Guy Séligmann

Nikolai (played by Sergei Dontsov) has been fired from his job as a music teacher and has to live in the gym until he finds a place to stay. Finally, he gets a communal room in the apartment of Gorokhov (Victor Mikhalkov). The room's previous inhabitant, an old lady, has died a year ago, and yet her cat, Maxi, is still in the locked room, healthy and fat. Soon, Nikolai and his neighbours discover the mystery: there is a window to Paris in the room. That's when the comedy begins - will the Russians be able to cope with the temptation to profit from the discovery?

Claire's handbag is stolen. It contained a letter written ten years previously by the man who is now the French President. In the letter, he urges his pregnant mistress to have an abortion. Claire immediately alerts the President's men. From that moment, the machinery of state swings into action.

Nikolai (played by Sergei Dontsov) has been fired from his job as a music teacher and has to live in the gym until he finds a place to stay. Finally, he gets a communal room in the apartment of Gorokhov (Victor Mikhalkov). The room's previous inhabitant, an old lady, has died a year ago, and yet her cat, Maxi, is still in the locked room, healthy and fat. Soon, Nikolai and his neighbours discover the mystery: there is a window to Paris in the room. That's when the comedy begins - will the Russians be able to cope with the temptation to profit from the discovery?

Second film on the experimental school of Bonneuil.

Former criminal Sergei meets Vera - an elderly unhappy woman who lives in a dormitory. After Sergei commits another crime, they run together and along the way they accidentally get into a zone contaminated by radiation. Sergei decides to stay there, but Vera does not leave him. At that moment three looters come to the territory.

Two old ladies live in a French chateau. When one of them dies, her sister, who lives in Moscow, inherits the property, which soon ends up in the hands of Japanese businessmen.

Nikolai (played by Sergei Dontsov) has been fired from his job as a music teacher and has to live in the gym until he finds a place to stay. Finally, he gets a communal room in the apartment of Gorokhov (Victor Mikhalkov). The room's previous inhabitant, an old lady, has died a year ago, and yet her cat, Maxi, is still in the locked room, healthy and fat. Soon, Nikolai and his neighbours discover the mystery: there is a window to Paris in the room. That's when the comedy begins - will the Russians be able to cope with the temptation to profit from the discovery?

The life of a "big" restaurant seen as a world unto itself, a world apart with its own inhabitants, rules, intrigues, movements, hierarchy, history and stories, internal and external relationships... an organic world that pulses, moves, shouts, cries, sings and, of course, eats. Here, the particularity of their vision lies in the stage set-up, which offers two separate, parallel spaces that interact with each other: the "visible" world on the dining room side, and the "underground" world on the kitchen side. At intermission, the spectator switches sides, seeing the same story from two radically different points of view.

The ironic study of a young man's poignant adventures and sensual adventures...based on "Roman Tales" by Alberto Moravia.

St. Petersburg. Winter of 1917, the eve of the February Revolution. The maid finds in the room the corpse of the murdered tenant. In his pocket, a hotel account was found in the name of Karl Fischer, a well-known banker. An investigation is beginning. In the list of suspects - an agent of the secret police...

A tale by Pierre Rissient: How I became a cinema lover in France and in the USA.

In 1971, Jean-Daniel Pollet & Guy Seligmann directed for French TV a documentary about French artist César Baldaccini. It was part of L'invité du dimanche show.

On April 24th, 1982, when Orson Welles was invited to Paris to receive the Légion d'honneur from François Mitterand, a lively filmed interview took place inside the French Cinémathèque.

Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two brothers, illegal immigrants, Marco and Rodolpho. Catherine falls in love with Rudolpho; and Eddie, tormented but unable to admit even to himself his quasi-incestuous love, reports the illegal immigrants to the authorities.

Military doctor General Klenski is arrested in Stalin's Russia in 1953 during an anti-Semitic political campaign accused of being a participant in so-called "doctors' plot".

The film is a portraiture of an old farmer at work doing his daily chores in an area that is completely flooded. The situation is catastrophic, but for the man it is only one of the many floods he has experienced in his life.

The year is 1949. One of the last outbreaks of Stalinist terror was a bloody buffoonery under the auspices of the fight against cosmopolitanism. In the Writers' House near Moscow, where a young writer finishes her story about her husband's arrest and death, there is a painful atmosphere of fear, suspicion, suspiciousness and foreboding that can drive you crazy...

This historic documentary highlights the basis of Jean-Paul Sartre's thoughts in all its forms: novel, theater, philosophy, political commitments. Surrounded by Claude Lanzmann, Michel Contat, JB Pontalis, Jean Toussaint Desanti and Bernard Henri Levy, Sartre expresses himself at length in this rare film. Features rare on-camera interview film footage of Sartre giving his thoughts on the following subjects: Sartre on Philosophy Sartre on Intellectualism Sartre on Literature Sartre on the Theater Sartre on Literary Activism Sartre on Discussions Sartre on his novel, "Nausea" Sartre on the Review, "Les Temps Modernes"

A walk through the life and work of the brilliant French filmmaker Georges Méliès (1861-1938), pioneer of special and visual effects.

Yves Boisset looks back on his career, from his early teenage love of cinema to his articles in Cinéma 57 magazine, from his notable successes to his recent socially conscious TV movies. He links his passion for news stories to his past as a journalist: for him, they reflect society. Filmed against a black background featuring photographs and posters of his films, like traces of his rich career, the director opens up generously.

Yves Boisset looks back on his career, from his early teenage love of cinema to his articles in Cinéma 57 magazine, from his notable successes to his recent socially conscious TV movies. He links his passion for news stories to his past as a journalist: for him, they reflect society. Filmed against a black background featuring photographs and posters of his films, like traces of his rich career, the director opens up generously.