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Nagasaki in 1986. Hisada, who lives with her affectionate parents and her younger brother, although there are many quarrels between couples, is a fifth grader who loves Yuki Saito and Exogini. Hisada decides to go to Boomerang Island to "see the dolphins" with Takemoto, whose house is poor and avoided by his classmates. Drowning in the sea, getting entangled in the Yankees, and having a lot of trouble, but as the friendship between the two deepens as a result of this adventure, a sad incident that presages farewell occurs.

Nagisa is transgender. She grew up in Hiroshima as a man, but now lives in Shinjuku, Tokyo as a woman. Due to an incident, she begins to live with middle school student Ichika, who is a distant relative. Ichika has been neglected by her mother Saori. From living in solitude by herself, to now living with Ichika, Nagisa develops maternal instincts for the first time.

Kakunoshin Yanagida was a samurai, forced to leave the Han due to a false accusation. He then lived in poverty with his daughter Kinu.

Director Yoshiyuki Kishi and screenwriter Takehito Minato—the team behind acclaimed boxing epic Wilderness—reunite to adapt Ryo Asai's prize-winning novel. A sensitive drama about the aberrant in a society without regard for diversity, the story unites characters trying to hide abnormalities: a prosecutor who is worried that his pubescent son is a shut-in, an introverted saleswoman with a peculiar habit, and a student tortured by feelings she can’t express. In a world fill with abnormalities, what if it’s actually normal to be abnormal?

Inagaki Goro plays a freelance writer married to his editor wife (Nakamura Yuri), who he discovers is having an affair with the popular novelist she is responsible for at work. Although troubled, he can’t bring himself to confront his wife. He later meets a high school novelist at a literary award ceremony, and–drawn to the award-winning book–he inquires about the model it’s based on, thinking he’d like to meet that person…