Clara Kuperberg

Reflec­tion of the soci­ety and vec­tor of the occi­den­tal cul­ture, Amer­i­can cin­e­ma influ­ences the entire world since its debuts.

A history of anti-Asian racism and yellowface in Hollywood after the 1941 Pearl Harbor attack.

Looks at roles given to women in Hollywood over the years and the development of 'chick flicks'. Writers, critics and studio executives including Nora Ephron, Molly Haskell and Linda Obst, discuss the rise of chick flicks.

Looks at roles given to women in Hollywood over the years and the development of 'chick flicks'. Writers, critics and studio executives including Nora Ephron, Molly Haskell and Linda Obst, discuss the rise of chick flicks.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.

Martin Scorsese, in New York, talks about the musics in his films and all his influence and great composers as Bernard Herrmann or Bernstein. From Mean Streets to Aviator.

Sophisticated and sexy, yet crazy. Stylish and smart. When New York screenwriters got jobs in Hollywood in the 1930s, both the tempo and the temperature in the studio rose. It was called "screwball" and it only lasted for ten years.

Story of a director Stanley Donen, king of Hollywood musicals and man behind such classics as "Singin' in the Rain".

Story of a director Stanley Donen, king of Hollywood musicals and man behind such classics as "Singin' in the Rain".

Story of a director Stanley Donen, king of Hollywood musicals and man behind such classics as "Singin' in the Rain".

A documentary about the pioneer of independent American cinema and television by sisters Julia and Clara Kuperberg, who specialize in documentaries on American film history. We follow Ida Lupino's journey from being a teenage Hollywood star, through social realism cinema, to her appearances in popular television series.

A documentary about the pioneer of independent American cinema and television by sisters Julia and Clara Kuperberg, who specialize in documentaries on American film history. We follow Ida Lupino's journey from being a teenage Hollywood star, through social realism cinema, to her appearances in popular television series.

Gives insight into the creators mindset and how they culled from real life events to create some of the biggest sci-fi films of all time.

John Wayne, Henry Fonda and James Stewart discuss working with John Ford

Joni Mitchell has been called the queen of folk music and one of the biggest pop stars of the 60s and 70s. Even today, her lyrics and unique guitar style continue to inspire new generations of singers and songwriters.

Misunderstood genius, superstar, Hollywood’s fallen angel... Orson Welles left his indelible mark on the 20th century.

Misunderstood genius, superstar, Hollywood’s fallen angel... Orson Welles left his indelible mark on the 20th century.

Portrait of a deceptively smooth "everyman", whose excessiveness as a great actor Billy Wilder was able to reveal with a bang in the seven films they shot together, including "Some Like It Hot", "The Bachelor's ", "Irma the sweet" and "Avanti, avanti".

A documentary about film noir films made in Los Angeles.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

Biography on the famous writer-director, Billy Wilder.

Milos Forman and guests look at his career from his departing Czechoslovakia and his arrival in America with stories and interviews about The Fireman's Ball, One Flew Over the Cuckoo's Nest, Amadeus, The People Vs Larry Flynt, and The Man on the Moon.

Dorothy Arzner was Hollywood's most powerful director, though History has forgotten her. She began working in the film industry at 19 as a "cutter" before the advent of editors, and gradually worked her way up through the studio system. Determined and ambitious, she was accepted as a director at Paramount, as the first woman to direct a talking picture for the star Clara Bow. A true pioneer of the cinema, she was the only woman director at a major Hollywood studio in the 1930s and 1940s, openly lesbian, dressed like a man, making movies "avant-gardiste" about women's condition. She was a mentor for Francis Ford Coppola, who considers her as one of the most important woman directors of Hollywood.

Dorothy Arzner was Hollywood's most powerful director, though History has forgotten her. She began working in the film industry at 19 as a "cutter" before the advent of editors, and gradually worked her way up through the studio system. Determined and ambitious, she was accepted as a director at Paramount, as the first woman to direct a talking picture for the star Clara Bow. A true pioneer of the cinema, she was the only woman director at a major Hollywood studio in the 1930s and 1940s, openly lesbian, dressed like a man, making movies "avant-gardiste" about women's condition. She was a mentor for Francis Ford Coppola, who considers her as one of the most important woman directors of Hollywood.

Dorothy Arzner was Hollywood's most powerful director, though History has forgotten her. She began working in the film industry at 19 as a "cutter" before the advent of editors, and gradually worked her way up through the studio system. Determined and ambitious, she was accepted as a director at Paramount, as the first woman to direct a talking picture for the star Clara Bow. A true pioneer of the cinema, she was the only woman director at a major Hollywood studio in the 1930s and 1940s, openly lesbian, dressed like a man, making movies "avant-gardiste" about women's condition. She was a mentor for Francis Ford Coppola, who considers her as one of the most important woman directors of Hollywood.

Martin Scorsese is among those paying tribute to Gene Tierney, the Academy Award-nominated American actress who was a leading lady in Hollywood throughout the 1940s and '50s.

Martin Scorsese is among those paying tribute to Gene Tierney, the Academy Award-nominated American actress who was a leading lady in Hollywood throughout the 1940s and '50s.

A documentary studying the archetype of the witch in Hollywood cinema from the 1930s to the present and shows, between the lines, how it is linked to the social history of female power.

Mary Pickford's name remains inseparable from the legend of American cinema. She invented the star system at the beginning of the 20th century, and was the biggest star ever known, not just in Hollywood, but worldwide, at a time when actors didn't even have their names on movie posters. She was more than a pioneer, she was a jack-of-all-trades: world-famous star, producer and formidable businesswoman, screenwriter and director in the shadows, studio boss, Mary Pickford alone embodied the entire legend of cinema and the advent of women in that particular era.

Mary Pickford's name remains inseparable from the legend of American cinema. She invented the star system at the beginning of the 20th century, and was the biggest star ever known, not just in Hollywood, but worldwide, at a time when actors didn't even have their names on movie posters. She was more than a pioneer, she was a jack-of-all-trades: world-famous star, producer and formidable businesswoman, screenwriter and director in the shadows, studio boss, Mary Pickford alone embodied the entire legend of cinema and the advent of women in that particular era.

This documentary by Clara and Julia Kuperberg examines how a set of moral guidelines known as the Hays Code influenced movie-making in Hollywood from the 30s through to the late 60s.

This documentary by Clara and Julia Kuperberg examines how a set of moral guidelines known as the Hays Code influenced movie-making in Hollywood from the 30s through to the late 60s.

The historic election of Ronald Reagan as the 40th President of the USA has gained new relevance with the success of Donald Trump. Ronald Reagan's election victory was no coincidence, but the work of large-scale manipulation by organized crime. How was it that a second-rate actor was able to get into the White House with the help of the mafia? Who are the men who helped him? And who was Ronald Reagan really? The documentary answers these questions and reveals the string-pullers and backers who pushed Reagan into the highest spheres of power.

The historic election of Ronald Reagan as the 40th President of the USA has gained new relevance with the success of Donald Trump. Ronald Reagan's election victory was no coincidence, but the work of large-scale manipulation by organized crime. How was it that a second-rate actor was able to get into the White House with the help of the mafia? Who are the men who helped him? And who was Ronald Reagan really? The documentary answers these questions and reveals the string-pullers and backers who pushed Reagan into the highest spheres of power.

The dashing and dazzling Douglas Fairbanks was the movie star who "swashbuckled in Zorro, dueled exuberantly in Robin Hood and soared magnificently in The Thief of Bagdad"-- He was the "First King of Hollywood".

Dorothy Arzner was Hollywood's most powerful director, though History has forgotten her. She began working in the film industry at 19 as a "cutter" before the advent of editors, and gradually worked her way up through the studio system. Determined and ambitious, she was accepted as a director at Paramount, as the first woman to direct a talking picture for the star Clara Bow. A true pioneer of the cinema, she was the only woman director at a major Hollywood studio in the 1930s and 1940s, openly lesbian, dressed like a man, making movies "avant-gardiste" about women's condition. She was a mentor for Francis Ford Coppola, who considers her as one of the most important woman directors of Hollywood.

Portrait of one the most fantastic American cartoonist, author of MAUS, Pulitzer Prize in 1992.

Gives insight into the creators mindset and how they culled from real life events to create some of the biggest sci-fi films of all time.

Gives insight into the creators mindset and how they culled from real life events to create some of the biggest sci-fi films of all time.

Gives insight into the creators mindset and how they culled from real life events to create some of the biggest sci-fi films of all time.

Portrait of a deceptively smooth "everyman", whose excessiveness as a great actor Billy Wilder was able to reveal with a bang in the seven films they shot together, including "Some Like It Hot", "The Bachelor's ", "Irma the sweet" and "Avanti, avanti".

Exploring the radical changes which hit Hollywood in the 1960s and 70s, with a new breed of director and actor, and the anti-hero very much replacing the all-American hero.

Exploring the radical changes which hit Hollywood in the 1960s and 70s, with a new breed of director and actor, and the anti-hero very much replacing the all-American hero.

A documentary on the family of brothers who formed the Warner Bros studio.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

Biography on the famous writer-director, Billy Wilder.

Biography on the famous writer-director, Billy Wilder.

Biography on the famous writer-director, Billy Wilder.

A portrait of American crime writer James Ellroy that is a journey through his dark personal and literary obsessions, marked by the murder of his mother, Jean Ellroy, in 1958, when he was just a ten-year-old boy.

A portrait of American crime writer James Ellroy that is a journey through his dark personal and literary obsessions, marked by the murder of his mother, Jean Ellroy, in 1958, when he was just a ten-year-old boy.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

During the 1930s anti-Semitism was rampant not only in Germany but also in America. There was a German American Bund and pro-Nazi rallies even filled Madison Square Gardens in New York City. And the US was isolationist. Until Pearl Harbor, then, everything changed. Spymasters throughout the 20th century, and particularly during times of conflict, thought it advantageous to enlist the services of celebrities who had high level and powerful "fans" in various industries, many with easy access to politicians and high ranking government officials. Hollywood, as we now know from declassified National Archive documents, aided in the mobilization for war and its people contributed as spies, combatants, propagandists, documentary and fund-raisers, entertainers, and morale-boosters. Hundreds of celebrities eagerly answered the "call to arms" and brought their talents and patriotism to the intelligence services, military and war information offices.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

Mehdi lives with his mother in the suburbs of Paris. He plays poker online. After a lucky strike he decides it is time to risk it all in Montecarlo.

Joni Mitchell has been called the queen of folk music and one of the biggest pop stars of the 60s and 70s. Even today, her lyrics and unique guitar style continue to inspire new generations of singers and songwriters.

Joni Mitchell has been called the queen of folk music and one of the biggest pop stars of the 60s and 70s. Even today, her lyrics and unique guitar style continue to inspire new generations of singers and songwriters.

Joni Mitchell has been called the queen of folk music and one of the biggest pop stars of the 60s and 70s. Even today, her lyrics and unique guitar style continue to inspire new generations of singers and songwriters.

The True Story of the Barrymores is the story of 3 generations of actors who, from the birth of cinema to the advent of social networking, left their mark on the entertainment industry. It is also the story of a cursed generation and a legacy that will be saved in the early 80s by the cry of a 7-year-old girl. Her name is Drew Barrymore.

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

Martin Scorsese is renowned for his masterful use of music in his films. His relationship with music is deep and complex, and he considers it a crucial element of cinematic storytelling. In many of his films, music plays a role almost as important as the characters themselves. It can serve to underscore the characters' emotions, reinforce the film's themes, or evoke a particular era. While Scorsese regularly collaborates with renowned composers to create memorable soundtracks, from Bernard Herrmann and Elmer Bernstein to Robbie Robertson and Howard Shore, what he enjoys most is incorporating existing pieces of music ; "the soundtrack to his life", as he puts it.

Martin Scorsese is renowned for his masterful use of music in his films. His relationship with music is deep and complex, and he considers it a crucial element of cinematic storytelling. In many of his films, music plays a role almost as important as the characters themselves. It can serve to underscore the characters' emotions, reinforce the film's themes, or evoke a particular era. While Scorsese regularly collaborates with renowned composers to create memorable soundtracks, from Bernard Herrmann and Elmer Bernstein to Robbie Robertson and Howard Shore, what he enjoys most is incorporating existing pieces of music ; "the soundtrack to his life", as he puts it.

Martin Scorsese is renowned for his masterful use of music in his films. His relationship with music is deep and complex, and he considers it a crucial element of cinematic storytelling. In many of his films, music plays a role almost as important as the characters themselves. It can serve to underscore the characters' emotions, reinforce the film's themes, or evoke a particular era. While Scorsese regularly collaborates with renowned composers to create memorable soundtracks, from Bernard Herrmann and Elmer Bernstein to Robbie Robertson and Howard Shore, what he enjoys most is incorporating existing pieces of music ; "the soundtrack to his life", as he puts it.

Martin Scorsese is renowned for his masterful use of music in his films. His relationship with music is deep and complex, and he considers it a crucial element of cinematic storytelling. In many of his films, music plays a role almost as important as the characters themselves. It can serve to underscore the characters' emotions, reinforce the film's themes, or evoke a particular era. While Scorsese regularly collaborates with renowned composers to create memorable soundtracks, from Bernard Herrmann and Elmer Bernstein to Robbie Robertson and Howard Shore, what he enjoys most is incorporating existing pieces of music ; "the soundtrack to his life", as he puts it.