Andrés Di Tella

Short pieces including images taken with a mobile phone, personal photos and found material. Everyday incidents, childhood memories, portraits of friends, travel chronicles, readings and songs: diaries.

Short pieces including images taken with a mobile phone, personal photos and found material. Everyday incidents, childhood memories, portraits of friends, travel chronicles, readings and songs: diaries.

Short pieces including images taken with a mobile phone, personal photos and found material. Everyday incidents, childhood memories, portraits of friends, travel chronicles, readings and songs: diaries.

This is the cinematographic diary of an extended trip across the Pampas, on the trail of Guillermo Enrique Hudson, aka William Henry Hudson. Hudson is an enigmatic figure, full of paradoxes: he was an Argentine gaucho who became an English writer. He fought in the army against the “savages” but also defended them. He wrote obsessively about his native land, but never returned. In the twists and turns of the road, emerges a mix of documentary speculation, personal memory… and dreams.

A personal essay about television and memory. A round trip between history and autobiography: from a personal memory of the first television to the earliest memories of television in Argentina.

After a party, Agos and Ren find themselves in a strange place where they remember to have been before… A failed world bursting with dependences and doors leading to the same yet different place.

This is the cinematographic diary of an extended trip across the Pampas, on the trail of Guillermo Enrique Hudson, aka William Henry Hudson. Hudson is an enigmatic figure, full of paradoxes: he was an Argentine gaucho who became an English writer. He fought in the army against the “savages” but also defended them. He wrote obsessively about his native land, but never returned. In the twists and turns of the road, emerges a mix of documentary speculation, personal memory… and dreams.

The omnibus feature SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Each one of them created a piece of a few minutes in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a popular newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Film Museum.

In this documentary, Andrés Di Tella and Dario Schvarsztein discussed sensitively and accurately the motivations and creative processes of three Mexican contemporary artists of great global impact: Pedro Reyes, Carlos Amorales and Minerva Cuevas.

A documentary on the function of pornographic film and art during and after the Mexican revolution.

A documentary on the function of pornographic film and art during and after the Mexican revolution.

An Andrés Di Tella film about Ricardo Piglia's diaries.

The history of Argentine Montoneros guerrilla group , since its founding in the early seventies, until its dissolution under the military dictatorship of 1976 .

Argentina feature film.

The history of Argentine Montoneros guerrilla group , since its founding in the early seventies, until its dissolution under the military dictatorship of 1976 .

Director Andrés Di Tella travels for the first time to India in search of his Indian mother's past only to find unexpected facts.

Portrait of the persecution of various intellectuals in the period from the overthrow of María Estela Martínez de Perón to the Falklands War.

Portrait of the persecution of various intellectuals in the period from the overthrow of María Estela Martínez de Perón to the Falklands War.

Over several days and nights, an actor and an actress read the correspondence between Torcuato and Kamala, the film director's parents, he from Argentina, and she from India. The letters, encompassing the decades from the 50s to the 70s, refer to love and idealism, record world travels, talk about socialism and psychoanalysis, about pain and broken dreams. Their reading reveals a relationship between the actors, with similarities and differences. Meanwhile, with his own daughter, the director sets about solving the puzzle of the family memory, an intimate twentieth-century tale.

Over several days and nights, an actor and an actress read the correspondence between Torcuato and Kamala, the film director's parents, he from Argentina, and she from India. The letters, encompassing the decades from the 50s to the 70s, refer to love and idealism, record world travels, talk about socialism and psychoanalysis, about pain and broken dreams. Their reading reveals a relationship between the actors, with similarities and differences. Meanwhile, with his own daughter, the director sets about solving the puzzle of the family memory, an intimate twentieth-century tale.

For ten years, from December 1961 to November 1971, Buenos Aires was a place where contemporary Latin American music changed forever. Young composers from all over the Americas came to Buenos Aires on scholarships to work for two years in a laboratory: the Latin American Center for Advanced Musical Studies at the Di Tella Institute. Half a century later, they returned to Buenos Aires, with some unfinished business.

For ten years, from December 1961 to November 1971, Buenos Aires was a place where contemporary Latin American music changed forever. Young composers from all over the Americas came to Buenos Aires on scholarships to work for two years in a laboratory: the Latin American Center for Advanced Musical Studies at the Di Tella Institute. Half a century later, they returned to Buenos Aires, with some unfinished business.