Srđan Vuletić

Tica (Birdy) a war orphan arrives to Sarajevo with his newborn daughter urgently needing surgical procedure. Facing his new appalling reality, Tica embarks into the night where demons of the past are always ready.

The history of Bosnian cinematography over 75 years of existence.

This film deals with the atrocities of war as portrayed by a film student who spends some time working as a medic. One of the duties he performed was to carry amputated limbs to the cremation furnace. This is a film about the collective madness that engulfed Sarajevo. A one-armed boy is troubled because he can't make big, firm snowballs; a man who lost both legs demonstrates walking on his stumps... The film and the director's story help us understand the commotion and tumult that have occurred in the minds of Sarajevans.

Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.

Hana, a shy sweet sixteen, is secretly in love with Mario, a schoolmate and half of popular youtube duo Luka & Mario. Hana observes the shoot in which Luka accidentally hurts Mario. Hana helps Mario with the wound, and gets invited to go with him and Luka to a lake where they will shoot a solar eclipse tomorrow.

This work is inspired by a truth of Jenny Holzer which says: „When something terrible happens people don't wake up“. This truth is questionable once the scenes from ruined Sarajevo are shown.

This work is inspired by a truth of Jenny Holzer which says: „When something terrible happens people don't wake up“. This truth is questionable once the scenes from ruined Sarajevo are shown.

10 minutes doesn't seem long to a Japanese tourist waiting for some photos in Rome, but a lot can happen in the same 10 minutes for a family in Sarajevo during the Bosnian War.

At the traditional Muslim funeral service for his father Fikret Varupa, sixteen year old boy from Sarajevo, learns that his father owes money to Hamid, a man he does not even know. The debt is considerable and Hamid does not want it to go to the grave with the body, so the debt automatically passes from the father to the son. Since in Bosnia this way of collecting debts, at a funeral, is considered to be utterly humiliating, it is never, ever applied. Fikret and his entire family become subjects of ridicule. Fikret, who is practically still a child, is decisive to "redeem his father's soul". Wishing to repay his father's debt and to secure the forgiveness, Fikret wanders into the real world of Sarajevo, the world that is ruled by post-war chaos, misery and poverty and becomes an ideal target for two corrupted policemen who wish to "help" him: they plant the kidnapped girl on him.

This film deals with the atrocities of war as portrayed by a film student who spends some time working as a medic. One of the duties he performed was to carry amputated limbs to the cremation furnace. This is a film about the collective madness that engulfed Sarajevo. A one-armed boy is troubled because he can't make big, firm snowballs; a man who lost both legs demonstrates walking on his stumps... The film and the director's story help us understand the commotion and tumult that have occurred in the minds of Sarajevans.

Based on a true story, the film presents events similar to those in the Lukić indictment.

At the traditional Muslim funeral service for his father Fikret Varupa, sixteen year old boy from Sarajevo, learns that his father owes money to Hamid, a man he does not even know. The debt is considerable and Hamid does not want it to go to the grave with the body, so the debt automatically passes from the father to the son. Since in Bosnia this way of collecting debts, at a funeral, is considered to be utterly humiliating, it is never, ever applied. Fikret and his entire family become subjects of ridicule. Fikret, who is practically still a child, is decisive to "redeem his father's soul". Wishing to repay his father's debt and to secure the forgiveness, Fikret wanders into the real world of Sarajevo, the world that is ruled by post-war chaos, misery and poverty and becomes an ideal target for two corrupted policemen who wish to "help" him: they plant the kidnapped girl on him.

A man blows balloons until they burst and thus expresses his accumulated aggression.

A man blows balloons until they burst and thus expresses his accumulated aggression.

After the war, two friends are together again. Every year they buy one pair of new shoes.

Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.

Riki works for a struggling catering company. Ado, his misogynistic colleague and brother-in-law, wants to fix the business by beating up Melisa, a former co-worker who is a top cake-maker, to force her to work with them again. All the rest of the employees dismiss Ado's plan as stupid and senseless. However, Ado is a stubborn savage, and his colleagues know he won't give up unless he is stopped. Riki is divided between a sense of justice, and the norms through which we tolerate family and friends no matter what they do.

A biographical film about director Bahrudin 'Bato' Čengić and his contribution to Bosnian cinematography.

A film that allows the main character Aleksandar Jovanović, an ordinary con man from Sarajevo, to be what he always wanted to be.

A film that allows the main character Aleksandar Jovanović, an ordinary con man from Sarajevo, to be what he always wanted to be.

A man on the verge of existence decides to make a desperate move.

Riki works for a struggling catering company. Ado, his misogynistic colleague and brother-in-law, wants to fix the business by beating up Melisa, a former co-worker who is a top cake-maker, to force her to work with them again. All the rest of the employees dismiss Ado's plan as stupid and senseless. However, Ado is a stubborn savage, and his colleagues know he won't give up unless he is stopped. Riki is divided between a sense of justice, and the norms through which we tolerate family and friends no matter what they do.

Two former lovers worlds collide during the tragic background of The Bosnian War.

Women's Day in Sarajevo, 1993.

Women's Day in Sarajevo, 1993.