Harry A. Pollard

John Douglas, a high-society playboy, is a cynic concerning the women of his social set, and has a pictured ideal of the girl of his dreams. Wising to avoid the upcoming social season, he hops a freighter bound for the Orient. It sinks in mid-ocean and he, as the sole survivor, is washed upon a island, where he is rescued by Nia, daughter of the tribal chief, Neto.John is puzzled as all of the tribe are white people, but he learns from the tribal chief they are descendant's of English-origin who also are on the island because of a ship wreck a few hundred years ago.

Laurel is a Scottish reporter suspected of being a spy by police detective James Finlayson. Although trailed by the latter, Stan, who is reporting on the movie world, manages to be hired by Mack Sennett. He makes his debut in Nevada, in the middle of gold diggers. After managing to clear his name he becomes, with Oliver Hardy, a big comedy star.

The roots of modern television situatuation comedy can be seen in this Beauty brand film. As American grew the Beauty brand was developed to feature actress Margarita Fisher. Her husband, Haryy Pollard, directed the Beauty films and occasionally acted in them. He plays the husband in this one.

The City of Stars is structured as a "coming attractions" promo within the fictional framework of an Eastern editor (vaudeville actor Broderick O'Farrell) arriving in Los Angeles to meet with Universal's advertising manager. The sceneic resources of the studio are showcased throughout, with a "See America First" wagon visible in one scene, and a scattering of panoramic shots of Universal City and the Universal zoo.

Young broker Donald Baxter is ruined financially and resolves to "come back" and start life afresh. He does so, returning incognito at the end of 5 years. He purchases his old home, but gives out the impression that it is his valet, Mr. Hawkins, who is the successful "Klondyke Millionaire." His one-time fiancée and her purse-proud mother at once endeavor to cultivate Hawkins, whom Baxter prevails upon to enter society, much to his discomfiture. Meanwhile, Baxter, passing as a still-poor man, meets and falls in love with pretty Mabelle Arnold, the Porters' ward. Eventually, the true identities of Hawkins and Baxter are disclosed, causing haughty Mrs. Porter and her daughter Helen much chagrin and pretty Mabelle much pleasure, as she and Baxter plan to share sorrows and joys.

A kingdom suffers under a lecherous tyrant while his daughter longs for a jailed peasant. The Dream Spirit distributes 'dream roses' to these and others, each dream providing a unique perspective and path towards resolving the kingdom's misery and personal strife.

John Douglas, a high-society playboy, is a cynic concerning the women of his social set, and has a pictured ideal of the girl of his dreams. Wising to avoid the upcoming social season, he hops a freighter bound for the Orient. It sinks in mid-ocean and he, as the sole survivor, is washed upon a island, where he is rescued by Nia, daughter of the tribal chief, Neto.John is puzzled as all of the tribe are white people, but he learns from the tribal chief they are descendant's of English-origin who also are on the island because of a ship wreck a few hundred years ago.

Returning from service in the A. E. F., Dale Garland is given a rousing reception by his townsmen. County political boss Nebo Slayter persuades the community to nominate Dale for sheriff--thinking he can be easily manipulated--against John Millard, the incumbent, who refuses political compromises. Dale easily wins and pledges to give the citizens an honest deal. Millard's daughter, Alice, who is Dale's childhood sweetheart, learns of Slayter's dishonest schemes and sees his men murder a moonshiner for whom they had been furnishing protection.

Bert Lyons returns to the Grainger spread from the "outside world" to find his former employer dead and the ranch in the possession of Calvert, a narcotics smuggler, and Blackie Lopez, a rustler who has his eyes on Molly Grainger, Lyons' sweetheart.

A sailor falls in love with the admiral's daughter but finds they can't marry because of his lowly rank.

"The Leather Pushers" were a charming series of comedies based upon the story of a prize-fighter from the Colliers articles by H.C. Witwer. Each episode was self-contained and complete in itself. Formerly wealthy Kane Halliday ( Reginald Denny), fighting as the elegant "Masked Mystery", pays more attention to his flirtation with a chorus girl, Estelle, than his boxing career - frustrating his manager at every turn. Estelle, not realizing her new beau is is actually a prize fighter, is under the mistaken impression that he's a rich playboy, a belief that Halliday does nothing to correct. The manager sets out enlighten her in spectacular fashion!This entry from the series includes some terrific night scenes of New York's Times Square as it appeared in 1922. Titles from other Universal productions are prominently displayed on the theater marquees!

Seventh entry in the Leather Pushers series of two-reel shorts.

Kane, who does not want his father to know he is a fighter, thinking he objects, nearly loses the fight when he sees him at the ringside. In the end, it is the words of encouragement from his father which causes him to win. It develops that the "Kid's" father has known it all the time and has been getting reports on his son's prowess in the ring. Eighth episode in the first 'Leather Pushers' series of two-reel boxing shorts.

Kid Roberts, the champion, thoroughly beats a tough Westerner (from Chickasha, OK) who follows him from city to city, determined to get even. The man taunts the Kid, by insisting that he is afraid to fight without gloves. Finally his wife appears and begs the Kid to refuse to fight her husband because he is neglecting his ranch and family. The Kid's sweetheart and the ranchman's wife do some scheming and succeed in ending the fights, but not until the Kid has beaten his opponent with his bare hands. Ninth episode in the first 'Leather Pushers' series of two-reel boxing shorts.

The "Kid" is in the studio playing the star role in a "super-feature." The director gets his cast to put extra snap into the big scene by making each of the fighters think the other is double crossing him. 10th episode in the first 'Leather Pushers' series of two-reel boxing shorts.

Eleventh episode in the first 'Leather Pushers' series of two-reel boxing shorts.

Twelfth episode in the first 'Leather Pushers' series of two-reel boxing shorts.

13th episode in the first 'Leather Pushers' series of two-reel boxing shorts.

14th episode in the first 'Leather Pushers' series of two-reel boxing shorts.

Fifteenth entry in the Leather Pushers series of two-reel shorts.

16th episode in the first 'Leather Pushers' series of two-reel boxing shorts.

Fifth entry in the 2-reel New Leather Pushers third series.

18th episode in the first 'Leather Pushers' series of two-reel boxing shorts.

Wealthy racing driver Tom Hayden loses his inheritance and his fiancé due to a wacky mishap on his wedding day.

In 1856, slave Eliza plans to marry George with the consent of the Shelbys, her masters, but George's owner prevents the wedding. A few years later, Eliza flees with her son, Harry, after learning the Shelbys plan to hand them over to a crooked creditor to prevent foreclosure. George also escapes and goes on the run while Eliza and Harry are captured and brought back home. Mother and son are separated as George tries to find them both.

Rufus Billings was born premature and after a lifetime of doctors doting on his frail health he is now a hypochondriac of the first order. Now an adult Rufus has learned his late father has left him $750,000 but he won't inherit the sum for three more years. Rufus is certain he is on death's door and will never last three years so his Doctor arranges for a loan of $100,000 to pay for a live in nurse. Rufus only has to sign over his inheritance to the greedy trio of Clinch, McIntosh and Peck who along with the doctor are confident he'll live long enough to pay his debt.

The roots of modern television situatuation comedy can be seen in this Beauty brand film. As American grew the Beauty brand was developed to feature actress Margarita Fisher. Her husband, Haryy Pollard, directed the Beauty films and occasionally acted in them. He plays the husband in this one.

Two sailors (William Haines and Cliff Edwards) are leaving the US Navy after 10 years. In their spare time, one of them (Haines) invents a carburetor that should increase the speed that powered boats will run, but all they succeed in doing is sinking the Admiral's barge. After discharge, broke and out of work, they find work with a boat builder who wants the fastest race boat in the world. They design the boat, carburetor and the engine but lack of money and the foreclosure of the business hinders their efforts to prove the new design.

Two sailors (William Haines and Cliff Edwards) are leaving the US Navy after 10 years. In their spare time, one of them (Haines) invents a carburetor that should increase the speed that powered boats will run, but all they succeed in doing is sinking the Admiral's barge. After discharge, broke and out of work, they find work with a boat builder who wants the fastest race boat in the world. They design the boat, carburetor and the engine but lack of money and the foreclosure of the business hinders their efforts to prove the new design.

Johnny Mack Brown stars as Paul, who wants nothing more out of life than to take charge of a lighthouse. Falling in love with Sally (Mary Nolan), Paul talks her into sharing his life as a lighthouse keeper. Evidently staring into the beacon once too often, Paul goes blind, and it's quite a chore for footloose Sally to remain faithful. Making matters worse is the arrival of a double-dyed villain (Robert Ellis) who intends to "have his way" with the long-suffering heroine.

Jacob Cohen, who owns a dry goods store, and Patrick Kelly, an Irish cop, are constantly at loggerheads, feuding over anything and everything. Kelly's son, Tim, and Cohen's daughter, Nannie, fall in love despite the bickering of their parents; when they cannot get parental consent for their marriage, they secretly wed.

Jacob Cohen, who owns a dry goods store, and Patrick Kelly, an Irish cop, are constantly at loggerheads, feuding over anything and everything. Kelly's son, Tim, and Cohen's daughter, Nannie, fall in love despite the bickering of their parents; when they cannot get parental consent for their marriage, they secretly wed.

A lame boy's uncle tries to rescue him from his over-protective parents.

A scientist discovers a death ray and locks it in a box, giving the key to his daughter, who soon finds herself hunted by criminals looking to steal the deadly mineral.

Wealthy Clytie Rogers writes a novel in which a society girl commits a burglary, but it is "roasted" by critic Jimmy Gilpin, who writes that her story is completely implausible. To prove him wrong, Clytie decides to feign a robbery and enters an apartment through an open window. She is apprehended by a policeman, who mistakes her for local robber "Powder Nose Annie." Gilpin sees her in jail and, posing as crook Jimmy of the Dives, arranges to break her out and take her on a robbing spree. Finally, Jimmy returns her to her parents and then calls at her home as Gilpin, the critic. Clytie is suprised but forgives the deception and agrees to marry him.

This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel

An aspiring singer, who has fallen on hard times and is now living as a hobo, returns to his wealthy southern family.

All of the navy men in a California port town have fallen in love with Jackie Holbrook, except for Captain Robert Crowne. As a result, roused by the challenge, Jackie decides that she must add Robert to her list of conquests. Disguising herself as a sailor, she leaves port on Robert's ship, which is headed for the island of Vergania to quell a native uprising. On the island, Robert is taken captive by the natives, and just as they prepare to sacrifice him, Jackie leads a successful rescue mission. Then, Jackie reveals herself to be a woman, and Robert, impressed with her beauty and bravery, instantly falls in love, and makes plans with her for an immediate marriage.

Wealthy racing driver Tom Hayden loses his inheritance and his fiancé due to a wacky mishap on his wedding day.

The first film in the first "Leather Pushers" series from Universal.

The first film in the first "Leather Pushers" series from Universal.

A Fool and His Money part of the Leather Pushers film series. May be actually titled A Fool and Honey

On the steamer going over to London the "Kid" falls in love with a senator's daughter and his manager is too sick to keep him in any training. After a week or two of training the "Kid" enters the ring only to find that his rival is one of his sparring partners. Knowing all the "Kid's" punches the opponent scores many points during the combat but suffers a punch in the jaw which loosens a tooth. The "Kid" waits for the moment when the terrible fighter must turn his head to spit out the tooth before he gives him the final knock-out punch.

Lord Harrowby takes out an $100,000 insurance policy to be paid if his wedding to Cecilia Meyrick is cancelled. The insurance company sends Dick Minot to make sure the wedding takes place, but he falls in love with the bride.

Sidney Page is a beautiful young nurse, the object of the romantic attentions of several young men in her small town. One of them, a mysterious fellow known as K, suddenly finds that the life of his rival for Sidney's hand depends upon his revealing the secret of his own past.

A young bride takes a drug that ends her pregnancy, and her husband divorces her. In the future, she is visited by the ghost of her "Child-That-Might-Have-Been" and taken to see her ex-husband (happily married with children), a land where the children of the future wait to be born, and her future damnation to hell.

A physician enacts revenge on the woman he loves after she marries another by treating her exhaustion with maddening drugs. The film depicts her descent into madness in a red-tinted trip to hell itself.

A physician enacts revenge on the woman he loves after she marries another by treating her exhaustion with maddening drugs. The film depicts her descent into madness in a red-tinted trip to hell itself.

A sailor falls in love with the admiral's daughter but finds they can't marry because of his lowly rank.

From Wikipedia, the free encyclopedia Tonight at Twelve is a 1929 American drama film directed by Harry A. Pollard and written by Matt Taylor, Harry A. Pollard and Owen Davis. It is based on the 1928 play Tonight at 12 by Owen Davis. The film stars Madge Bellamy, Robert Ellis, Margaret Livingston, Vera Reynolds, Norman Trevor and Hallam Cooley. The film was released on September 29, 1929, by Universal Pictures.

From Wikipedia, the free encyclopedia Tonight at Twelve is a 1929 American drama film directed by Harry A. Pollard and written by Matt Taylor, Harry A. Pollard and Owen Davis. It is based on the 1928 play Tonight at 12 by Owen Davis. The film stars Madge Bellamy, Robert Ellis, Margaret Livingston, Vera Reynolds, Norman Trevor and Hallam Cooley. The film was released on September 29, 1929, by Universal Pictures.

From Wikipedia, the free encyclopedia Tonight at Twelve is a 1929 American drama film directed by Harry A. Pollard and written by Matt Taylor, Harry A. Pollard and Owen Davis. It is based on the 1928 play Tonight at 12 by Owen Davis. The film stars Madge Bellamy, Robert Ellis, Margaret Livingston, Vera Reynolds, Norman Trevor and Hallam Cooley. The film was released on September 29, 1929, by Universal Pictures.

From Wikipedia, the free encyclopedia Tonight at Twelve is a 1929 American drama film directed by Harry A. Pollard and written by Matt Taylor, Harry A. Pollard and Owen Davis. It is based on the 1928 play Tonight at 12 by Owen Davis. The film stars Madge Bellamy, Robert Ellis, Margaret Livingston, Vera Reynolds, Norman Trevor and Hallam Cooley. The film was released on September 29, 1929, by Universal Pictures.

British comedian Reginald Denny plays a professor who is escorting three different women and needs to make a choice.

Jimmy Wood, a chauffeur, is mistaken for famous racing driver Splinters Wood. Because he is deeply in debt, he enters a race on the advice of Betty Rockford, daughter of a wealthy automobile manufacturer.

Part 5 of The Leather Pushers boxing film series.

In order to secure a lucrative contract, a businessman hires a woman to pose as his wife at a business dinner when his own wife can't make it. Unfortunately, the woman he hires is the wife of an insanely jealous prizefighter.

"Damaged Goods" pictures the terrible consequences of vice and the physical ruin that follows the abuse of moral law. It is a stirring plea for a pure life before marriage, in order to make impossible the transmission of hereditary traits to future generations.

This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel

Fred Rees proposes to Edith Shanlon, contingent on her mother's approval, which is initially denied due to the mother's desire for a wealthy match. A dream reveals the potential unhappiness of such a marriage when Edith's mother envisions Edith married to a wealthy man who neglects her. The dream, filled with infidelity and public humiliation, convinces the mother that a loveless, wealthy marriage is not worth it. Upon waking, she happily grants her consent to Fred and Edith's union.

A kingdom suffers under a lecherous tyrant while his daughter longs for a jailed peasant. The Dream Spirit distributes 'dream roses' to these and others, each dream providing a unique perspective and path towards resolving the kingdom's misery and personal strife.