Iain Forsyth

Reuniting to sing together for the first time in 15 months, NYX and Gazelle Twin gathered at Grade 2 listed building, Shoreditch Town Hall to perform an abridged version of their critically acclaimed album, Deep England.  Rooted in English pagan and sacred music, Deep England is an electronic-choral expansion of Gazelle Twin’s 2018 album Pastoral (Anti-Ghost Moon Ray). Here, tracks from Pastoral, an album whose political themes have only intensified since its original release, are radically reworked and presented alongside music arrangements by NYX Music Director Sian O’Gorman, Paul Giovanni and William Blake. Created in collaboration with Movement Director Imogen Knight and Sound Associate Peter Rice.

A semi-fictionalized documentary about a day in the life of Australian musician Nick Cave's persona.

A semi-fictionalized documentary about a day in the life of Australian musician Nick Cave's persona.

4AD and Jagjaguwar have collaborated on a live session that captures a truly unique Bon Iver performance, featuring Justin Vernon and Sean Carey. On recent tours fans will have become accustomed to seeing Vernon flanked by an eleven-piece band, with the swell in numbers lending a grandiose element to even his most delicate songs. Sidestepping expectations, the idea Vernon presented for this session was to provide a wildly different experience.

Recording these songs live for the first time, St Vincent has performed five tracks from Strange Mercy for the tenth visual installment in the 4AD Session series. Shot at Shangri-La Studios in the heart of the Brooklyn film and photography district in Greenpoint, the session was recorded with Annie's new band, Daniel Mintseris (keys), Toko Yasuda (moog) and Matthew Johnson (drums).

To mark the release of new album Eye Contact, Gang Gang Dance are the latest act to record a 4AD Session. Filmed in early April at Angelic Studios in the heart of rural England, the band convened in a purposefully built 20ft square mirrored room, encased by endless reflections of themselves.

To mark the release of new album Eye Contact, Gang Gang Dance are the latest act to record a 4AD Session. Filmed in early April at Angelic Studios in the heart of rural England, the band convened in a purposefully built 20ft square mirrored room, encased by endless reflections of themselves.

WHO IS GIL SCOTT-HERON? was released alongside "Nothing New", an album of stripped down acoustic versions of songs from Gil’s back catalogue, recorded with Richard Russell in New York between 2005 and 2009.

After discovering that John Milton is buried within London's Barbican grounds, Iain Forsyth & Jane Pollard reimagined his epic poem ‘Paradise Lost’ as part of Doug Aitken's Station to Station project. The piece uses the architecture and atmosphere of the Barbican to update the story, which is told in three parts.

A spellbinding performance film by Iain Forsyth and Jane Pollard, bringing to life the remarkable story the extraordinary Geraldine Flower, and the discovery of a suitcase of letters sent to her in the 1960s and 70s that inspired acclaimed Icelandic singer/songwriter Emilíana Torrini to return to the studio.

“Beyond the Pale” was written (& partially recorded) in front of a live audience, so it feels extra-strange not to be able to take it on the road at the moment. Fortunately, our friends Iain & Jane suggested a way round the problem: set up our equipment in a cave & they would film the results. We have invented a new way of playing a concert.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

A survivor, provocateur and true original, Marianne has spent more than six decades defying expectations — releasing over thirty-five albums while constantly reinventing herself. Made with her full involvement, Broken English is an intimate and unflinching exploration of a fractured yet unbreakable life shaped by fame, creativity and relentless public scrutiny.

Short film by musician Joe McAlinden and artists Iain & Jane about loss, truth and the emotional power of the sea

A survivor, provocateur and true original, Marianne has spent more than six decades defying expectations — releasing over thirty-five albums while constantly reinventing herself. Made with her full involvement, Broken English is an intimate and unflinching exploration of a fractured yet unbreakable life shaped by fame, creativity and relentless public scrutiny.