Camilo Luzuriaga

A suspense thriller about a reporter from Miami who travels to Ecuador in pursuit of a serial killer known as the "Monster of Babahoyo."

Between Marx and a Naked Woman is the adaptation of a novel written by Ecuadorian Poet, Jorge Enrique Adoum. The scenes of this film insert us into Ecuador in the sixties, when the electoral struggle, convoked by the military government for a new return to democracy, is in full force. Galvez’s left-wing party must elect its candidate, but he is shoved to one side because of the criticism of the party’s political leadership. While his struggle becomes bitter, he must withstand the frustration of not being able to offer full love to Margaramaría, another party member.

The wild and wanton Francisca, known as "The Tigress," is the eldest of three sisters, who are bosses of a farm in Ecuador. A medicine man tells Francisca and Juliana that their youngest sister Sara must remain a virgin to protect their land. A travelling salesman, engaged to Sara, tells the police that she is being kept locked up by her older sisters.

After being sent abroad at the tender age of eight, Virginia returns to Quito, her birthplace, twenty-five years later. She is finally reunited with her widowed father and her fraternal twin sister, Manuela. Her sister lives in their parents' house with her husband and two sons while her father vegetates in a retirement home. She confides to her sister that living in New York and the separation from her family has caused her to find affection in troubled love affairs, but Manuela has secrets of her own.

After being sent abroad at the tender age of eight, Virginia returns to Quito, her birthplace, twenty-five years later. She is finally reunited with her widowed father and her fraternal twin sister, Manuela. Her sister lives in their parents' house with her husband and two sons while her father vegetates in a retirement home. She confides to her sister that living in New York and the separation from her family has caused her to find affection in troubled love affairs, but Manuela has secrets of her own.

55 years after the mysterious death of father and grandfather Ramiro Endara, Lourdes, with the help of her daughter Camila, begins an investigation looking for the truth, but the clues are little.

The wild and wanton Francisca, known as "The Tigress," is the eldest of three sisters, who are bosses of a farm in Ecuador. A medicine man tells Francisca and Juliana that their youngest sister Sara must remain a virgin to protect their land. A travelling salesman, engaged to Sara, tells the police that she is being kept locked up by her older sisters.

After being sent abroad at the tender age of eight, Virginia returns to Quito, her birthplace, twenty-five years later. She is finally reunited with her widowed father and her fraternal twin sister, Manuela. Her sister lives in their parents' house with her husband and two sons while her father vegetates in a retirement home. She confides to her sister that living in New York and the separation from her family has caused her to find affection in troubled love affairs, but Manuela has secrets of her own.

1809-1810: mientras llega el día is a 2004 Ecuadorian historical-dramatic film, directed by Camilo Luzuriaga and starring Marilú Vaca, Aristides Vargas and Gonzalo Gonzalo. The plot is based on the book by Juan Valdano, and revolves around the events that took place in the city of Quito between August 10, 1809, when the First Cry of Independence took place in the Spanish colony of the Presidency of Quito, and on August 2, 1810, when the Massacre of the Próceres occurred in the hands of the peninsular authorities.

1809-1810: mientras llega el día is a 2004 Ecuadorian historical-dramatic film, directed by Camilo Luzuriaga and starring Marilú Vaca, Aristides Vargas and Gonzalo Gonzalo. The plot is based on the book by Juan Valdano, and revolves around the events that took place in the city of Quito between August 10, 1809, when the First Cry of Independence took place in the Spanish colony of the Presidency of Quito, and on August 2, 1810, when the Massacre of the Próceres occurred in the hands of the peninsular authorities.

Bernardo lives under the shadow of his mother. Kurt proposes to him to rob Bernardo's bank to buy the Third Reich's currency. On the same day that Bernardo does it, Hitler's regime falls and its currency becomes worthless.

A neurotic and suicidal schoolgirl, a boxer who loses everything, and a security guard who dreams of being a musician, all young people, too young, without jobs, without family, without love, find in love something that could change their lives. Three segments about youth loneliness, the freedom that solitude implies, and also the fun that freedom implies.

Between Marx and a Naked Woman is the adaptation of a novel written by Ecuadorian Poet, Jorge Enrique Adoum. The scenes of this film insert us into Ecuador in the sixties, when the electoral struggle, convoked by the military government for a new return to democracy, is in full force. Galvez’s left-wing party must elect its candidate, but he is shoved to one side because of the criticism of the party’s political leadership. While his struggle becomes bitter, he must withstand the frustration of not being able to offer full love to Margaramaría, another party member.