Eiko Miyoshi

In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

Shiro Yabe, a young gangster who boarded the second class on the Tokaido Line after finishing a dangerous smuggling transaction in Kobe, is next to a beautiful woman with a sad face.

An aging foundry patriarch, gripped by terror of nuclear annihilation, tries to uproot his family to Brazil. When they petition to have him declared incompetent, a family-court counselor witnesses his obsession slide into ruin—and asks whether ignoring the atomic threat is any saner.

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

A gentle, war-shattered ex-soldier, Kinji Kameda, arrives in wintry Hokkaidō and is pulled into a volatile tangle of love and pity between the disgraced Taeko Nasu, the proud Ayako, and his possessive friend Akama. Kameda’s saintly compassion exposes everyone’s wounds, steering the quartet toward jealousy, violence, and inexorable tragedy. Adapted from Dostoevsky’s novel.

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

After her anti-fascist professor father is dismissed, Yukie navigates love, political repression, and wartime upheaval—ultimately forging her own path in pre- and post-WWII Japan.

Natsuko Kayama, an authority in the beauty industry and once known as Miss Tokyo, is a first-class wife. Her husband, Senkichi, on the contrary, is a good-natured man and slow-witted. They are rarely seen together, and others often criticize them for being too boring and uninteresting.

A family comprised of a man, woman and their only son is torn apart when the father, who is a doctor with his own clinic, is to go off to war. Soon the wife and the son are left without an update of his status and whether he is alive or not. With the clinic lying dormant the doctor's wife rents the premises to her husband's underling. This is a man who does not accept payment from the poor. The woman, in the meantime, works at a restaurant whose owner being ill has given her additional duties. Her younger sister is an unmarried finance writer who also lives with them. It is both sisters, however, who receive marriage proposals.

The president learns that the company's biggest stockholder is also a friend of his singing teacher and spies on his movements.

Edmund Rostand's play Cyrano de Bergerac, transplanted to Japan. A poet-warrior with an oversized nose (matched only by his great heart) loves a lady. But she sees him only as a friend, so he helps another man to woo her by giving him the poetry of his own heart.

Every year, at the festival, familiar merchants such as Toraemon, a magic trick, Tokubei, a blowgun, Kaji, acrobatics, and Unsaibo, a ritual, gather toward the port town.

1958 Japanese movie

Ikeuchi was captain of the K - University ice hockey team. The daughter Shikotsuko of Ginza 's western restaurant "Piccolo" was also a female student at K University and was a figure player. They had a dream of being dispatched to Oslo in the Olympic Games and were struggling in each way. Mizuno who runs a sports equipment store in Ginza, showed the geisha by guiding the junior's Ikeuchi and others to the shop of Shimbashi one day.

The story of two sisters in post-war Japan. One is a geisha and the other works for the tourist board.

May Kawaguchi is a famous Japanese fashion designer. Returning to Tokyo from her home in New York, she travels incognito with a tour group, in hopes of having a quiet vacation without being noticed. But she is spotted and the press has a field-day with the returning celebrity. Her hopes of rest shattered, she agrees to put on a large-scale fashion show.

A new third-class president wins an appointment thanks to his marriage with the former president's daughter.

Period drama based on the novel by Saisei Murō.

The Blue Pearl depicts the interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life.

1950s Japanese comedy.

Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

A teenaged girl witnesses her widowed mother's attempt to sustain her family.

Kiyoko (Takamine Hideko) and her husband want to open a coffee shop. She becomes increasingly close to the bank clerk (Mifune Toshiro) she's asked for a loan.

An Inn at Osaka, rarely seen outside Japan, follows the story of an insurance company executive from Tokyo, Mr. Mito, who is demoted to the Osaka office. He takes a room at a small inn and tries to rebuild his life. Notable for its exquisite framing and cinematography, An Inn at Osaka allows its complicated plotlines to disappear behind the minutiae of penury and humiliation that Mito and others suffer during the post-war economic and social reconstruction.

Uta’s mother died when she was six years old; her father she never met. She was forced to adopt a traveller’s life when her grandmother died, and now she is a dancer and part of a family of actors who travel from town to town, setting up street performances. A way of escape from this marginal existence arises when she gets the chance to move to tea merchant Hiramatsu’s place, where she is asked to teach his daughter to dance.

Where Chimneys Are Seen focuses primarily on the interconnected lives of two couples in a lower-middle-class neighborhood in Senju, a poor industrial section of Tokyo.

1953 Toho adaptation of Natsume's novel.

Set in the 1860s, the final years of the Tokugawa Shogunate, The Fireflies focuses on Tose (Awashima Chikage), the mistress of the Teradaya, a small inn in the Kyoto suburb of Fushimi. She does not have an easy life. Her husband, Isuke (Ban Junzaburo), is a wastrel who fancies himself a kabuki singer and who is obsessed with cleanliness. Her mother-in-law, Sada (Miyoshi Eiko) dislikes her because of her humble origins (her family are farmers) and because she fears that she will inherit the inn instead of Sugi, her daughter. Sada's hopes for Sugi, however, are dashed when she runs off with a con artist and leaves her child behind for Tose to take care of. When Sada becomes seriously ill, it is Tose who nurses her. On her deathbed, Sada asks her daughter-in-law's forgiveness. Meanwhile Isuke spends most of his time with a mistress he has taken, forcing Tose to manage the inn by herself

Japanese comedy film.

A high-born woman named Okuni travels around the country with Gohei, a samurai retainer who is in service to her. They are in search of Tomonojo, who has killed the man who was Okuni’s husband and Gohei’s master, and they cannot return to their lord’s home until they have fulfilled their duty of hunting down and killing Tomonojo.

The story is about the social problems faced by Japan's indigenous Ainu, mostly centered on the reactions of the characters to their oppressed state.

A math teacher loses his job while falling in love with a local girl.

Shozo is plagued by the needs of his ex-wife and his current one, but prefers the company of his cat.

The story of a couple, a spoiled son and a down-to-earth girl, in Osaka in the early Showa era. The film won the prestigious Blue Ribbon awards for best director, best actor (Morishige) and best actress (Awashima), and the Mainichi Concours award for best actor and best screenplay (Yasumi Toshio). It ranked second (after Naruse Mikio’s Ukigumo) on the Kinema Junpō top ten films for the year.

It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?

Soldiers Hayate and Yaheiji secretly escape from their besieged castle. Hayate has left behind his lover, Kano. On his way, Hayate is wounded and cared for by O’Ryo, who falls in love with him. But when Hayate accidentally kills her caretaker, he flees, with O’Ryo in pursuit. Subsequently, Hayate's comrade Yaheiji falls in love with Oryo. Kano, the lover left behind by Hayate, believes him dead, and becomes involved with another soldier, Jurota. When Jurota defects to the opposing army, he takes Kano with him. A double set of love triangles has developed, wherein each man and each woman loves one and is loved by another. Finally only combat and self-sacrifice can untangle the weave.

A university student moves into an apartment building and becomes involved with a waitress. The landlord then attempts to evict the tenants and sell the building through illicit means.

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.

Strip dancer Carmen falls in love with Hajime, who is engaged to the daughter of a right-wing politician.

A study of uneasy relationships among the inhabitants of a tiny rural community.

Three young women make a suicide pact, but they grow to have a better understanding of themselves.

The common-law wife and daughter of a wealthy old man plot to murder him and steal his fortune, with the help of their male acquaintances.

When a group of young geologists declares a mountainside marked for residential development unstable, they are met with scorn on two fronts. On one end, they must contend with the local villagers who balk at the prospect of relocation; on the other, they face the ambitions of the headstrong lumber baron, whose actions will only further destabilize the land. Their pleas for reason ignored, the scientists can do little but observe as nature runs its inevitable course.

A promising post-graduate literature student is transformed into a psychotic killer following the suicide of his father and a sleazy affair by his mother with a younger man.

A screwball tale of a suspected “lady thief” and the detective who is on her trail, following her from Osaka to her home village, where she is going to hold a memorial service for her father. Of course, the detective falls in love with his prey.

A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.

Jirocho the gambler hits the road.

Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.

The obstinate black market trader Okyo lives together with her son Seitaro, who works as a mechanic for a bus company. She also looks after her son's colleague, the bus driver Fujita. When he causes an accident one day, Seitaro testifies against him due to his moral scruples, thus getting his company into trouble.

This drama of middle-class life in postwar Japan tells the story lower-middle-class workers in the city of Kawasaki, and their troubles and travails.

When a family has to relocate due to the war, they are ostracized by their new community.

Two youths – the serious son of a Buddhist abbot and his rakish pal – quarrel over a restaurant keeper's daughter. When one of the youths dies, the other boy and the girl find they cannot forget him.

Young Setsuko Fujino begins a new job at Tokyo Chemical Company. She likes her boss, Ippei Hitachi, and enjoys serving him tea, despite the fact that her fellow workers think the women employees should not have to act in such a servile manner. When the women go on strike over the issue, Setsuko finds herself caught in the middle. When the heir to the company, Ryosuke Tanabe, proposes marriage to Setsuko, she is honored, but realizes that her real affection is for Hitachi.

Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.

The fifth entry in the Company President Series

Sixth entry in the Company President Series.

7th film in the President series and the first entry in color.

The lives of five sex workers employed at a Japanese brothel while the nation is debating the passage of an anti-prostitution law.

1955 Japanese movie

After killing a detective in a botched robbery, Keiichi (Natsuki) is on the run as police stake out the homes of his sisters, mother, and girlfriend.

The story of five sisters.

Set during Japan's Bakumatsu period, the film follows Fukuzawa Yukichi, a poor samurai's son who defies societal norms to study Dutch and English. Despite facing opposition from his family and nationalist factions, he founds Keio University, becoming a key figure in Japan's modernization amid political turmoil.

Minako, a ballerina who has been dating since her school days, and Koheta, a banker. It was Koheta who was finally about to get married as a result of his promotion, but just then, a big change occurs in Minako's body..

Set in a rubber company in Tokyo, this comedy depicts the sorrows of salarymen in a humorous way, centering on the commotion caused by the passionate salaryman Goro Mutsu, who is transferred from Kyushu.

Fusako, a girl raised in a geisha house, tries to escape her dark past and faces repeated heartbreaks. After an unexpected pregnancy, she has an abortion and decides to start a new life away from the geisha world.

A group of hustling peddlers swindle rural towns with fake goods, facing betrayals, close calls, and constant setbacks as they chase survival and dream of a better future.

In a small Tohoku town, family tensions rise when a sick mother’s care leads to conflict over a mistress joining the household. Misunderstandings spread through teachers, students, and neighbors, testing loyalty and trust. After the mother’s death, the daughter decides to leave for Tokyo, parting with her grieving father on hopeful terms.

A privileged son betrays his family for the favors of a geisha in 18th century Osaka.

Kazuko and Umeko have been friends since college. They are modern businesswomen who have many obligations in life and are not ready for marriage. Their families think differently and strive to arrange their personal happiness.

After winning a singing contest, Momoko leaves her rural village for Tokyo to pursue her dream. Misunderstandings, scams, and shifting ambitions lead her from aspiring street performer to jazz singer, culminating in her big debut on stage.

Outspoken student Noriko stands up to bullies and befriends pitcher Mitsuo. As their bond deepens, she impulsively declares she wants to marry him—then reconsiders, realizing both still have growing to do before love can truly begin.

A wealthy young man, engaged through family arrangement, meets a humble shop girl after she finds his lost ring. Their growing affection challenges class boundaries and family expectations, leading to a sincere romance that defies convention.