Oreste Fares

Manon escapes with the young nobleman Des Grieux, then becomes a high-class courtesan and finally forced to exile to America.

An Italian emigrant, who found fame and success in America, comes back to his hometown after over twenty years.

Toto (Aldo Fabrizi), a Roman coachman with an old fashioned horse-drawn carriage who objects to the competition from motorised taxis, doesn't want his daughter Nannarella to go out with Roberto, a young taxi driver. But it is Roberto who helps him when he gets into trouble with a former client, Mary Dunchetti (Anna Magnani), an arrogant singer.

Set during the Spanish civil war, the story of a commander of a fort Alcazar in Toledo, faithful to general Franco.

Set in the Papal States in the first half of the 19th century, it tells the story of the Roman noblewoman Vanina Vanini and her secret love for the Carbonaro Pietro Mirilli. The latter, given his commitments in the underground struggle, decides to abandon his young lover, who is nevertheless willing to marry him. Left alone, Vanina is unable to escape her despair and tries in every way to reunite with her companion, even going so far as to denounce the Carbonari to the Cardinal of Romagna, naming them all except Pietro and revealing the hiding place where they meet. Pietro, learning of Vanina's betrayal, casts her out. Only then does Vanina realize the gravity of her actions and decides to join the Carbonari, even participating in combat operations, during one of which she is wounded. This brings the two young people closer together forever.

Umberto Solaro loses the love of his life Speranza, a noble but poor girl who has been forced to marry a rich Austrian army officer. Heartbroken Umberto becomes a riding instructor but during a competition his horse dies and he decides to give up equitation and become an aviator.

Based on fact, Passaporto Rosso (Red Passport) details the plight of a group of poor Italian immigrants who are hired as railroad workers in turn-of-the-century South America. In addition to facing poverty, deprivation, and prejudice, the immigrants are also bedeviled by a raging fever epidemic. Finally achieving a measure of prosperity, the Italians are forced to confront tragedy once more when their grown children march off to WWI. Though Isa Miranda is top-billed, she has very little to do in comparison with male lead Filippo Scelso. Passaporto Rosso was released in the U.S. as Destiny Unknown.

During a reception in a villa, wealthy banker Calandri is killed in the park with a gunshot. The gamekeeper Barra is immediately arrested, but he declares himself innocent. During the trial it turns out that the defendant had threatened the victim, guilty of courting his sister-in-law. But the deposition of a journalist present at the party soon leads to discover the existence of a dense network of equivocal relations between the victim, the guests and the servants. This judicial setting drama is allegedly the second Italian sound film after "The Song of Love", made using the RCA Photophone recording technique, and is also considered to be the first Italian detective film, a precursor to the later genre of Giallo films.

The well off daughter of a tenor breaks up a romance with a helpful youth from a misunderstanding. But she continues to cover him with his gambling debts despite her delicate health.

To secure her fortune with Monsieur Vaudieu de la Tour, the Machiavellian Claudia kills her lover's elder brother and steals his child. The boy is adopted by a coachman, and later, as secretary to the Minister of Justice, discovers the truth, punishes the bad guys, rewards the good ones and marries the daughter of another innocent man, unjustly accused by Claudia.

Based on a Victor Hugo play, and scored with music from the later opera by Giuseppe Verdi, the film tells about a hunchbacked clown whose beautiful daughter falls in love with the lecherous king.

The title of this Italian melodrama translates to Pact with the Devil. However, His Satanic Majesty does not appear in the film. Rather, this expensively produced period piece is more along the lines of Romeo and Juliet, with young love threatened by warring families. In his first Italian film, Hollywood veteran Eduardo Cianelli goes through his usual villainous paces as the scheming father of the male lead (Jacques Francois). The most fascinating performance is rendered by Umberto Spadaro, as the village idiot, or is he? Patto col Diavolo makes the most of the visual dynamics of Italy's mountainous Calabrian region.

The baron of Santafusca, descended from a noble family, leads a dissipated life. To pay debts he is forced to sell his house. He tries to steal from the house of a very rich priest and, surprised during the theft, he kills the priest, and then throws the body in an abandoned well. He continues his life of revelries and luxury, until the remorse for the crime trigger a process of self-destruction. The nightmares of the baron, tormented by the only evidence left of the murder, the hat of the priest ,drags him into a daring and hallucinated series of ups and downs to the brink of insanity and jail.

After his plane makes an emergency landing, a kidnapped millionaire assumes the identity of a poor man.

During the Spanish occupation of Naples, the people led by Tommaso Aniello - known as "Masaniello" - plot against the Viceroy. The Viceroy's son, under another name, has a son from Masaniello's sister, but his father has already planned a marriage for him with a Spanish patrician against his wishes.