Vyacheslav Butusov

Documentary about rock club in the city of Sverdlovsk, USSR. The title is not connected to the communist ideology, it's a reference to one of China's Four Great Classical Novels. The idea is that the phenomenon of Soviet rock music is as extensive and complicated as the structure of the book. Featuring rock bands: "Агата Кристи", "Чайф", "Наутилус Помпилиус", rock singer Nastya Poleva and her band "Настя"

The story unfolding during one day, tells about the male vileness and ever-hard female share ... The action takes place against the background of the first hits of the young group "Nautilus Pompilius" ...

Danila goes to his successful brother, Victor, in Petersburg to start a new life. Unknown to Danila, Victor is a contract killer, but is in hiding after asking for too much money to assassinate a Chechen mob boss. To avoid exposure, Victor convinces Danila to kill the boss instead.

Sergei and Andrei are walking through a city park and see that a film shoot set just post World War II is taking place . They climb over the park fence to get a better view but hit some cable lying on the ground and find themselves in the past - on May 8, 1949, a day which they seem doomed to relive over and over again.

The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors.

A Finnish documentary about the feelings of a rock generation in the Soviet Union during Gorbachev's regime: the film follows underground bands' rise to publicity, the country's first "official" rock festival called the Moscow Rock Panorama-87 and the rocket-like ascent of Uralian Nautilus Pompilius into the starry sky of Soviet rock. Also appearing: "Аквариум", "Авиа", "Телевизор", "Браво", "Ва Банкъ", "Бригада С", "Новая Коллекция", "Мистер Твистер", "Круиз", "Нюанс", "Альянс", Uriah Heep.

A documentary film about the life and early death of Russian singer and songwriter Aleksandr Bashlachev through the eyes of his friends, family members and other representatives of rock music scene.

The film “We Others Will Not” emerged as a direct continuation of numerous meetings and conversations with Sergei Bodrov Jr. and Alexei Balabanov. The idea to reflect again on the phenomenon of Sergei Bodrov Jr.’s identity belongs to Evgeniy Nikishov and Valeriy Fedorovich. Together we decided to go on this difficult journey. Close friends and colleagues talk about Sergei: the producer Sergei Selyanov, the designer Nadezhda Vasilyeva, the composer Vyacheslav Butusov, the cinematographer Sergei Astakhov, and also… Sergei Bodrov Jr. and the director Alexei Balabanov, whose films “Brother” and “Brother 2” acquired popular fame at the threshold of the 2000s.

During the bloody war in Chechnya, a British couple and two Russian soldiers are taken hostage by Chechen rebels. Two of the hostages are then released to bring the money for the British woman who is forced to wait for the ransom.

Remix of the 1988 cult movie "The Needle": Moro returns to Alma Ata to collect money owed to him. While waiting out an unexpected delay, he visits his former girlfriend Dina, and discovers she has become a morphine addict. He decides to help her kick the habit and to fight the local drug mafia responsible for her condition. But Moro finds a deadly opponent in "the doctor," the mafia kingpin who is exploiting Dina.

Arriving in Moscow, Chechen War veteran Danila meets Konstantin, an old friend who tells him that his twin brother has been forced into signing a crooked contract with a US ice hockey team. Soon after this meeting, Danila discovers Konstantin dead and he sets out to avenge his death; a journey that leads him to Chicago and a whole new experience.

The film “We Others Will Not” emerged as a direct continuation of numerous meetings and conversations with Sergei Bodrov Jr. and Alexei Balabanov. The idea to reflect again on the phenomenon of Sergei Bodrov Jr.’s identity belongs to Evgeniy Nikishov and Valeriy Fedorovich. Together we decided to go on this difficult journey. Close friends and colleagues talk about Sergei: the producer Sergei Selyanov, the designer Nadezhda Vasilyeva, the composer Vyacheslav Butusov, the cinematographer Sergei Astakhov, and also… Sergei Bodrov Jr. and the director Alexei Balabanov, whose films “Brother” and “Brother 2” acquired popular fame at the threshold of the 2000s.

Sergei and Andrei are walking through a city park and see that a film shoot set just post World War II is taking place . They climb over the park fence to get a better view but hit some cable lying on the ground and find themselves in the past - on May 8, 1949, a day which they seem doomed to relive over and over again.

Sergei and Simon have to deliver a suitcase full of heroin to Mikhalych or else they will be killed. There is one minor detail: the only problem-solving technique they are familiar with is a shot in the head.

Remix of the 1988 cult movie "The Needle": Moro returns to Alma Ata to collect money owed to him. While waiting out an unexpected delay, he visits his former girlfriend Dina, and discovers she has become a morphine addict. He decides to help her kick the habit and to fight the local drug mafia responsible for her condition. But Moro finds a deadly opponent in "the doctor," the mafia kingpin who is exploiting Dina.

Danila goes to his successful brother, Victor, in Petersburg to start a new life. Unknown to Danila, Victor is a contract killer, but is in hiding after asking for too much money to assassinate a Chechen mob boss. To avoid exposure, Victor convinces Danila to kill the boss instead.