Mercan Dede

German musician Alexander Hacke explores Istanbul's rich music culture and attempts to create a portrait of Turkey through music genres. On this journey, he encounters a mosaic that covers countless genres from rock to arabesque, electronic to hip-hop.

One man, One cow, One planet exposes globalization and the mantra of infinite growth in a finite world for what it really is: an environmental and human disaster. But across India marginal farmers are fighting back. By reviving biodynamics an arcane form of agriculture, they are saving their poisoned lands and exposing the bio-colonialism of multinational corporations. One man, One cow, One planet tells their story through the teachings of an elderly New Zealander many are calling the new Gandhi.

This real-life feature follows the extraordinary life of Petra, a German woman living in Istanbul, in an ironic inversion of the familiar story of Turkish migrants to Germany. During 'sessions' with the mysterious, masked Herold, her life unfolds before our eyes and we will learn about everything: Istanbul, Germany, family, friends, drugs and death. "Should I Really Do It?" plays with these concepts of real life and fiction, documentary and drama. Could life ever be more interesting than fiction?

We were born as a synthesis as a result of the opposition between the thesis of the West and the antithesis of the East.

Based on more than two decades of systematic research and cross-cultural comparison by comparative mythologist David Talbott reconstructs a cosmic drama when planets hung in the sky close to the earth--an epoch of celestial wonder giving rise to time-honored symbols. Symbols of an Alien Sky will introduce you to celestial spectacles and earth-shaking events once remembered around the world. Archaic symbols of these events still surround us, some as icons of the world’s great religions, though the origins of the symbols appear to be lost in obscurity.

Marife, who lived alone in a mountain house in the Black Sea region for forty years, was abandoned by Ilyas, whom she had fallen in love with in her youth, due to an illness she contracted while making plans to marry him. This illness was a plan prepared by Yahya, who secretly loved Marife, to reveal Ilyas's true face. While Marife lost her beauty with the poisoned honey she was fed, Ilyas's love ended with that beauty. While Ilyas practically ran away from where he lived, Marife retreated into a furious seclusion. Forty years later, Ilyas's son Ateş brought his father's body to Trabzon. His father's will was to be buried in Marife's garden. However, Marife's response to this will was full of anger.