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Returning to the house where his family was brutally murdered during the war, "the man who refuses to die" dismantles it, loads it on a truck, and is determined to rebuild it somewhere safe in their honor. When the commander who killed his family comes back hellbent on finishing the job, a relentless, eye-popping cross-country chase ensues.

Based on Nikolai Erdman’s banned 1928 comedy play The Suicide, a socially critical grotesque about a man tired of life

The boisterous good humor of Jurmala, the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two. In fact, everywhere he goes, he meets prospective customers on all sides of the conflict with his all-inclusive greeting "Friends, Comrades." Indeed, the resource he is wrenching from the earth's bowels is necessary to all forms of industrial activity, and is especially necessary for military applications. Thus, he has no reason to fear that he will ever run out of customers. This doesn't prevent him from using every possible means to entice them. At home, his relationship with his wife is not so prosperous, and they resort to some extraordinary means to try and keep on an even keel.

Antti Pasanen juggles between taking care of Paavo, his work and personal life, until Enni has an accident and he has two kids to take care of.

Corporal Möttönen is an incomparable humorist whose easygoing banter brings a pleasant atmosphere to the unit. The smooth-talking man from Savo is assigned to the entertainment troops at the front.

Three Finnish girls travel to Stockholm to look for work. But soon they notice that the big city is not such a great place as they thought. Most of the foreign men who they meet there are crooks and liars.

A Finnish documentary follows four young men who have one year to find new love in Helsinki.

Friendship, courage and ingenuity are put to the test once again as Pertsa, Kilu and Pirkko embark on an epic adventure to solve the mystery of an old map. Twin girls Vappu and Kerttu also join the flight, and the suspense is increased when the cunning criminal Annabella Pehko jumps on board as a stowaway.

A story about the rise of awareness among the youth against the pollution and eco-system disaster. The conflict between the youth and ruling establishment is also taken under the inspection. The daughter of the prime minister and her relation to the son of another minister of opposing party is especially under surveillance.

Set in the 1890s, Anna-Liisa and Johannes are young lovers. She agrees to his proposal because she is afraid that her crime will be revealed. Husso, along with her son Miko, threaten to reveal the young bride's past.

The documentary, intended as an election film, covers the key events of Urho Kekkonen's first presidential term. The President of the Republic of Finland makes state visits all over the world and travels frequently in Finland. The President's spouse Sylvi Kekkonen is also featured in the documentary. The President also comes to Tampere in July 1961, when King Olav of Norway visits Finland. President Kekkonen's first term was a time of many crises, but they are not really featured in the film. Instead, the ending is heartwarming: Urho picks a fallen autumn leaf from the ground and hands it to Sylvi.

Set during the recession of the early 1930s, Reino, an engineer who has been laid off from a shipyard, is not considered suitable as a son-in-law for a factory owner. Reino, who has lost his beloved Maire, finds happiness when he befriends Hillin-Jussi, an unemployed rogue.

Leeni, a country girl, leaves to seek her fortune in Helsinki, but encounters numerous difficulties.

The daughter of two famous writers, Helena upholds her late father's reputation, reciting his poems on various occasions and cherishing the memory of the legend. Relations with her mother have deteriorated since she moved to Sweden. Helena blames her mother for abandoning her father. Helena and her mother meet again as Helena's mental health deteriorates and in order to cope, she must face reality through her mother's memoirs. Helena becomes intensely involved in the story and relives it by imagining herself in her mother's place.

Santeri (13) looks on as older guys are driving their motor bikes and wants to be part of their world. He combs his hair and goes to meet his friend Anna (13). At Anna's home childhood's anarchy meets puberty.

Most of us think of death as something clear-cut, and that medical science has it neatly figured out. This feature documentary explodes such assumptions through its exploration of a phenomenon that blurs life and death to an unprecedented degree. In what Tibetan Buddhists call tukdam, advanced meditators die in a consciously controlled manner. Though dead according to our biomedical standards, they often stay sitting upright in meditation; remarkably, their bodies remain fresh and lifelike, without signs of decay for days, sometimes weeks after clinical death. Following ground-breaking scientific research into tukdam and taking us into intimate death stories of Tibetan meditators, the film juxtaposes scientific and Tibetan perspectives as it tries to unravel the mystery of tukdam.

When an ex-soldier who discovers gold in the Lapland wilderness tries to take the loot into the city, German soldiers led by a brutal SS officer battle him.

Vaarala, a reserved romantic photographer, has an odd artistic vision of loneliness: he takes serial photos of an empty park bench in remote spaces of nature. When he meets and falls in love with the spirited, unruly Ansa, his ‘bench’ is suddenly filled. But in order to be with her he has to not only overcome his own frailties, but also the impending danger of Ansa’s volatile ex-con ex, and then Ansa herself, a woman prone to impulsiveness and impetuousness.

Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.

A handsome young womanizer deceive tender women by first charming them and then taking their money.