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A frustrated filmmaker, facing creative paralysis, turns to an A.I. chatbot in order to make his latest movie a hit. The result: a Dracula film made in Transylvania. What does it contain? A vampire hunt. Zombies and Dracula crashing a strike. A science-fiction story about Vlad the Impaler coming back. An adaptation of the first Romanian vampire novella. A love story. A montage reusing a classic vampire film. A vulgar folktale. AI-generated kitsch stories. And many delights in a film dealing with this cinema myth.

The film written and directed by Radu Jude starts from the gesture of defiance against Russia made in 1905 by the sailors on the cruiser Potemkin, who received political asylum in Romania. In 2021, a sculptor (played by Alexander Dabija) is trying to make a work inspired by this event.

Tatiana, an unemployed woman, spends her days selling her personal things in order to survive. Today she has an important deadline and she might end up selling a piece of her body in order to keep a roof over her head.

The life of human beings, seen from birth to old age. Only that this generic life is not represented with humans, but with the artefacts that we the humans have created for our children (or should we say ‘cubs’?), in order to prepare them for life: the toys. So, the film is a collage of scenes in which the toys help us understand better a possible essence of our life.

Infidelity drama, male egos, lost dogs in Startsladden favorite Stefan Constantinescu’s arthouse gem about a man consumed by jealousy who risks losing everything while searching for the truth.

Invited by the goEast Film Festival in Wiesbaden (Germany), Radu Jude created a self-portrait. A confinement diary made of his thoughts, his relationship to cinema, his inspirations or the streets, objects and people that surround him.

Based on an idea by Eisenstein, who dreamt of composing the 101 poses of Robert Macaire – a popular French character epitomizing the unscrupulous swindler – as represented in the 101 lithographs of the series Caricaturana by Honoré Daumier. First, a montage of the gestures as Eisenstein envisaged. Then, original texts are added to the caricatures. And finally, we took the liberty to use them as a commentary to some current news.

A Chilean woman, Teresa, comes into a firmly structured and isolated mountain community of Croatian shepherds in the early 20th century, claiming to be the widow of their émigré brother. Her arrival changes the dynamics between the members of the community and brings unrest, but also inspiration for other women.

Boško Tokin, the hero, was the first filmmaker in the Balkans and the first in the world to go to prison for it.

A film composed entirely of archival photographs and documents related to the Iași Pogrom of June 1941. The first part of the film consists of photographs of the victims, accompanied by statements and testimonies about their fate. The second part, shorter, is a montage of photos of the pogrom itself.

An old man tries to play backgammon with friends while babysitting his granddaughter, who's terrified of the young suicide in their building.

On behalf of a multinational company, a production assistant drives around the Romanian city of Bucharest, interviewing various citizens who have been injured due to work accidents to cast one of them in a “safety at work” video.

A docu-comedy about politics in a world where citizens are dogs, politicians are dog breeders, national institutions are local dog breeders’ associations while the highest international forum is the FCI (Fédération Cynologique Internationale, the World Canine Organisation).

Elena, a Romanian single mother in Athens, dreams of a better future and a sense of belonging she has long been denied. When she is unjustly fired, her fragile world collapses, and her long-suppressed activist spirit awakens. Determined to seek justice, she turns to Yota, a charismatic lawyer, and discovers a bond that rekindles her desire to live, to open her heart, and to raise her head with dignity. As Elena confronts systemic injustice and fights to reclaim her voice, she will have to courageously decide what matters most: her family, her ideals, or the chance to love again.

Ștefania emerges from years of self-induced amnesia. She reveals the overwhelming memories of her childhood spent in Romanian hospitals due to a misdiagnosis. Now in her 30s, she seeks to reconnect with her alienated body and her inner child Nia through dance. This becomes her new language on the path to healing her wounds and relationship with her mother.

Camil wakes up one night without a penis. The nightmare continues when his partner also disappears after meeting a former lover. Camil sets out to find her and - wearing female clothes - joins a secret community dedicated to fertility, somewhere near a lake. And what he finds there will prove even more disturbing than his recent misadventures...

Given a portrait, who is responsible for the image we see, the painter or the subject? Ion used to be a a rockstar of Ballet in Communist Romania. When we first discussed the possibility of a portrait, Ion was initially thrilled. He’d been dreaming that someday there’d be a film about him. But during the filmmaking process Ion finds it hard to let go.

Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure.

Dimitar was always trying to find his bag, not realising he was missing something very important.

Arsenie Boca, a priest, theologian, and mystic persecuted by the communist regime, is considered holy by many believers, although he has yet to be canonized.