Most Viewed Keyword Avantgarde

Alexander Scriabin (1872–1915) born in Moscow, was an innovative, mystical, avant-garde Russian pianist and composer. This film explores Scriabin’s profound vision of art's unity — where music, movement, light and colour merge to create transcendent experiences. Some claim Scriabin pioneered atonality before Schoenberg. Key works: Poème, Op. 32 No. 1 (1903) and Vers la flamme, Op. 72 (1914). Featuring commentary from esteemed musicians like Eduard Artemyev, Vladimir Ashkenazy and Vladimir Horowitz, Artist: Hermann Nitsch, conductor Mikhail Pletnev and insights from Scriabin’s daughter: Marina Scriabine, this documentary offers a unique glimpse into the life and works of one of music’s most enigmatic figures. Shot across stunning locales in Switzerland, Italy and Russia, enriched with Scriabin’s own writings and rare archival materials. The highlight includes a historic recording of Scriabin himself, playing his Poem Op. 32 No. 1 on a Welte Mignon player-piano, recorded in 1908.

A Sunday walk in a forest turns into a poetic journey on perception.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Sky and walls, a liana of water pipes, dilapidated backyards, cracks in walls, cracked walls full of lost, enigmatic children's signs, rusty railway station grounds, deserts, within them the figures, not conformed to the environment in their sightlessness and obsessive deformation to themselves. clinging to legalities of mechanisms that had become senseless and fused with them, that had perhaps once served them, hovering as if in a dream of condensed emptiness, without moving from the spot, they stumbled and rolled with the machines through sun-hardened, burnt-down landscapes, deflected only by objects, by congealed meteorites.

An Imperial Message is a 1975 Hungarian experimental film directed by László Najmányi. The 'story' was based on Franz Kafka's short story Eine kaiserliche Botschaft.

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.

Man and the Dog (2022) is a British neo avant-garde short film that plays around with the concept of speed. The pace is being constantly increased, decreased, reversed and manipulated.