André Brassard

A woman in love with a musician has a change of heart on her 18th birthday.

Backyard Theatre is a documentary about playwright Michel Tremblay and director André Brassard’s flavourful brand of Quebec theatre, which captured the earthy wit and joual (slang) of Montreal's East End working-class neighbourhood. The film features impromptu improvisation by the cast of Les belles-soeurs and Demain matin, Montréal m'attend, two genre-defining plays.

Laurie, a professional downhill racer gets fired because of her slight overindulgence in irresponsibility. She returns to Montreal where she is welcomed by her geeky but cute brother. She meets Lorenzo, a cranky, ex-racer who owns a bike shop. The two become friends. Laurie gets a job with a local bicycle courier company, but a member of the group is intent on shutting her out of their circles, making her life difficult and sad. After a bonding truth-revealing discussion between Laurie and Lorenzo, Laurie begins to see what she has to do to make things better for herself.

Alex has a deeply troubled mind. He also has a seriously dysfunctional - not to say incestuous - family. Why then, has he returned from his merchant seaman job to the rocky coasts of his home? Perhaps he couldn't cut manage to march in his father's footsteps in that job. His mother doesn't seem to mind, and lets him stay at her bed and breakfast hotel. His sister still seems to have the hots for him, just as she does for his (and her) old boyfriend Jean-Louis, who has just shown up. Even his mother seems to find him sexy. All these people appear eager to get their hands on his body, but he's too wrapped up in what's going on inside his head to notice.

Montreal, 1904. Giuseppe and Ninetta own a boarding house where they welcome their fellow Sicilians. One day, as he comes to the defence of one of his boarders, Giuseppe accidentally kills Theo, his French Canadian best friend’s son-in-law. This drama depicts the tensions between people from different ethnic backgrounds and their life-changing impact. Based on a true story, 'The Saracen Woman' paints a portrait of Italian immigration to Quebec and the affinities and conflicts that arose from the clash of two different cultures.

Making of documentary filmed over months of rehearsal and experimentation between director André Brassard and the cast to flesh out Michel Tremblay's "Messe solennelle pour une pleine lune d’été".

“Fiction is a letter that I’m writing to myself to make sense of the world.” These are the words of Michel Tremblay and the opening of this delicate and touching documentary that explores the creative mind behind Les Belles Soeurs. From Glasgow to Tokyo, from Key West to Montreal, In the Hands of Michel Tremblay sensitively paints the portrait of a singular career.

This feature-length documentary follows actor Jean-Louis Millette as he travels to Italy to present the play The Dragonfly of Chicoutimi, in which he plays the lead role. Director Jean-Claude Coulbois attempts to unravel the mystery of this protected, hard-to-reach area, which he calls the "actor's territory," where life and theater intertwine and interact.

Two women and a transvestite gay man cross paths in this French Canadian drama. The transvestite is preparing for a drag-queen beauty pageant, and has decided to present himself as Cleopatra. Of the two women, one was just fired from her waitressing job and seeks to go back to work at the nightclub where the beauty pageant is to be held. The other woman's mother has just won one million food stamps.

Two women and a transvestite gay man cross paths in this French Canadian drama. The transvestite is preparing for a drag-queen beauty pageant, and has decided to present himself as Cleopatra. Of the two women, one was just fired from her waitressing job and seeks to go back to work at the nightclub where the beauty pageant is to be held. The other woman's mother has just won one million food stamps.

30-year-old Quebec City native Gisèle lives a quiet life as a secretary without happiness with her parents and siblings. One day, tired of being teased by her office mates, she decides to consult a marriage agency to find her soul mate.

Fictional character played by 24 different actresses, Françoise Durocher is altogether small time waitress, hostess and barmaid. Together, according to the author, they represent the archetypical Québec waitress that everyday waits on us with a smile, despite whatever problems she faces in her personal life. First cinematographic experience of the Brassard-Tremblay tandem, this film full of ironic joy details all the nuances of the waitress living conditions.

Fictional character played by 24 different actresses, Françoise Durocher is altogether small time waitress, hostess and barmaid. Together, according to the author, they represent the archetypical Québec waitress that everyday waits on us with a smile, despite whatever problems she faces in her personal life. First cinematographic experience of the Brassard-Tremblay tandem, this film full of ironic joy details all the nuances of the waitress living conditions.

A TV film staging of Michel Tremblay's play "Sainte Carmen de la Main" by André Brassard.

30-year-old Quebec City native Gisèle lives a quiet life as a secretary without happiness with her parents and siblings. One day, tired of being teased by her office mates, she decides to consult a marriage agency to find her soul mate.