Jordan Belson

Also called Pisces, this rarely-screened work is part of Belson’s Synchronicity Suite along with Apollo’s Lyre, Seapeace, and Eleusis/Crotons. It is listed by the Center for Visual Music as one of Belson’s unfinished and/or unreleased films.

This rarely-screened work, evoking distant planetary landscapes, is listed by the Center for Visual Music as one of Belson’s unfinished and/or unreleased films.

Samadhi is both mystical and mysterious, an incredible fusion of movement, sound and colour. Belson notes the influence of his study and practice of Yoga and Tibetan Buddhism on the creation of Samadhi. The film is inspired by the principles of yogic meditation: the movement of consciousness towards samadhi (union of subject and object), the fusion of atma (breath and mind), a state which reveals the divine force of kundalini, a bright white light we discover at the end of Samadhi. The Tibetan Book of The Dead is the inspiration behind Belson’s use of colour in Samadhi, corresponding to descriptions of the elements of Earth, Fire, Air and Water in the book. —Sophie Pinchetti, The Third Eye

Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental.

An abstract experimental short film from Jordan Belson.

A scientist creates Proteus, an organic supercomputer with artificial intelligence which becomes obsessed with human beings, and in particular the creator's wife.

Based on the continuity of the electromagnetic spectrum. It is a ride through space and light.

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

A bold synchronization to the transcendental music of Franz Liszt.

By way of a pure Visual Music experience, the Hirshhorn Museum (Smithsonian Institution) commissioned a major new work from abstract film artist Jordan Belson, who distilled 60 years of visionary sound and images into a twelve minute videofilm.

A cosmic experimental film by Jordan Belson, set to music by Iasos.

High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.

In the early 1950s, Jordan Belson made a hand-drawn animated commercial for the local newspaper, the San Francisco Chronicle. He disliked the music they selected for the commercial, and didn't keep a copy with sound. The ad screened in local movie theatres. This silent film print is in the collection of Center for Visual Music.

"Momentum is Belson's most serene and gentle film since Allures. This treatment of the sun as an almost dreamlike hallucinatory experience is both surprising and curiously realistic." -Gene Youngblood

"In Re-entry he successfully synthesizes the Yogic and the cosmological elements in his art for the first time by forcefully abstracting and playing down both of them..." P. Adams Sitney

In fluid sequence the birth of a world depicted as a bio-astronomical event.

"In Chakra, I was able to transfer the traditional order of the chakras into a film, starting with the first (lower) chakra and working up to the seventh (top) chakra…" - Jordan Belson

Approach the work "...As though you were approaching earth as a god, from cosmic consciousness [...] You see the same things but with completely different meaning." -JB.

The shifting, abstract color imagery of Jordan Belson's "Cosmos," which unfurls to electronic sound, is attributed in the program notes to the artist's insight from experience with drugs and yoga. - The New York Times

The first 12 minutes would later be released as "Fountain of Dreams"

An early film by Jordan Belson from 1952. "[Belson's] early films animated real objects (pavements in Bop Scotch [1952]) and scroll paintings prepared like film strips with successive images (Mandala [1953]). Belson subsequently withdrew these films from circulation as imperfect and primitive, but they already reflect his refined plastic sensibility, fine color sense, and superb sense of dynamic structure. They also foreshadow his more accomplished expressions of mystical concepts, Bop Scotch seeming to reveal a hidden soul and life-force in "inanimate" objects."

A lyric, poetic, and visionary trip through outer and inner space. Beautiful and profound, spiritual and sensual, speaks the language of the soul.

Scroll paintings prepared like film strips with successive images.

Cycles brings together 16mm film with Stephen Beck’s Direct Video Synthesizer imagery via a proprietary process Beck referred to as “editation.” Beck also composed the soundtrack to the film, which is made of one sequence repeated 12 times, with both artists contributing variations on each pass.

Several versions of Quartet were found in filmmaker Jordan Belson’s studio after his death, none completed with music.

One of Jordan Belson's presentation reels used in the Vortex Concerts.

Filmmaker Jordan Belson stated this was simply an unfinished project representing the zeitgeist of this time, rather than a finished film.

Séance provides one of the first cinematic examples of a flicker effect.

Music of the Spheres returns to Belson's galactic imagery in a kaleidoscopic journey through space and time with the technological help of an optical printer.

At the dawn of the Space Race, seven test pilots set out to become the first American astronauts to enter space. However, the road to making history brings momentous challenges.

The film contains images that are galaxy like. The colors change fluidly and fade and change into each other. A strange technique is used in this film that is not seen in many other films. This image is one that contains images on the top of the screen moving in one direction and images at the bottom of the screen that are moving in the opposite direction. It gives the impression that forces are pulling in opposite directions even though it is a single frame.

The film contains colors that combine and flow into others. Snow-like objects can also be seen falling over the screen. Although when Belson made the film he did not intend to capture or recreate the aurora borealis, Belson soon realized when he was done making the film that the film did just that. For that reason Belson gave named the film "Northern Lights." After finishing the film, Belson saw footage of the aurora borealis and realized just how close he came to capturing what the northern lights actually look like.

Experimental film exploring the 'transcendent potential of abstraction'.

"Marx was born in Queensland, Australia, and was a landscape painter and model there before moving to San Francisco. However, when she arrived, she found herself in the midst of fascinating non-objective painting and filmmaking activity. She was greatly influenced by the work of Harry Smith and Jordan Belson, and changed her own style to non-objective, receiving graphic inspiration from Jungian brain drawings, symbols in the occult sciences, and the design used by Eastern cultures, all of which being important elements in the San Francisco school mystical school of non-objective art." -Robert Pike, A Critical Study of the West Coast Experimental Film Movement. Preserved by the Academy Film Archive in 2000.

A Jordan Belson film.

Experimental short by Jordan Belson.

A hand animated film that is a precursor for Belson’s later work

Experimental short by Jordan Belson.

Produced from Mystic Fire this film sums up 25 years of Jordan Belson's work by combining excerpts from his classic films with more recent work. This contains also the complete works Northern Lights (1985) and Thought Forms (1987)

Produced from Mystic Fire this film sums up 25 years of Jordan Belson's work by combining excerpts from his classic films with more recent work. This contains also the complete works Northern Lights (1985) and Thought Forms (1987)

Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson

Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.

A short film which explores the last day in the lives of six different people.

Filmmaker Jordan Belson stated this was simply an unfinished project representing the zeitgeist of this time, rather than a finished film.

Filmmaker Jordan Belson stated this was simply an unfinished project representing the zeitgeist of this time, rather than a finished film.

Filmmaker Jordan Belson stated this was simply an unfinished project representing the zeitgeist of this time, rather than a finished film.

A unique visual interpretation of Tyler, the Creator's latest album, Chromakopia.