Most Viewed Keyword Shore

Following a premonition, a young woman tries to persuade her fiancé not to go out to sea in his fishing boat, but the boy ignores her and sets out. Soon, a storm occurs, and the girl frantically tries to find out his fate. Eventually, at the advice of her grandmother, she goes to the "Tempestaire", who has the power to speak to the wind and subdue it.

Advice columnist Dan Burns is an expert on relationships, but somehow struggles to succeed as a brother, a son and a single parent to three precocious daughters. Things get even more complicated when Dan finds out that the woman he falls in love with is actually his brother's new girlfriend.

After a day of gathering hundreds of seashells and rocks from the beach, Jarnow uses the found objects to construct a stop motion commentary on how we look at nature through various cinematic techniques.

Donald visits a penny arcade where he sees a risque Daisy dancing in one of the nickelodeon shows and later has trouble with the airplane ride.

People love going to the beach for lots of different reasons. The sun. The sand. The salt-water taffy. In this slightly wacky documentary, we consider all kinds of things that draw people to the coast: board walks, seafood, lifeguards, even metal-detectors and roller skates. From Nantucket to Venice Beach, people relax and bounce in the waves. From the Outer Banks to Oahu, beachgoers bring along their fishing gear and hope to catch some dinner.

On a busy beach on the Aegean Coast, we meditate on a turning point in life.

Described as being based on a play by Talaya Delaney, Kevin Jerome Everson' silent HOUSE IN THE NORTH COUNTRY is not your typical stage adaptation. For one, it is unclear where the rehearsal ends and the performance begins. Everson's close-ups offer a distinctly cinematic rendering of theatrical blocking, with the actors' repeated movements (a soldier’s salute, a woman's carrying a lit torch) taking on heightened significance. The plot remains obscure but Everson conjures a psychological intensity comparable to Maya Deren's studies for camera. - Max Goldberg

It takes a fair bit of casual chat for Elle to realize she is able to rant about life's connected events and the lines that link us all. Luckily, Guy is a good listener, specially when charmed by a pretty girl with a talent for intriguing randomness. As to the bond that brings the two of them together... well, that's another story.

An English slave trader is marooned on a remote tropical island, forced to fend for himself and deal with crushing loneliness.

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

19th century Iceland: Ingolfur, the son of an impoverished farmer, is courting a wealthy merchant’s daughter. Things are complicated when he’s wrongly accused of stealing sheep. Based on a true incident.

Two fishing buddies, a privatization of a fabric and some fish stew.

The dock comptroller ruminates on his home and his lot in life.

It is cold and dark. In between surreal waves and the morning haze, we catch a glimpse of the emerging glows. The sea breeze wiggles and writhes, twisting and turning, embracing the shore under its steady growl. And on the sand, a young man stares into the far end of the ocean.

Mary Ryan enlists the help of a detective, Jack Craig, to find her missing twin sister Vicky. They follow her trail to the New Orleans swamps where they encounter voodoo priestess Olivier and her zombie henchman.

Looking for adrenaline during a driving lesson, Léa and Florence decide to spy on their friend's mother.

Inspired by Rachel Carson’s 1955 book The Edge of the Sea, this short film is a cinematic ode to the myriad forms of marine life on the intertidal mudflats of Karachi. Between the ebb and flow of tides, the city’s exposed shoreline is home to a fish that walks on land, the mud crab that clings tenaciously to mangrove tree trunks, the mighty periwinkle, the bubbler crab that spits out sand balls and many other fascinating creatures. In and around mangrove forest creeks, amidst steaming vessels and a new skyline, the film takes you on a silent journey through a delicate wetland ecosystem on the shores of an industrial city that might soon disappear.

When Jane finds a body washed up on shore, with a mysterious looking rock in their hand, she starts feeling mesmerized by the strange object and the rolling waves of the sea. Will the ocean claim its next victim?

A man’s female friend who just came back from London spends time on the river shore.

Short film focusing on an adolescent girl suffering from agoraphobia. The character spends most of her time indoors, isolating herself from the outside world. The film follows the character in an apparent state of hypnagogia. In this deep, relaxed state of consciousness she finds herself unable to distinguish her dreams from reality. This is mirrored in the editing between digital and hi-8 video footage and two differ- ent compositions made from ambient sound recordings. On the threshold of sleep the character appears to temporarily escape from her condition and explore the outside world. Watch Here: https://vimeo.com/43363224

Four strangers — a flight attendant escaping a suburban cult, an Afghan refugee fleeing persecution, a young Australian father escaping a dead-end job, and a bureaucrat caught up in a national scandal — are stuck in an immigration detention center in the Australian desert. Inspired by true events.