traces the life of Booker T. Washington, ex-slave, author, educator, and political leader, focusing on his stewardship of Tuskegee Institute in Alabama. Uses historic photographs, re-created vignettes, and interviews with contemporaries such as W.E.B. DuBois to present Washington's complex personality and his influence on southern life after the Civil War. Also examines his controversial policies of Black economic self-reliance and political accommodation

Exploring four of the world's major religions: Hinduism, Buddhism, Islam and Christianity.

Traces the life of Booker T. Washington, ex-slave, author, educator, and political leader, focusing on his stewardship of Tuskegee Institute in Alabama. Uses historic photographs, re-created vignettes, and interviews with contemporaries such as W.E.B. DuBois to present Washington's complex personality and his influence on southern life after the Civil War. Also examines his controversial policies of Black economic self-reliance and political accommodation

This film records the struggle for life within the Arctic Circle. It reveals flowers of startling beauty, whose entire life cycles last less than thirty days, and strange animals like the shaggy musk-ox, the shy lemming, and migrant water birds that survive in a land of vast deserts and almost perpetual cold.

Exploring four of the world's major religions: Hinduism, Buddhism, Islam and Christianity.

"This documentary film covers a 24-day arts festival in Dakar, Senegal that highlighted Black contributions to the cultural heritage of mankind and was attended by an extraordinary cast of over 2,000 luminaries - including Duke Ellington, Langston Hughes, Alvin Ailey, Aime Cesaire, and Leopold Senghor - from dozens of countries. The film depicts performances by African and American entertainers and shows various works of art while also providing unparalleled insight from the perspective of the African American delegation. The film was written and directed by William Greaves" (US National Archives).

Traces the life of Booker T. Washington, ex-slave, author, educator, and political leader, focusing on his stewardship of Tuskegee Institute in Alabama. Uses historic photographs, re-created vignettes, and interviews with contemporaries such as W.E.B. DuBois to present Washington's complex personality and his influence on southern life after the Civil War. Also examines his controversial policies of Black economic self-reliance and political accommodation

This documentary presents clips from black films from 1929 through 1957.

Few remember the name, much less the historical achievements, of Dr. Ralph Johnson Bunche. Yet, this African American mediator and United Nations diplomat was the first person of color anywhere in the world to be awarded the Nobel Prize for Peace.

Documentary about Ali's rise to glory, beginning with his "Cassius Clay" days back in Louisville.

A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress. Then, 35 years later, Greaves brings back to Central Park those actors and some of the original crew (plus others) to film a reunion of the characters Alice and Freddie. We watch scenes of these characters and discussions among the actors and crew. Greaves explores and dramatizes the dialectic in the creative process.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress. Then, 35 years later, Greaves brings back to Central Park those actors and some of the original crew (plus others) to film a reunion of the characters Alice and Freddie. We watch scenes of these characters and discussions among the actors and crew. Greaves explores and dramatizes the dialectic in the creative process.

The camera traces the Trans-Canada Highway, unveiling Canada's people, resources, and diverse geography from east to west. It showcases remarkable engineering accomplishments integral to constructing the highway.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Produced by the Equal Employment Opportunity Commission, this film traces the ongoing struggle for equality by the Spanish-speaking residents of the United States. Through a fictitious scenario and real discussions with a range of individuals, including local business leaders, parents, and student activists, the film explores job discrimination and the resulting hardships within the Hispanic community. Many of the interviews are conducted by actor Anthony Quinn, who relates his own family's struggles as Mexican immigrants in East Los Angeles.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

This multi-award winning film uses psychodrama to help bridge the communication gap between a group of the so-called "hard-core unemployed" - largely Black and "underclass" - and the men who hire, train and supervise them - mostly white and middle class.

This short documentary offers a look at the life forms on the Queen Elizabeth Islands within the Arctic Circle. Even in this frigid zone of icebergs and glaciers a surprising variety of wildlife and vegetation is seen. Writings from the logbooks of early explorers provide vivid descriptions of scenes as arresting to them in their century as to today's explorer. Note: Originally produced for the television series Perspective, this film was distributed separately on 16mm for schools and libraries, qualifying it as a standalone documentary.

A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.

This short film is a telling portrait of the discourse about and treatment of alcohol addiction in the middle of the 20th century. In a fictional setting, the film examines the insecurities and inner motivations that cause the protagonist to lean on alcohol. His job and home life are threatened by his addiction, and the doctor to whom he finally turns explains the medical and other resources available to him.

After ex-con Joe Braxton violates his probation, he is given a second chance. All he has to do is drive a group of special kids across the country.

A man returns to his home of Jamaica from journey. Along the way, he meets up with famous reggae bands of the time.

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).

"This documentary film covers a 24-day arts festival in Dakar, Senegal that highlighted Black contributions to the cultural heritage of mankind and was attended by an extraordinary cast of over 2,000 luminaries - including Duke Ellington, Langston Hughes, Alvin Ailey, Aime Cesaire, and Leopold Senghor - from dozens of countries. The film depicts performances by African and American entertainers and shows various works of art while also providing unparalleled insight from the perspective of the African American delegation. The film was written and directed by William Greaves" (US National Archives).

"This documentary film covers a 24-day arts festival in Dakar, Senegal that highlighted Black contributions to the cultural heritage of mankind and was attended by an extraordinary cast of over 2,000 luminaries - including Duke Ellington, Langston Hughes, Alvin Ailey, Aime Cesaire, and Leopold Senghor - from dozens of countries. The film depicts performances by African and American entertainers and shows various works of art while also providing unparalleled insight from the perspective of the African American delegation. The film was written and directed by William Greaves" (US National Archives).

"This documentary film covers a 24-day arts festival in Dakar, Senegal that highlighted Black contributions to the cultural heritage of mankind and was attended by an extraordinary cast of over 2,000 luminaries - including Duke Ellington, Langston Hughes, Alvin Ailey, Aime Cesaire, and Leopold Senghor - from dozens of countries. The film depicts performances by African and American entertainers and shows various works of art while also providing unparalleled insight from the perspective of the African American delegation. The film was written and directed by William Greaves" (US National Archives).

This director's cut of the William Greaves' documentary short film dramatizes the life and deeds of the noted abolitionist Frederick Douglass.

This director's cut of the William Greaves' documentary short film dramatizes the life and deeds of the noted abolitionist Frederick Douglass.

This director's cut of the William Greaves' documentary short film dramatizes the life and deeds of the noted abolitionist Frederick Douglass.

This director's cut of the William Greaves' documentary short film dramatizes the life and deeds of the noted abolitionist Frederick Douglass.

A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.

A short documentary subject made for National Educational Television's Black Journal television program documenting a political rally in Newark, the 1970 mayoral campaign of Ken Gibson, and an African-American voter registration drive with special musical performance by Stevie Wonder.

Ida B. Wells: A Passion for Justice documents the dramatic life and turbulent times of the pioneering African American journalist, activist, suffragist and anti-lynching crusader of the post-Reconstruction period. Nobel Prize-winning author Toni Morrison reads selections from Wells' memoirs and other writings in this winner of more than 20 film festival awards.

This film explores innovative ways in which "standard English" can be taught to dialect speaking children. Filmed on location in Louisiana at a U.S. Department of Education teacher-training project.

During the fire season, look-out men keep constant vigilance for the first sign of smoke, scanning the territory for miles around. How they are trained for the work and how their efforts save many valuable stands of timber are illustrated at a fire tower in the Forestry Branch's Petawawa Forest Experiment Station in Ontario.

Exploring four of the world's major religions: Hinduism, Buddhism, Islam and Christianity.

About "crooked" teeth, dealing with the causes of irregular teeth and stressing the importance of early, regular and systematic care of the primary teeth in preventing such conditions.

Ida B. Wells: A Passion for Justice documents the dramatic life and turbulent times of the pioneering African American journalist, activist, suffragist and anti-lynching crusader of the post-Reconstruction period. Nobel Prize-winning author Toni Morrison reads selections from Wells' memoirs and other writings in this winner of more than 20 film festival awards.

During the fire season, look-out men keep constant vigilance for the first sign of smoke, scanning the territory for miles around. How they are trained for the work and how their efforts save many valuable stands of timber are illustrated at a fire tower in the Forestry Branch's Petawawa Forest Experiment Station in Ontario.

Examines the history and purpose of the "merit system" used by the U.S. Civil Service in hiring and promoting Federal Government workers. Shows how the system impacts jobs and career prospects for women and minorities.

The first Black-produced and controlled network television series, BLACK JOURNAL won an Emmy for programming excellence in public affairs. Provides a unique perspective on the late Civil Rights period. The Best of Black Journal consists of five segments from the 1968-70 TV series focusing on African American arts and culture.

The film questions whether the Civil Rights Movement of the 1960s effectively changed the Black community, and American society more widely, and examines the notion of Black power itself. Greaves interviewed major Black leaders, such as Franklin Thomas, Clifton Wharton Jr., Eleanor Holmes Norton, and Lerone Bennett Jr. to present a candid take on issues within the African American community, revealing wider societal problems in America at large.

An intimate portrait of two inner-city barbershops that provide patrons with more than haircuts.

An intimate portrait of two inner-city barbershops that provide patrons with more than haircuts.

An intimate portrait of two inner-city barbershops that provide patrons with more than haircuts.

An intimate portrait of two inner-city barbershops that provide patrons with more than haircuts.

An intimate portrait of two inner-city barbershops that provide patrons with more than haircuts.

The film questions whether the Civil Rights Movement of the 1960s effectively changed the Black community, and American society more widely, and examines the notion of Black power itself. Greaves interviewed major Black leaders, such as Franklin Thomas, Clifton Wharton Jr., Eleanor Holmes Norton, and Lerone Bennett Jr. to present a candid take on issues within the African American community, revealing wider societal problems in America at large.

The film questions whether the Civil Rights Movement of the 1960s effectively changed the Black community, and American society more widely, and examines the notion of Black power itself. Greaves interviewed major Black leaders, such as Franklin Thomas, Clifton Wharton Jr., Eleanor Holmes Norton, and Lerone Bennett Jr. to present a candid take on issues within the African American community, revealing wider societal problems in America at large.

The film questions whether the Civil Rights Movement of the 1960s effectively changed the Black community, and American society more widely, and examines the notion of Black power itself. Greaves interviewed major Black leaders, such as Franklin Thomas, Clifton Wharton Jr., Eleanor Holmes Norton, and Lerone Bennett Jr. to present a candid take on issues within the African American community, revealing wider societal problems in America at large.

The film questions whether the Civil Rights Movement of the 1960s effectively changed the Black community, and American society more widely, and examines the notion of Black power itself. Greaves interviewed major Black leaders, such as Franklin Thomas, Clifton Wharton Jr., Eleanor Holmes Norton, and Lerone Bennett Jr. to present a candid take on issues within the African American community, revealing wider societal problems in America at large.

In 1971, maverick filmmaker William Greaves trained his cameras on both Muhammad Ali and his opponent, Joe Frazier, ahead of the “Fight of the Century” at New York’s Madison Square Garden. The epic battle was supposed to be Ali's big comeback following the suspension of his boxing license in 1967. In addition to the media circus surrounding both combatants, Greaves shot the match in its entirety from a dizzying array of camera angles, making the director's cut of The Fight both an invaluable historical document as well as a virtuosic piece of filmmaking

An investigation into the causes of racial tensions in New York City. Participants express their feelings in matters of race, under the direction and guidance of two prominent therapists.

Among other topics, includes a documentary on Malcolm X’s influence on the occasion of the fourth anniversary of his death, featuring Betty Shabazz, the widow of the brutally murdered leader.

It covers the activities of Malcolm X University in Durham, North Carolina (which operated for only three years), but above all devotes an entire segment to the Black athlete, focusing on an episode at the University of Wyoming, where 14 football players were suspended after attempting a protest against the rival team’s religious and racial views, the Brigham Young University. The 1960s black student movement at Duke University evolved into a separate institution to study and engage with the history and culture of the African diaspora. This film was produced for the National Educational Television (WNET) Black Journal.

Traces the life of Booker T. Washington, ex-slave, author, educator, and political leader, focusing on his stewardship of Tuskegee Institute in Alabama. Uses historic photographs, re-created vignettes, and interviews with contemporaries such as W.E.B. DuBois to present Washington's complex personality and his influence on southern life after the Civil War. Also examines his controversial policies of Black economic self-reliance and political accommodation