Alile Sharon Larkin

Alile Sharon Larkin

Alile Sharon Larkin is an artist-educator and award-winning independent film and video maker. Larkin was a public school teacher in Los Angeles for over 25 years. She taught at 32nd Street/USC Visual and Performing Arts Magnet School from 1993-2013. Her teaching experience ranges from pre-K to college and filmmaking is part of Larkin’s interdisciplinary curriculum. She has received 10 Video in the Classroom Awards for teacher-produced films, documenting students learning about textile arts, storytelling, yoga, jazz, women’s history, Kwanzaa and African-American dance. Her film, Your Children Come Back To You (1979), presents a child’s perspective on wealth and social inequality, and has screened throughout U.S. and Europe. A Different Image (1982), about an African-American woman contemplating self-identity, heritage and perception, received critical praise and earned her first prize from the Black American Cinema Society, won Best Production of 1981 from the Black Filmmaker Foundation, and was named runner-up for best short film at FILMEX. The screenplay of A Different Image was published in Screenplays of the African American Experience (Indiana University Press, 1991). Larkin’s critical essay, “Black Women Filmmakers Defining Ourselves,” appears in Female Spectators (Verso Editions, London). Larkin was honored to write the prologue for Charles Burnett: A Troublesome Filmmaker (Play-Doc Books, 2016). Her essay is titled: “Who Will Protect and Respect, Inspire and Nurture This Black Woman Filmmaker (For Charles and All the Brothers).” Larkin's production company Dreadlocks and the Three Bears Productions creates Afrocentric and global multimedia and arts experiences for children and families. Larkin recently resumed shooting Tie-Dye after 26 years, with a multigenerational crew including her son and granddaughter. Tie-dye features black children celebrating everyday life through global black music genres. The music is available on iTunes. Larkin hopes to complete the DVD for release in 2017.

  • Title: Alile Sharon Larkin
  • Popularity: 0.2942
  • Known For: Directing
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Alile Sharon Larkin Movies

  • 1989
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    Creating a Different Image: Portrait of Alile Sharon Larkin

    Creating a Different Image: Portrait of Alile Sharon Larkin

    1 1989 HD

    A jubilant affirmation of self-identity, Creating a Different Image is Alile Sharon Larkin in her own words defiantly declaring, "I am an artist." Learn more about the personal life and professional aspirations of the filmmaker behind Your Children Come Back to You (1979), A Different Image (1982), Dreadlocks and the Three Bears (1991) and many more. —Samuel B. Prime

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  • 2016
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    Spirits of Rebellion: Black Cinema at UCLA

    Spirits of Rebellion: Black Cinema at UCLA

    1 2016 HD

    Part of a multi-platform project highlighted by an hour long documentary about black filmmakers who worked and studied at UCLA between 1965 and the 1990s.

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  • 1978
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    The Single Parent Family: Images in Black

    The Single Parent Family: Images in Black

    6 1978 HD

    Interviews with single black parents.

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  • 1979
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    Your Children Come Back to You

    Your Children Come Back to You

    1 1979 HD

    A single mother ekes out a living from welfare check to welfare check, struggling to provide for her daughter.

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  • 1979
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    Your Children Come Back to You

    Your Children Come Back to You

    1 1979 HD

    A single mother ekes out a living from welfare check to welfare check, struggling to provide for her daughter.

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  • 1979
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    Your Children Come Back to You

    Your Children Come Back to You

    1 1979 HD

    A single mother ekes out a living from welfare check to welfare check, struggling to provide for her daughter.

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  • 1982
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    A Different Image

    A Different Image

    1 1982 HD

    An African American woman living away from her family in Los Angeles yearns to be recognized for more than her physical attributes. In cultivating the friendship of a male office mate, she aspires to a relationship where romance is not a factor, seeking someone who can "see her as she is," rather than see only what he wants to see. (UCLA Film & Television Archive)

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  • 1982
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    A Different Image

    A Different Image

    1 1982 HD

    An African American woman living away from her family in Los Angeles yearns to be recognized for more than her physical attributes. In cultivating the friendship of a male office mate, she aspires to a relationship where romance is not a factor, seeking someone who can "see her as she is," rather than see only what he wants to see. (UCLA Film & Television Archive)

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  • 1979
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    Your Children Come Back to You

    Your Children Come Back to You

    1 1979 HD

    A single mother ekes out a living from welfare check to welfare check, struggling to provide for her daughter.

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  • 1975
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    The Kitchen

    The Kitchen

    6 1975 HD

    An early student work directed at UCLA by Alile Sharon Larkin and submitted as her "Project One." Larkin visualizes a mental ward as a possible equivalent to prison incarceration for women of color. –UCLA Film & Television Archive

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  • 1975
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    The Kitchen

    The Kitchen

    6 1975 HD

    An early student work directed at UCLA by Alile Sharon Larkin and submitted as her "Project One." Larkin visualizes a mental ward as a possible equivalent to prison incarceration for women of color. –UCLA Film & Television Archive

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  • 1987
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    Miss Fluci Moses

    Miss Fluci Moses

    1 1987 HD

    The film uses interviews and photographs to tell the story of librarian and poet Fluci Moses, who is herself on-camera most of the time. She and other readers relate the story of black life in America through her and other readers' poems.

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  • 1991
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    Dreadlocks and the Three Big Bears

    Dreadlocks and the Three Big Bears

    1 1991 HD

    The story of Goldilocks and the Three Bears is told from an African American perspective in this short film written and produced by Alile Sharon Larkin.

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  • 1975
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    The Kitchen

    The Kitchen

    6 1975 HD

    An early student work directed at UCLA by Alile Sharon Larkin and submitted as her "Project One." Larkin visualizes a mental ward as a possible equivalent to prison incarceration for women of color. –UCLA Film & Television Archive

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  • 1975
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    The Kitchen

    The Kitchen

    6 1975 HD

    An early student work directed at UCLA by Alile Sharon Larkin and submitted as her "Project One." Larkin visualizes a mental ward as a possible equivalent to prison incarceration for women of color. –UCLA Film & Television Archive

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