Most Viewed Keyword Experimental

A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.

Hunter, a bride-to-be, feels overworked and unappreciated. Her artistic spirit is squelched by the shallow corporate world she’s in and she has had enough. Unfortunately, she feels as if she can’t turn to Ian, her commercial executive fiancé, for solace. As her wedding day approaches, Hunter and her three bridesmaids embark on a road trip to Las Vegas for one last hoorah together. As the girls venture from the city, they decompress and let their personal barriers fall. An impromptu sightseeing excursion into the desert leads to a clash of anxieties and attitudes between Hunter, the bridesmaids, and her fiancé as Hunter searches for the road that’s right for her.

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.

Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

A modern Miami adaptation of the 1962 French short film "La Jetee", the film recounts Luke's (Uncle Luke, legendary rapper from the hip-hop group 2 Live Crew) rise to fame as he changes the face of hip-hop and fights for first amendment rights, and later as he ushers Miami into a golden era of peace and prosperity as Mayor. Everything changes when a nuclear meltdown at Turkey Point Power Plant turns Miami into a radioactive wasteland filled with mutants, and Luke is the only survivor left unscathed.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

Trade Tattoo went even further than Rainbow Dance in its manipulation of the Gasparcolor process. The original black and white footage consisted of outtakes from GPO Film Unit documentaries such as Night Mail. Lye transformed this footage in what has been described as the most intricate job of film printing and color grading ever attempted. Animated words and patterns combine with the live-action footage to create images as complex and multi-layered as a Cubist painting. Music was provided by the Cuban Lecuona Band. With its dynamic rhythms, the film seeks (in Lye’s words) to convey “a romanticism about the work of the everyday in all walks of life."

Experimental short film about a couple

Flares of color break into streams of light, leaves, wood grain and prism-etched vegetation. A moon lifts out of this dark weave to be replaced by autumn leaves against a grainy sky, a fiery sky. A gray cat licks itself. A black cat sits quickly down on a green lawn. A "night" of showering dark, a "dawn" of pinks and yellows of plant growth in close-up. A gentle yellow "high noon" prevails into which the orange worm appears and reappears, twisting, arching, turning. A phosphorescent orange of leaves explodes midst greens and black holes appropriate to the image of the worm. The forms of many varieties of leafage mix with a veritable rain or clash of overall tones, a fire of forms, a glowing color photo-negative of worm, and the final canopies of autumn tone and sky tone permeated by sun, sun streaks and octagonal prism shapes ad infinitum.

Experimental short shot on reel to reel video tape and preserved by the Academy Film Archive in 2008.

A daring physicist travels into the past to stop a mysterious woman from stealing his invention. But once there, he uncovers a surprising truth about the machine, the woman, and his own fractured reality.

After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.

Experimental short film that explores the rise and decline of the Soviet Union, from the revolutionary spark of 1917 to the challenges and sacrifices endured during World War II, until its dissolution in 1991.

Experimental narrative with comedy and horror made via long-distance collaboration between two artists.

A collection of five short films tackling the military industrial complex, the rise of fascism, political polarization and various issues in modern society.

Kinoautomat was the world's first interactive movie, conceived by Radúz Činčera for the Czechoslovak Pavilion at Expo '67 in Montreal. At nine points during the film the action stops, and a moderator appears on stage to ask the audience to choose between two scenes; following an audience vote, the chosen scene is played.

An experimental film inspired by ancient female deities, also known as Goddesses. Exploring abstractly the reclamation of feminine divinity and power.

A dance by bodies of shifting colors.

Follow the personal life of Jerrod Carmichael, through his encounters with friends, family, and strangers, all in his search for love, sex, and connection.

Four married couples try to save their marriages by entering into a social experiment. During this experiment, the four couples switch spouses and live with another participants spouse for two weeks as husband and wife.

Based on the work of Lafcadio Hearn (Koizumi Yakumo), a resident of Matsue City, Shimane Prefecture, who left a significant mark on Japanese ghost story literature, this animated series utilizes AI production techniques. The original characters were created in-house, and the same script was produced using two different approaches: an "anime-look version" created in a standard 2D animation style, and a "live-action-look version" that emphasizes the horror of the ghost story with photorealistic AI rendering. Each version will be broadcast in a different time slot. This entry is for the "anime-look version" broadcast.

“Romancing Art” is an unscripted series. This story was told purely through the expressions, chemistry, and natural reactions of the actors — with no written dialogue or spoken lines. Expect a cinematic experience that speaks through glances, movements, and moments — not words. Because sometimes, silence says everything.