Most Viewed Keyword Traffic

Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that's fine with her. But, when Peter's father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle - and Peter isn't all that thrilled with the arrangement, either.

The BQE is a mixed-media artistic exploration of the Brooklyn-Queens Expressway of New York City by Sufjan Stevens. A cinematic suite inspired by the Brooklyn-Queens Expressway and the Hula-Hoop, and commissioned by Brooklyn Academy of Music, it was originally performed in the Howard Gilman Opera House in celebration of the 25th anniversary Next Wave Festival in October of 2007.

Four city boys rich in experience but undeniably penniless, meet rich and pretty girls from an up scale suburb. With nothing but sense of humor and confidence, they try their luck to get the hearts of these Alabang Girls.

This film is an humorous view on the conflict of pedestrians with all growing car traffic.

The cause of the traffic accident should not be sought at the time of the accident itself, but long before. The motorist who has been drinking a little. The cyclist who is busy and the motorcyclist who drives correctly but still falls victim to an accident due to the ruthlessness of others.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Wide is part of a trio of video works that are a series of dream-like moving pictures.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Red is part of a trio of video works that are a series of dream-like moving pictures.

Stories of serious traffic accidents caused by texting and driving are told by the perpetrators and surviving victims.

Doubling as a cartography of the ever-changing city, Bill Cunningham New York portrays the secluded pioneer of street fashion with grace and heart.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.

A young man obsessed with traffic patterns attempts to reunite with his first love.

The mood of the film is that of a bare theatrical representation that lives only on its characters. A daily street verbal brawl is portrayed in a performative act with no beginning nor end. Seems like somebody is about to fight, but they never get to that, or are they? The scene takes place somewhere for a whatever reason, in a cycled loop of gestures and expressions. Some are watching, some others take pictures, while a woman tries to calm the clash down.

A documentary that explores the life of one of the world's most populated cities from its streets. Shot in 2009-2012 (before and during the Egyptian revolution, and ending with the most recent presidential elections), the film explores the country's collective identity, inherent struggles, and the sentiments that lead through the historic changes taking place in Egypt today. For his third documentary, Egyptian/ American filmmaker Sherief Elkatsha rides through the congested streets alongside a diverse cast of characters-from taxi drivers to ambulances, from traffic cops to private citizens-capturing the unspoken codes of conduct, frustrations, humor, fatalism, and life-or-death decisions of driving in a city where the only rule is: there are no rules.

The film anthology includes 10 short films: "Asia", "Meeting", "Artist", "Yard", "Bahram Gur", "Lottery Ticket", "Caspian Atlantis", "About love", "Aysel" and "Coincidence". Each screenplay in the project reflects different moments in the life of Baku. Short films bring to life relationships between people, their love and longing, happy and sad moments. The main hero uniting these people, relations and different moments of life is the city of Baku.

An emotional thriller based on a road trip from Kochi to Palakkad. Inspired from the real events that happened in Chennai.

The life and times of a neglected stoplight.

Marie, in her forties, lives in the Hautes-Alpes, cut off from her relatives. She only has her lover, Alex, a border policeman. Thanks to him, she smuggles cigarettes between Italy and France for her ' get out. On her way to France, she bumps into Mouneer, a 20-year-old Sudanese migrant, determined to join his little sister. He guesses her trafficking and persuades her to bring migrants across the border.

A drama about Cha Yeon-ho, a reasonable individualist from KAIST, and Min So-hee, a traffic investigation ace with cool judgment and warm sensitivity at the Traffic Crime Investigation (TCI).

CTV Morning Live is the name of the local morning newscasts airing on CTV's owned-and-operated stations in Western Canada, specifically, Vancouver, Calgary, Edmonton, Saskatoon and Regina as well as on CTV Two stations in Ottawa and Atlantic Canada. Each station produces its own version of the program. In areas where the program airs on a local CTV station, it airs in place of the network's national Canada AM program.