Gonzalo García-Pelayo

The daughter of the owner of La Plata’s traditional coffee shop “Confitería Ritz” -who worked at Ojeda, Sarti and Santa Lucía pharmacies and now works at Santa Rosa pharmacy- hates living with other people at her home.

In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

Filmmakers Isaki Lacuesta, Alauda Ruiz de Azúa, Gonzalo García Pelayo, Alba Sotorra, and photographers Isabel Muñoz, Castro Prieto, Díaz Burgos, and Ana Palacios explore their fears and how they affect their creative process, speaking directly to the camera, alone with the viewer.

In this anthology film, a female actor cheats on her formerly famous husband, a married couple go to extremes, and an antiquarian falls for a young man.

A journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.

"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.

A record of the creative process of Spanish director Gonzalo García-Pelayo, together with his new artistic discovery, singer Anikka. During the shoot, he is seen radicalizing and, at the same time, syncretizing the two main themes of his filmography: music and sex.

A wandering man drifts through La Plata's train station, becoming a lens through which we experience various scenes and moments from the Argentine city's daily life.

After filming in Seville, García Pelayo and his team moved to Kazakhstan to shoot Ainur, a film about " love, moderna arquitectura, echoes and bicycles” (G. G. P. dixit). Víctor (Víctor Vázquez, El brau blau, La vida sublime), who lost the love of his life in an accident, Ainur, a young Kazakh, returns in search of his tracks to that country with his friend Pablo, secretly in love with Ainur, and his new girlfriend, Olivia, who prepares a documentary about the city, a mixture of tradition and avant-garde.

After filming in Seville, García Pelayo and his team moved to Kazakhstan to shoot Ainur, a film about " love, moderna arquitectura, echoes and bicycles” (G. G. P. dixit). Víctor (Víctor Vázquez, El brau blau, La vida sublime), who lost the love of his life in an accident, Ainur, a young Kazakh, returns in search of his tracks to that country with his friend Pablo, secretly in love with Ainur, and his new girlfriend, Olivia, who prepares a documentary about the city, a mixture of tradition and avant-garde.

Making-of of an explicit film in which the plot is intertwined and confused with what happens behind the scenes.

Super-8 shot by Gonzalo García-Pelayo with a series of concerts at the famous Dom Gonzalo nightclub, named after the “holy right to have fun” of Dómine Gonzalo de Berceo. The club will become a gathering place for the counterculture, but also for the ruling party to come, as marked by the presence of young Felipe González and Alfonso Guerra.

Diptych with Rocío y José on the experience of El Rocío, Tres caminos al Rocío preserves the calm and contained gaze of that one. Continuing with that tension between the popular of Pasolini and the heroic of John Ford, as the critics of the time pointed out, it includes the winter pilgrimage along the roads of Seville, Sanlúcar de Barrameda and Huelva.

Nacha, a secondary character in 'Copla', narrates the real interiorities of the Luis-Lola couple in their love crisis with the arrival of Manuel. The story unfolds differently from what happened in 'Copla', because Luis comes to the conclusion that he loves that Lola is loved by Manuel. Everything happens during the preparation and filming of 'Copla'.

Nacha, a secondary character in 'Copla', narrates the real interiorities of the Luis-Lola couple in their love crisis with the arrival of Manuel. The story unfolds differently from what happened in 'Copla', because Luis comes to the conclusion that he loves that Lola is loved by Manuel. Everything happens during the preparation and filming of 'Copla'.

Lola and Luis are married until Manuel shows up and grabs Lola (and Trini, a florist friend and also a singer). This story of torn love will seem like the lyrics of a copla, the Spanish music genre to which both are dedicated, songs that border on love until death and that classically represent the absolute surrender of women to love. This love for Manuel divides the marriage and the friends.

Javier has heard of El Pelícano, an old industrial warehouse corralón in the center of Seville, in which a diverse group of artists, musicians, painters and craftsmen interrelate forming a free, fruitful and luminous community. In this "world apart" live peculiar characters such as El Canijo de Jerez, Pepe Ortega, Orlando, La Chocolata, Chipi, José Guapachá, Miriam y Rorro, Marta, Perpetuo, Jeri, Ana and many others, whom we will get to know in a Tour through the alleys of this popular space where Art looks for you and finds you.

A film director sets out on a road trip to scout locations for her next film. An admirer of Resnais and experimental cinema, she tries to create a story in which her own story is mixed with that of a singer with whom she had a relationship in the past.

Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.

Two friends at the Cadiz Carnival, flesh party: a poker player and a singer-songwriter, in love with the same woman, Pepa, who is named after the first Spanish Constitution (performed by four different actresses to give a complete idea of the Cadiz woman) merge into the street joy of chirigoteros, flamingos and peculiar people of the city with fidelity to the uncertain as a flag (and with their three “carnival brides” and a boxer as a festive complement).

Two friends at the Cadiz Carnival, flesh party: a poker player and a singer-songwriter, in love with the same woman, Pepa, who is named after the first Spanish Constitution (performed by four different actresses to give a complete idea of the Cadiz woman) merge into the street joy of chirigoteros, flamingos and peculiar people of the city with fidelity to the uncertain as a flag (and with their three “carnival brides” and a boxer as a festive complement).

Synopsis, by Lucía Seles: ““This video is my tribute to the afternoons that I spent myself concentrated and safe without anyone on the hills of the viewpoint and other areas like this and my anguish because the shoe stores are less cold than one would like. and apart from that it's part 02 of early kirk -early church”.

A group of people, both men and women, get together to exchange their points of view, practical and theoretical, about sexual life and the relations between couples.

Miguel, who escaped from prison two months before finishing his sentence, thinks only of revenge and finding his beloved Diana.

In Seville during the 1970s, Manuela, a furtive hunter’s daughter, marries the servant of rich Don Ramón, who is in love with her. With her natural beauty and sensuality, she attracts all sorts of passions, along with the conflicts that derive from them.

One of the oldest pilgrimages known to European Christianity is the pilgrimage to El Rocío, where prayers are said to the benevolent Blanca Paloma. Year after year, pilgrimage trains of more than a million believers set out to visit the small, remote andalusian village, which is normally inhabited by less than a thousand souls. In this film, the story of shy infatuation developing between two young people is little more than García Pelayo’s pretext to shooting this event in each and every detail. - Viennale

A house, a family reunion that is celebrated on the occasion of an important event. Within this context, a group of girls play, dance, laugh, improvise, talk about the most varied topics, while freely enjoying the joy of living.

Iván is a Spanish film producer who travels to Argentina with a single mission: to meet Carmen Trevilla, a cult director who is in the creative process of her new “video.” From minute zero, he feels captivated by her overwhelming and disconcerting presence. Although he still does not know if he is going to produce it – since he thinks that his cinema will not be well received by current European sensibilities – Iván takes advantage of every moment with Carmen to record, with his cell phone in his hand and an endless smile on his face, every adventure they embark on.

Silvia, 34, who lived in Kerala with her family, returns to what was her home. On this trip to India she is accompanied by her friend Cristina, 21, and her little daughter Lucía. Silvia has become Cristina's life teacher, who feels a special fascination for her mentor. During her journey, Silvia will teach Cristina aspects of the Hindu culture and will guide her and answer the many questions that she asks of her because of her youth. Silvia feels that this relationship is the same one she had with Ana, a woman who taught her how to live, but that she abandoned her when she met another person after the tsunami that hit Kerala. For Silvia, who is rooted in Hindu culture, this experience with Silvia is part of the wheel of life, where what dies is always reborn.

Dario, Zoe and Asia form a united, open and polygamous family. Asia was in India in her youth, and she has convinced Zoe and Darío to travel to that country together, as was once done on the well-known hippie trail. Each character will find a reason for being in this initiative journey.

The movie is a road movie where Triana's spirit is recalled across his friends, musicians, managers and admirers. The success of the band was mixing the magic of Rock Music with the deep musical roots of Andalusia. Gonzalo García-Pelayo,the director, and his brother Javier, friend, discoverer and manager of TRIANA, have created this cinematographic project with the intention of honoring the mythical band. Their original songs will be use used as background to represent the spirit of 40 years ago when freedom and music were an important way of life.

Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.

Bruna is a young and beautiful actress in the making who has just separated from her boyfriend and is going through a period of deep melancholy. A late encounter with her ex gives her the strength to turn her experience into a play in which life and fiction intermingle.

Pablo makes a living writing the daily horoscope predictions. He does his job quietly and diligently, and seems like an ordinary guy. But what no one knows is that when he gets home, he has an exuberant and complicated polyamorous life.

Pilar sets out on a journey from the capital to the center of Buenos Aires Province. During her search, she must deal with the past through the insistent audios of a man.

Paula has never met her mother, her father is already old, and that meeting is urgent for her. Along the way, she picks up clues that bring her closer and take her farther away from her goal, in a physical journey through Buenos Aires’ geography.

Eloísa is an employee at a sweater store, but her passion is visiting the stable run by her friend Julio. Her life is transformed after the departure of her sister, who leaves her daughter Mora in her care. This way, Eloísa will enter her niece’s unknown children’s world.

Santiago and Amelia Luisa share life in their marriage and also the responsibility of running a nail salon. The daily life of the salon (and of the couple) will be strangely shaken when a new client asks for manicure services.

José Celestino Campusano is preparing a new film. To do so, he summons a group of men including Vikingo, his usual actor. The four of them reflect on their origins, violence and cinema.

An employee at a private school is promoted and beyond that she has the strength to attack her dead husband for not being a man when he was traveling with her in a bus.

A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

An unconventional cinematic work in which, through many narrative layers that intertwine, the director offers us a very particular view on a subject that is still taboo in society and arts.

The daughter of the owner of La Plata’s traditional coffee shop “Confitería Ritz” -who worked at Ojeda, Sarti and Santa Lucía pharmacies and now works at Santa Rosa pharmacy- hates living with other people at her home.

The actors, actresses, characters and horses that star in this film configure unexplored territory, perhaps that undetermined space in which the city of Jerez builds a new image for flamenco.

The maximum nonsense of life plays with the feelings of the owner and the employees of a tennis complex.

Pablo and Florencia work on Florida Street, the economic and tourist epicentre of Buenos Aires. Economic difficulties affect their life together. Pablo, in order to survive, begins to clandestinely smuggle dollars in the street. Taking advantage of the imminence of a currency crisis they will try to strike the blow that will take them out from the street once and for all.

Damiana is a married couple who, on a visit to Cambodia, are shaken by the revelation that the woman (Laura Nevole), sick with terminal cancer, makes to her husband (Juan José Vidal): she She lived in that country in the past, fell in love with a Khmer and had a child with him, something that her current partner was completely unaware of.

"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.

Ezequiel, a 40-year-old film director, has had a career marked by successes and failures.

Fede, a young bicycle delivery guy, leads a simple and carefree life, traveling around the city daily to deliver orders. One day, in the midst of his routine, he's assigned a delivery to a luxurious house where he meets Josefina, a girl from a wealthy family and surrounded by comforts. From their first encounter, a spark of attraction arises between them, despite belonging to completely different worlds.

A daring artist explores nudity in music, pushing boundaries like never before. Anikka's bold performance brings a decade-long vision to life, merging passion and vulnerability in a groundbreaking musical experience.

A daring artist explores nudity in music, pushing boundaries like never before. Anikka's bold performance brings a decade-long vision to life, merging passion and vulnerability in a groundbreaking musical experience.

A wandering man drifts through La Plata's train station, becoming a lens through which we experience various scenes and moments from the Argentine city's daily life.

A record of the creative process of Spanish director Gonzalo García-Pelayo, together with his new artistic discovery, singer Anikka. During the shoot, he is seen radicalizing and, at the same time, syncretizing the two main themes of his filmography: music and sex.

Acclaimed Spanish filmmaker Gonzalo García-Pelayo, known for his experimental and often musical approach to cinema, returns with Cantar Desnuda (Sing Naked), a poetic and evocative film. True to his style, the film promises to be a deeply personal exploration of artistic expression, vulnerability, and the uninhibited spirit, woven through a captivating musical narrative.

Acclaimed Spanish filmmaker Gonzalo García-Pelayo, known for his experimental and often musical approach to cinema, returns with Cantar Desnuda (Sing Naked), a poetic and evocative film. True to his style, the film promises to be a deeply personal exploration of artistic expression, vulnerability, and the uninhibited spirit, woven through a captivating musical narrative.

Pelu is a thirty-something who barely survives on his salary as a projectionist at a municipal film club. After losing his job, he agrees to stay on as a night watchman and ends up living secretly inside the cinema, accompanied by the films he reviews every night.