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Seasoned adventurer and treasure hunter Dirk Pitt, a former Navy SEAL, sets out for the African desert with his wisecracking buddy Al in search of a confederate ironclad battleship rumored to have vanished long ago, the main draw being the treasure supposedly hidden within the lost vessel. When the daring duo come across Dr. Eva Rojas, a beautiful scientist who is juggling an escape from a warlord and a mission to stop the spread of a powerful plague, their desert expedition begins to heat up.

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

Two Malian teenagers, Bah and Batrou, from different backgrounds, meet at secondary school. Bah is the descendent of a great tribal chieftain. Batrous father, a provincial military governor, represents the new ruling power. The two teenagers are part of a generation that rejects the established order and challenges the society in which they live.

The film shows Catherine Destivelle's trip to Dogon Country, in Mali, where she will make spectacular free solo rock climbing ascents in the sun-warmed cliffs of Bandiagara. Destivelle is accompanied on this trip by a friend climber, Lucien Abbet. A film by Pierre-Antoine Hiroz produced in 1987 by Paradoxe and also featuring Tidjani Koné, Ibrahim Dolo, and the Dogon inhabitants of the Bandiagara Escarpment. The film won the Genziana D'argento for best free climbing film at the Trento Film Festival in 1987.

A partnership between the Government of Mali and an American agricultural investor may see 200-square kilometers of Malian land transformed into a large-scale sugar cane plantation. Land Rush documents the hopes, fears, wishes, and demands of small-scale subsistence farmers in the region who look to benefit, or lose out, from the deal.

Director Abdoulaye Ascofare's drama follows Zamiatou (Aminata Ousmane), a mother who struggles to support her family in the wake of her husband's unjust incarceration. Life is already difficult in the desolate desert of Mali in Africa, but when her husband returns from prison a mentally and physically reduced man, Zamiatou will do anything to keep her two sons and daughter alive.

Are tourists destroying the planet-or saving it? How do travelers change the remote places they visit, and how are they changed? From the Bolivian jungle to the party beaches of Thailand, and from the deserts of Timbuktu, Mali to the breathtaking beauty of Bhutan, GRINGO TRAILS traces stories over 30 years to show the dramatic long-term impact of tourism on cultures, economies, and the environment.

Beginning in South Africa under the apartheid regime, the film follows a young girl who flees the country after a violent confrontation with a local white landowner in which her father is killed. She settles in Abidjan, where, ten years later, she has become a university student. As part of her studies, she visits the Taureg tribe on the edge of the Sahara before at last returning to post-Apartheid South Africa.

Life in the African country of Mali in the 1990s is vividly highlighted in this mild drama. In the story, a young forest ranger who sees that his work holds the key to the future of his country (through reforestation) is disgusted at the short-sighted, money-grubbing ways of his superiors. He has a much better relationship with local villagers than with his agency's bosses. As the movie opens, the villagers are preparing to hold a hunting ceremony but are not sure whether they will do it the old fashioned way, with a bonfire, or will obey a government decree that open fires are too dangerous. There is a lot of sexual teasing between the villagers, including some harmless horseplay. For instance, when a man whispers another woman's name in his sleep, his wife pours water into his ear in revenge.

Activists around the world fight injustice and drive social change in this documentary that follows their participation in the music video "Solidarité."

Bookended by call-to-action quotes from Margaret Mead and Mahatma Gandhi, this inspiring documentary follows three extraordinary women -- in Bosnia-Herzegovina, Mali, and Vietnam -- as they lead day-to-day battles against ignorance, poverty, oppression, and ethnic strife.

This special, behind-the-scenes film takes us on a trip to Mali to witness Amadou & Mariam at home and their musical encounter with legendary artist and producer Manu Chao during the making of their hit album Dimanche à Bamako, The music provides the lifeblood of the film, featuring the hits Sénégal Fast Food and La Realité, popular favourites Coulibaly, M’Bifé and Camions Sauvages plus a rare, unreleased live song by Manu Chao, Kira.

Road documentary that delves into the musical and religious expressions of sub-Saharan Africa. Through Mauritania and Mali, the film documents the lives of Dogon, griots, musicians and instrument makers who, through oral accounts, explain why music plays a fundamental role in the socio-religious organization of peoples. The film culminates its search with the recording of the performance of the traditional Dogon mask dance, in Begnematou, a small village lost in the desert.

When Lena and Ulli start the engine of their old Land Rover, Lady Terés, they have a plan: to drive from Hamburg to South Africa in six months. What they don't know yet is that they won't ever get there. Two totally different characters, jammed together in two square meters of space for almost two years, they experience what it really means to travel: leaving your comfort zone for good.

In Sangha, through the window of her house, Germaine greets Djamgouno, her main informant. He then translates for her a conversation she has with a half-blind old man. She recounts her memories of a past party at which Amadigné worked with her as an informant. Later, in front of the cliff, Germaine, Djamgouno and Pangalé are sitting on rocks, and Germaine talks about the many caves that can be visited by climbing small spelunking ladders. Rouch intervenes during the interview, asking the protagonists about the settlement of the cliff by the Dogon, who learned from the Tellem how to climb the cliff. Rouch then asks about the Tellem's predecessors who lived there 2,400 years ago. Germaine admits the ignorance of researchers on the subject, and Rouch concludes by joking about the new task that now falls to Germaine Dieterlen.

For decades, the countries of the African Sahel region have been targets of colonialism and exploitation by France and other Western powers. This documentary addresses the popular resistance and new paths of development forged by Burkina Faso, Niger, and Mali after experiencing civil and military uprisings in recent years. The film explores the popular resistance that sustains the revolution in the three Sahel countries and was made after extensive coverage of the ongoing social dynamics and geopolitical disputes.

Through the story of a mason in Djenne, Komusa Tenapo, and his family, this documentary examines an African tradition of mud architecture in Mali. The environmental genius of these ancient construction techniques—thick walls with tiny windows that keep the interiors cool despite the stifling heat—is expressed in strikingly beautiful designs that have won the town of Djenne designation as a World Heritage site.

The young goat herders from the cliff of Bandiagara practice on the stone drums of their ancestors. An ethnomusicological film experiment describing the subtle plays of the right and left hand of Dogon drummers.