Fellipe Barbosa

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

Two moments in the life of Pedro. First in 1997, he lives with his family in Rio de Janeiro and works at Gás do Brasil, a company that is undergoing a tough restructuring process, with layoffs and early retirements. Soon, privatization will come. In the second moment, two years later, Pedro lives retired in his hometown Barbosa, in the company of his childhood memories, his dog and his girlfriend. By interweaving these two moments in time, we put ourselves in Pedro's skin and experience his fears and delights.

Laura, a sexy Brazilian immigrant, has been living in New York for 25 years. She is a regular at NY nightclubs and frequents the most exclusive parties and upscale restaurants. However, she lives in a modest boarding house in Manhattan, where she shares a bathroom with other guests who are largely illegal immigrants. The film questions the meaning of success, examines the fear of returning home, the unconscious pressure of the family she abandoned in Curitiba, and the deliberate creation of a fantasy as a means of protection.

As a privileged teenager living in an affluent suburb of Rio de Janeiro, Jean has little to worry about beyond games, grades and girls. But as his overbearing father drags the family into debt, Jean is forced into a change of lifestyle which opens his eyes to the world beyond his 'casa grande' - not least that of the feisty, mixed-race firecracker Luiza. Cultures, classes and generations collide in this engrossing coming-of-age drama from Brazil.

When the Netuno Circus returns to Fernando de Noronha, it brings back a young man with a turbulent past. Pedro is now Zolah, the human cannonball. When secrets surface, bizarre family reunions rival the circus performances.

Through the recovery of found Super-8mm footage captured by his brother during the 70´s dictatorship, André tries to revive the memories of his father, who’s been waiting for his missing son for over 30 years.

In Bocaina, Minas Gerais, two sisters live peacefully and in isolation until the arrival of an outsider to the region. The plot follows in the footsteps of Zulma (Malu Gali), Musk (Ana Flavia) and Josevelt (Alejandro Claveaux). Josevelt is the mysterious fellow who, along with these two conflict-filled women, helps them free themselves from their restraints. Under the context of a pandemic, the narrative addresses the feeling of suspension and uncertainty, so present today.

As a privileged teenager living in an affluent suburb of Rio de Janeiro, Jean has little to worry about beyond games, grades and girls. But as his overbearing father drags the family into debt, Jean is forced into a change of lifestyle which opens his eyes to the world beyond his 'casa grande' - not least that of the feisty, mixed-race firecracker Luiza. Cultures, classes and generations collide in this engrossing coming-of-age drama from Brazil.

A confirmed bachelor tries to persuade his recently engaged friend back to his old carefree life.

A confirmed bachelor tries to persuade his recently engaged friend back to his old carefree life.

A confirmed bachelor tries to persuade his recently engaged friend back to his old carefree life.

Filmmakers that were selected at Visions du Réel in the past twenty editions celebrate the Festival's anniversary by each making a short movie in which they expose their view of the future.

Paulo (Pedro Brício), a publicist of Rio de Janeiro, moves to Brasília (capital of Brazil) to be the manager of the public image of a senator who wants reelection. Paulo is accompanied by his wife, Cris (Cintia Rosa), a journalist with whom he has a small daughter. But their relationship is not moved by love, they are only together for the girl, the result of an unwanted pregnancy.

Before entering a prestigious American university, Gabriel Buchmann decides to travel the world for one year. After ten months on the road with his backpack full of dreams, immersed at the heart of various countries, he arrives in Kenya determined to discover the African continent. Until he reaches the top of Mount Mulanje, Malawi, his final destination.

Before entering a prestigious American university, Gabriel Buchmann decides to travel the world for one year. After ten months on the road with his backpack full of dreams, immersed at the heart of various countries, he arrives in Kenya determined to discover the African continent. Until he reaches the top of Mount Mulanje, Malawi, his final destination.

LA MANUELA is a movie about exile and self-reinvention. In august 2015, Manuela Lavinas Picq, a french-brazilian journalist and university professor, was arrested at a demonstration in Quito, Ecuador. That same night, her work visa was revoked and she was taken into custody. Manuela was forced to leave Ecuador, where she had lived for the last decade, losing her home, work and lover. This film tells the trajectory of an activist who defends the causes of indigenous peoples with a lot of identity.

Will and Eli meet by chance in a bar and head to the salt flats searching for a party. In the process, however, they take the first steps towards finding and accepting themselves.

January 1st, 2003. When Brazil celebrates President Lula′s historic investiture, two middle-class, provincial families gather in an old, poorly maintained house. As they prepare a big party, secrets, hidden desires and frustrations are revealed.

Maggie and her sister form an unusual bond during an encounter with a young man.

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

Boys On Film 5: Candy Boy features nine award-winning short films. Boys will be boys in Pascal-Alex Vincent's FAR WEST and CANDY BOY, where a farmyard and an orphanage get a gay makeover. GO-GO REJECT sees Flashdance obsessive Daniel aim for the stars, as SWEAT has Holby City's David Paisley infiltrating a bath house with unexpected results. Meanwhile, love proves to be timeless when LAST CALL unites past and present, but TWOYOUNGMEN, UT. hints at an uncertain future. Looking back on the dictatorship of Augusto Pinochet, BLOCKS focuses on the sexual awakening of a peeping Tom. Two more young boys, a confused JAMES and mute DAVID, both reach out for an experienced hand, but will they find what they are looking for?

One day and one night, in a rustic country house rented by Luciana and Marcelo, who—despite having been together for eight years—have never been openly serious about their relationship. Their neighbors and friends, Cláudio and Fabiana, are seemingly happy. But it only takes getting to know them better to realize they have a very toxic relationship. Paula, Marcelo’s friend since his teens, soon understands she is entering a minefield. She decides to have a fun weekend despite the conflicts she might spark.

Ana is a rising lawyer who is going deaf. After losing her hearing, she begins to see and hear this new world of which she is a part, previously invisible. Through this new sense of hearing, Ana transforms herself and rediscovers her purpose.

In Bocaina, Minas Gerais, two sisters live peacefully and in isolation until the arrival of an outsider to the region. The plot follows in the footsteps of Zulma (Malu Gali), Musk (Ana Flavia) and Josevelt (Alejandro Claveaux). Josevelt is the mysterious fellow who, along with these two conflict-filled women, helps them free themselves from their restraints. Under the context of a pandemic, the narrative addresses the feeling of suspension and uncertainty, so present today.