Most Viewed From Rai 3

A screening of the 30 year old Hands Over The City at the School of Architecture in Naples is the occasion for a debate among youth, historians, politicos, industrialists, environmentalists.

In the basement of a hypothetical ministry, a man has set up a public office where he intends, for a fee, to solve any bureaucratic problem. His life becomes complicated the day he realizes that someone is persistently spying on him.

Following the wedding of his daughter, stone-faced beekeeper Spyros makes an annual journey from the north of Greece to the south, traveling along with his hives. En route, he meets an erratic, young female drifter, with whom he strikes up an unusual, self-destructive relationship.

Shot in his butcher shop by a rival clan during the Mafia wars of 1988, the Palermo Mobster Tano Guarrasi is mourned by his wife, four unmarried sisters and his daughter. But in truth, his death represents a kind of liberation for the women.

A man leaves home on errands and is "kidnapped" by a sunny Rome.

An unusual and evocative journey through the city of Milan at the beginning of the 80's, among fashion, art and everyday life.

Diana Damrau performs the title role of Salieri's opera staged in the Teatro alla Scala in 2004. Riccardo Muti conducts the Teatro alla Scala Orchestra and Chorus with the cast also including Desirée Rancatore as Semele and Genia Kühmeier as Asterio.

Videotape produced by Ferruccio Marotti for Roma's University theatre students. A presentation of Carmelo Bene's "Performative matrix": not a performance yet, but it's not just text or ideas. Essentially, a work-in-progress on his Macbeth.

An American independent director comes to Italy to shoot a film. But inconveniences and obstacles stand in the way at every step. These are the years in which “Tangentopoli” rages and the golden rule of officials and collaborators is “one (bribe) to you, one to me, one to Raffaele”.

This documentary is about the Italian small family circus, based on the old street theatre of the Commedia dell'Arte. Since World War II, they have diminished in number and today hardly exist anymore. They simply can't compete with modern times entertainment, symbolized by television. The film portrays and follows the Colombaioni family, six brothers and two sisters, their children and grand children. Most of them work in their own small circus(father, mother, children). Two of the brothers, Carlo and Alberto left the circus and now have a theatre show, based on their improvisation skills that they learned in the circus. The family is known by their collaboration with Frederico Fellini and Dario Fo. They appeared in many a Fellini movie -o.a. La Strada, Le Notti di Cabiria and I Clown.

Carmaux and Wan Stiller, Mimmo and Sussò fishermen from the Old City, are looking for the Lady of Ventimiglia, here Carmela. An elderly and visionary Morgan sent them among childhood memories, fears of new imprisonments and adverse destinies, chatter in an arcane and mysterious language. The (free) life of today's pirates in the beautiful city of Taranto. Inspired by Jolanda, the daughter of the Black Corsair by Emilio Salgari.

A builder from the province of Potenza tries to set up a large sausage factory to create employment and well-being in a predominantly agricultural town. But the company fails due to bad checks and unobtained loans, in the vain search to find valid partners or political protection. Mileo is thus forced to look for work, with little success, in various cities in Italy to be able to pay his debts.

A young father and his eight-year-old son walk up a mountain. Their journey, nights in a tent, and life in the open air become opportunities for intimacy and dialogue. Meanwhile, in the city, four workers have climbed onto a crane, and a voice on the radio recounts the (mis)adventures of a music producer in the 1970s.

When her housemate Sara disappears, leaving behind herself a trail of videotaped diaries, Gloria investigates to find out what happened to her with the help of Sara's would be boyfriend, Vittorio

Director Alessandro Comodin recounts for Fuori Orario the genesis of his two films, "Summer of Giacomo" and "Happy times will come soon" and reflects on his own conception of cinema: the need for escape and movement, the adolescence of moving bodies and the perception of passing time, the importance of locations and immersion in nature, the technical practice during filming, the approach to the cinematographic medium as a way to see better and to establish a relationship of sensory capture of reality, the relationship with the actors. With references to his favorite filmmakers, from Bresson and Monteiro to Wang Bing, and to the recurring images of his films: the hole and the labyrinth, the loop of time and epilogues, the fairy tale and metamorphosis.