Andrea Guzmán

The whimsical and joyous parade of ridiculous events satirize the war that rages in Colombia right now and exposes the real spirit of those who inhabit such a beautiful country.

William, a five-year-old boy, loses his innocence while helping his uncle Gustavo organize an orchestra with several friends.

A fun story that combines comedy, drama and romance with a plot raising several reflections on social prejudices, appearances and class differences.

Bogotá, 1980. During the government of President Turbay. An urban cell of the M-19 invades the Embassy of the Dominican Republic, taking 14 ambassadors as hostages. They demand that they be exchanged for political prisoners. The film focuses on the events that took place during those two months of captivity.

Two childhood friends (Rivera and Mendoza) re-encounter when one of them, a famous soccer player who didn't have time to hang out with the other, gets injured.

A memory exercise, a crystalized moment in time that captures poetic and existential quotidian gestures. A journey into a world of estrangement in which nothing is what it seems, yet it gives way to the vision of a better future after the storm. A work that begins with a sequence of correspondences in the distance to gradually become an essay that reflects on the perception of time, confinement, the impact of man on nature and the very act of filmmaking.

A charming and meditative ode to the city of Madrid, where Guzmán studied directing and filmmaking during the 1960s, and escaped to from Chile after the military coup. Traveling through the streets of contemporary Madrid, Guzmán’s essayistic film freely draws inspiration from the landmarks, the music, the people, and the culture to evoke experiences, reflections, and insights in order to relate the nature of his historical and personal connection to the city.