Tetsuji Takechi

A divorced woman enters a marriage arranged by her mother in exchange for money to save the life of her seriously ill son.

The story tells of the adoration of Sasuke for his mistress, the blind samisen-teacher Shunkin, who treats him imperiously and subjects him to cruel beatings.

Assassination begins with the events of 1853 when "four black ships" anchored at Edo Bay, sparking civil unrest and the major political manoeuvring that saw the end of the Tokugawa Shogunate. At a time when assassination had become a disturbing political tool, Shinoda's film follows Hachiro Kiyokawa, an ambitious, masterless samurai whose allegiances drift dangerously between the Shogunate and the Emperor.

While under sedation in a dentist's office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.

While under sedation in a dentist's office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.

Black Snow tells the tale of a disturbed young man who, after spying on his mother with a black serviceman, finds himself unable to attain sexual arousal unless fondling a loaded gun. Later that night, he murders the GI before running amok through the building and finally slaying his mother's sister...

Made after Takechi had won an obscenity trial over Black Snow (1965), the film has been called "Takechi's personal message to Eirin."

Loosely based on a 1926 short story by Jun'ichirō Tanizaki, the film opens as an artist and a young woman are in a dentist's waiting room. Though he is attracted to the woman, he says nothing to her. They are later in the same examining room. When he is given an anesthetic, he begins to imagine a series of scenes in which the woman undergoes various forms of sexual abuse, including rape and torture. When the artist recovers from the anesthetic, he finds clues showing that he may not have been hallucinating.

A sex-documentary focusing on the women of Japan, with particular emphasis on participants in the country's night-life. The film is a series of scenes visiting a variety of women such as female wrestlers, strippers, and geisha. Nuns and sea divers are also shown, along with scenes of transvestism and drug addiction.

Pinku from 1973.

Pinku from 1973.

Tetsuji Takechi's third film is based on two short stories by Jun'ichirō Tanizaki. The film depicts the lurid and violently erotic dreams of a writer, his wife and his sister, after having spent a night out drinking and visiting sex shows. It underwent extensive censorship before the government would allow it to be released. About 20% of the film's original content was cut and this footage is now considered lost.

Black Snow tells the tale of a disturbed young man who, after spying on his mother with a black serviceman, finds himself unable to attain sexual arousal unless fondling a loaded gun. Later that night, he murders the GI before running amok through the building and finally slaying his mother's sister...

Loosely based on a 1926 short story by Jun'ichirō Tanizaki, the film opens as an artist and a young woman are in a dentist's waiting room. Though he is attracted to the woman, he says nothing to her. They are later in the same examining room. When he is given an anesthetic, he begins to imagine a series of scenes in which the woman undergoes various forms of sexual abuse, including rape and torture. When the artist recovers from the anesthetic, he finds clues showing that he may not have been hallucinating.

The sad story of Toshiko Ono, an innocent woman who turned into a prostitute after being sexually assaulted by American soldiers.

The sad story of Toshiko Ono, an innocent woman who turned into a prostitute after being sexually assaulted by American soldiers.

A girl, Sakae, who is looking for a dentist for a pain in a tooth, meets Shinkichi along the way, a guy that gives her a ride. The dentist, a woman, starts to visit her, anesthetizes her and abuses her. Sakae and then Shikichi, are drawn into a nightmare of sex and perversion ... But is this all real?

A girl, Sakae, who is looking for a dentist for a pain in a tooth, meets Shinkichi along the way, a guy that gives her a ride. The dentist, a woman, starts to visit her, anesthetizes her and abuses her. Sakae and then Shikichi, are drawn into a nightmare of sex and perversion ... But is this all real?

An eroticized adaptation of Murasaki Shikibu's classic novel, written over 1000 years ago. Genji, the son of the emperor, has gained renown among the nobility of Kyoto for his charm and good looks, yet he cannot stop himself from pursuing the one object of desire he must never obtain: his father's young and beautiful bride. Following the tragic consequences of his obsession, Genji wanders from one affair to another, always seeking some sort of completion to his life.

An eroticized adaptation of Murasaki Shikibu's classic novel, written over 1000 years ago. Genji, the son of the emperor, has gained renown among the nobility of Kyoto for his charm and good looks, yet he cannot stop himself from pursuing the one object of desire he must never obtain: his father's young and beautiful bride. Following the tragic consequences of his obsession, Genji wanders from one affair to another, always seeking some sort of completion to his life.

An eroticized adaptation of Murasaki Shikibu's classic novel, written over 1000 years ago. Genji, the son of the emperor, has gained renown among the nobility of Kyoto for his charm and good looks, yet he cannot stop himself from pursuing the one object of desire he must never obtain: his father's young and beautiful bride. Following the tragic consequences of his obsession, Genji wanders from one affair to another, always seeking some sort of completion to his life.

Made after Takechi had won an obscenity trial over Black Snow (1965), the film has been called "Takechi's personal message to Eirin."

Tetsuji Takechi's third film is based on two short stories by Jun'ichirō Tanizaki. The film depicts the lurid and violently erotic dreams of a writer, his wife and his sister, after having spent a night out drinking and visiting sex shows. It underwent extensive censorship before the government would allow it to be released. About 20% of the film's original content was cut and this footage is now considered lost.

Ayame, a courtesan, attracts the attention of street vendor Kisuke and decides to run away with him to America. Unfortunately, a crazed tattoo artist is obsessed with Ayame's perfect skin as a potential canvas, so he kills Kisuke to keep Ayame in Japan. Later, Ayame is sold to a brothel in Yokohama. Kisuke's ghost possesses her, causing his image to appear tattoo-like on her skin whenever she has sex.

Ayame, a courtesan, attracts the attention of street vendor Kisuke and decides to run away with him to America. Unfortunately, a crazed tattoo artist is obsessed with Ayame's perfect skin as a potential canvas, so he kills Kisuke to keep Ayame in Japan. Later, Ayame is sold to a brothel in Yokohama. Kisuke's ghost possesses her, causing his image to appear tattoo-like on her skin whenever she has sex.

Noh mask maker is unable to carve the young Noh masks he has ordered, and when a beautiful woman invites him to join her in town for a change of pace, he has a mysterious experience, which may be a dream or reality. The film "Genjitsu" (幻日) was completed in the autumn of 1966, but has not been shown to the public. Adapted from Soseki Natsume's novel "Ten Nights of Dreams" with experimental music by Joji Yuasa, the film was long considered lost but re-surfaced in 2017 and was shown for the first time at Kobe Planet Film Archive.

Noh mask maker is unable to carve the young Noh masks he has ordered, and when a beautiful woman invites him to join her in town for a change of pace, he has a mysterious experience, which may be a dream or reality. The film "Genjitsu" (幻日) was completed in the autumn of 1966, but has not been shown to the public. Adapted from Soseki Natsume's novel "Ten Nights of Dreams" with experimental music by Joji Yuasa, the film was long considered lost but re-surfaced in 2017 and was shown for the first time at Kobe Planet Film Archive.