Andrew Grant

Katja (27) lives in Berlin and dreams every night of her own death, and her waking hours are a constant stream of work, digital distraction and a paranoia about the future - her inner life moving at a speed that seems unsustainable. While on vacation in northern Norway, she has an extreme encounter with raw nature and gets a new perspective on herself - she returns to Berlin with the intentions of changing her life. But the demon inside her is hard to shake off.

A reflexive essay film shot on a beach in Goa, SNAPSHOTS is a work of political and social commentary that deconstructs the very nature of the documentary film genre. Through stylized tableaux that portray locals and tourists, it observes the relationship between the West and the East while examining the dynamic that exists between the filmmaker, the camera, the subjects being filmed and the spectator.

Katja (27) lives in Berlin and dreams every night of her own death, and her waking hours are a constant stream of work, digital distraction and a paranoia about the future - her inner life moving at a speed that seems unsustainable. While on vacation in northern Norway, she has an extreme encounter with raw nature and gets a new perspective on herself - she returns to Berlin with the intentions of changing her life. But the demon inside her is hard to shake off.

Katja (27) lives in Berlin and dreams every night of her own death, and her waking hours are a constant stream of work, digital distraction and a paranoia about the future - her inner life moving at a speed that seems unsustainable. While on vacation in northern Norway, she has an extreme encounter with raw nature and gets a new perspective on herself - she returns to Berlin with the intentions of changing her life. But the demon inside her is hard to shake off.

A self-reflexive meta-documentary. Filmmaker Ane-Martha Tamnes Hansgard was diagnosed with multiple mental disorders over fifteen years and was prescribed a staggering number of psychotropic medications.

Love Alone Can’t Make a Child chronicles the love story and emotional odyssey of Maria and Christiane who, for over a decade, have been trying to fulfil their desire of giving birth to a child of their own. The director, a childhood friend of Maria, lovingly narrates the couple's journey, showcasing their resilience in the face of ever-increasing challenges, and the intricate dynamics of a relationship under tremendous strain. More than anything else, the film continually pursues what love truly means in a long-term romantic relationship.

Love Alone Can’t Make a Child chronicles the love story and emotional odyssey of Maria and Christiane who, for over a decade, have been trying to fulfil their desire of giving birth to a child of their own. The director, a childhood friend of Maria, lovingly narrates the couple's journey, showcasing their resilience in the face of ever-increasing challenges, and the intricate dynamics of a relationship under tremendous strain. More than anything else, the film continually pursues what love truly means in a long-term romantic relationship.

After her sister died suddenly and unexpectedly while being treated with prescription antipsychotics, director Anniken Hoel begins a global investigation into the crimes of the pharmaceutical industry.

After her sister died suddenly and unexpectedly while being treated with prescription antipsychotics, director Anniken Hoel begins a global investigation into the crimes of the pharmaceutical industry.