Hsin Chi

Shaw Brothers star Wang Yu plays Ho Gang, a competent swordsman who takes a job as a hired assassin. Though reluctant he ends up becoming highly successful, but he is wary as one of his targets is killed before he can fulfill the contract, leading him to suspect that he is being double crossed.

A young woman whose kung fu has reached the point where she can turn invisible runs afoul of a powerful family when she disrupts a wedding. She must fight off kung fu masters and even a poisonous centipede ring!

A young woman whose kung fu has reached the point where she can turn invisible runs afoul of a powerful family when she disrupts a wedding. She must fight off kung fu masters and even a poisonous centipede ring!

Qiuxiang is molested by debt collectors because of her father's debts. Fortunately, Li Shihong and his wife Yingmei rescue her while they pass by. They hire her as domestic helper. Shihong travels to Thailand, while Qiuxiang takes care of the pregnant Yingmei.

Qiuxiang is molested by debt collectors because of her father's debts. Fortunately, Li Shihong and his wife Yingmei rescue her while they pass by. They hire her as domestic helper. Shihong travels to Thailand, while Qiuxiang takes care of the pregnant Yingmei.

The Bride Who Has Returned From Hell (or Bride in Hell) is an adaption of The Mistress from Melynn, a 1960 novel by Victoria Holt. The story begins when a yacht is lost at sea. Then a telephone call between male protagonist Wang Yiming (Ke Junxiong) and his cousin Gao Fengjiao (Liu Qing) reveals that Wang’s wife has perished while eloping with a neighbor. After female protagonist Bai Ruimei (Jin Mei) learns that her older sister Ruiyun – Wang’s wife – has died, Ruimei changes her identity and applies for a job as a tutor to Wang’s daughter Shuyuan in a bid to solve the mysteries surrounding her sister’s death.

Rare drunken film, featuring Alan Liu and Hsu Buh Liao: as two likable swordsmen, who get injured by the white haired general whilst trying to save a young damsel in distress. As they recoup they invent seafood boxing to prepare them for the inevitable duel with the white haired general

Rare drunken film, featuring Alan Liu and Hsu Buh Liao: as two likable swordsmen, who get injured by the white haired general whilst trying to save a young damsel in distress. As they recoup they invent seafood boxing to prepare them for the inevitable duel with the white haired general

Kueiyuan is a deliveryman for a cosmetics company. He is a womaniser and dreams of making a quick buck. He meets a romantic 20-year-old girl, Qingmei, who feels trapped by her mother’s small restaurant and is eager to escape. Kueiyuan earns a commission fee by introducing Qingmei to a cabaret, run by Yuchan. Qingmei falls in love with Kueiyuan and sleeps with him. However, under pressure from Kueiyuan and Yuchan, Qingmei agrees to become a mistress to an old millionaire. Meanwhile, Yuchan seduces Kueiyuan and controls him with money and sex. When Qingmei discovers that she is pregnant by Kueiyuan, the latter demands an abortion. Qingmei runs away and hides. When Kueiyuan proposes marriage to Yuchan and is rejected by her, he finally realises that he is in love with Qingmei and goes out to look for her.

Kueiyuan is a deliveryman for a cosmetics company. He is a womaniser and dreams of making a quick buck. He meets a romantic 20-year-old girl, Qingmei, who feels trapped by her mother’s small restaurant and is eager to escape. Kueiyuan earns a commission fee by introducing Qingmei to a cabaret, run by Yuchan. Qingmei falls in love with Kueiyuan and sleeps with him. However, under pressure from Kueiyuan and Yuchan, Qingmei agrees to become a mistress to an old millionaire. Meanwhile, Yuchan seduces Kueiyuan and controls him with money and sex. When Qingmei discovers that she is pregnant by Kueiyuan, the latter demands an abortion. Qingmei runs away and hides. When Kueiyuan proposes marriage to Yuchan and is rejected by her, he finally realises that he is in love with Qingmei and goes out to look for her.

Bun-de (Wen-de in Mandarin, played by Shi Jun/Shih Chun) is a shy young man. Aggressively courted by all the girls in the neighbourhood, he only has eyes for the pretty and mischievous Gui-kia (Jin Mei/Chin Mei). She finds every means possible to meet up with her boyfriend, although he is closely watched over by a very protective father, A-Gao. When the parents finally agree on the wedding, they realise that they used to be in love. Accusing each other of betrayal, they refuse to allow their children to marry. Bunde and Gui-kia decide to elope.

Tsi-bing, a wealthy entrepreneur, loses his loving wife and all his properties due to the scheme of his conniving mistress. Unbeknownst to him, his precocious and sweet daughter sells rice dumplings secretly at night to help her family through this ordeal⋯

Tsi-bing, a wealthy entrepreneur, loses his loving wife and all his properties due to the scheme of his conniving mistress. Unbeknownst to him, his precocious and sweet daughter sells rice dumplings secretly at night to help her family through this ordeal⋯

Tshui-Giok’s step-father sells her to a club to pay off his debt. But when her boyfriend, Kok-Liong, learns about it he helps get her out and plans to marry her. However, Kok-Liong’s mother disapproves of the marriage and arranges for him to marry a wealthy girl, Hun-Kiau. Years later, when Kok-Liong and Tshui-Giok meet again, all their feelings return. Though Tshui-Giok ultimately decides to break up with Kok-Liong for the sake of Hun-Kiau, her leaving drives Kok-Liong mad and Hun-Kiau has no choice but to set Kok-Liong free, so he and Tshui-Giok can be together.

Horror movie.

Bullied by Bí-tin, who also fancies Tshiu-sing, Lē-hun is saved from an assault by Bí-tin’s father, Guân-hìng, revealing a buried past—Guân-hìng once shared a tragic romance with Lē-hun’s mother, Xiumei, which was sabotaged by his wife, Yuejiao. Years later, these intertwined love stories resurface, altering the fates of all involved. Directed by HSIN Chi in his final Taiyupian, with a theme song by Judy ONGG, it poignantly captures the era’s social issues.