Most Viewed From UCLA School of Film and Television

A woman who works in a night club starts having obsessive thoughts, beginning to lose her hold on reality.

As a woman anxiously awaits her overdue period, she performs African-based rituals of purification. She cleans house and body, and calls on the spirits (Orishas in the Yoruba tradition), receiving much needed inspiration and assurance in a dream. The film combines beautifully intimate still and moving images of the woman’s body and home space, along with playful stop-motion sequences. —Jacqueline Stewart, UCLA Film and Television Archive

Recovering from a traumatic break-up, Olivia is on the verge of a nervous breakdown when her friend Maya flies in from New York. From one failed attempt to another, their weekend starts to feel more like a test of their friendship. Will they pass?

The Angler claims he will use a toxin which will kill sea life unless a ransom is paid. Aquaman races to stop him.

In the course of a botched purse-snatching, a boy comes to question the path of his life. Billy Woodberry’s second film, and first completed in 16mm, adapts Langston Hughes’ short story, Thank You, Ma’am, and features music by Leadbelly, Thelonious Monk and Miles Davis. (Ross Lipman)

In 1963 a boy and his mother are left in Saigon while his father and brother flee to seek shelter from religious persecution in North Vietnam. The two brothers meet as strangers in a hapless confrontation during the war in 1973.

Animation of a poem from Edith Sitwell's "Façade".

Serena starts reflecting on the commitment in her own relationship with Donielle when she is asked to be the maid of honor for her former lover Tisha's wedding.

An eight-year-old boy experiences his first heartbreak when he falls in love with his male third-grade teacher.

An improvised late '60s short-subject student film, and debut movie of Charles Burnett, done in the neo-realist, documentary film style. A day-in-the-life South Central L.A. tale about a rag-tag group of unemployed black male pals.

As the sun rises, we witness two male bodies emerge from the darkness. The younger of the two attempts to sneak out on the older man he just slept with.

A short drama directed by Joseph Neulight.

Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.

UCLA Student Television Program, preserved from a 2-inch videotape by the UCLA Film and Television Archive. Student play set in the Korean War in 1952. Drama concerns a small group of American soldiers that are precariously holed up in a fortified bunker in hostile territory.

Depicts one woman's struggle with the responsibility of juggling two jobs at one time as both a garage mechanic and God's chosen messiah. She faces a rather difficult career decision as her true passion is in the first job while her effectiveness in the second job grows more questionable.

When Cassandra witnesses a drunken encounter between her friend and her roommate, she is compelled to investigate if it was consensual.

Lana Wilson has trouble in school because of racist discrimination, but at first, her parents don't believe her.

Ben Caldwell’s Medea, a collage piece made on an animation stand and edited entirely in the camera, combines live action and rapidly edited still images of Africans and African Americans which function like flashes of history that the unborn child will inherit. Caldwell invokes Amiri Baraka’s poem “Part of the Doctrine” in this experimental meditation on art history, Black imagery, identity and heritage.

Writer-director Robert Wheaton’s story of a shy guy, Mark (Parros), trying all the wrong moves to meet the right girl rides high on a romantic sensibility. Although at first it’s hard to imagine the handsome Mark having trouble with the ladies, Parros gives a charming performance as the nice guy who finishes last. UCLA’s north campus features prominently as this would-be Romeo’s ever-hopeful hunting ground.

Francesco takes an unsparing look at the most pressing challenges of the 21st-century, asking deep questions about the human condition. The film is guided by Pope Francis who, with tremendous humility, wisdom, and generosity, offers moving lessons from his life that illuminate what it will take to build a better future. In doing so, he addresses issues such as climate change, immigration, peace and religious tolerance, LGBTQ support, gender and identity justice, and economic equality.