Popular From Uzbekistan

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

Based on an old Bukharan mythical tale from the 16th century. Dzhemal, daughter of the Khiva khan, and her milk sister Selekha set off from Bukhara to Khiva. On the way the caravan is attacked by robbers. The ataman of the gang Kur-bashi is struck by Dzhemal's beauty, but the girl rejects the brigand's love. His concubine Gul-Saryk, jealous of her new rival, helps the girls escape...

Pokser TV short-film

Farmon Bibi is a kind but very strict mother who lives in the same house with her seven sons and their families. The youngest son’s wife, Nigora, starts a “rebellion” against Farmon Bibi, and the other daughters-in-law support her. In the end, Farmon Bibi is forced to give in and meet their demands.

An agent of the Uzbek special services, Timur Saliev, is conducting an operation to seize the Scorpion terrorist group when he learns that his brother, whom he considered dead, is alive and belongs to this very organization.

The Red Army soldier Maksud returns with a detachment of the Red Army to his native village. Maksud sees that nothing has changed in the village — just like in the old days, the bai are rampaging, oppressing the people: bek Rahmankul ordered the hanging of two dehkans who plowed the land that the Soviet government gave them. Obsessed with hatred of the new order, Rahmankul asks Sheikh Abbas to give him the treasures of the mosque to arm his gang.

The events in Mahallada duv-duv gap occur in a mahalla — a traditional Uzbek neighborhood — in an old part of Tashkent at a time when big-scale construction works are taking place. The movie humorously depicts the relationships between traditional parents and their modern children.

Just married to Said Vali, a rich merchant, young and pretty Tilla Oi thinks she will surprise and please her husband by dressing in European style. What a mistake; not only does she immediately lose all his esteem but she begins what will be for her a terrible descent into hell.

The film is about the life of a famous football player named Sardor Kamilov. All the journalists are interested in the whereabouts, and his fans thought that he was dead. A journalist searches for Sardor for an interview.

Since Fatima and Zuhra's brother did not come home one day, Fatima is worried and goes outside to look for him. Then, the street thugs kidnap and rape Fatima. Fatima commits suicide.

One of the most pressing issues of our day - the fight against drugs based disorders and logical solution. Uzbek film between the peoples of the world is a global problem, a broader and deeper look sharp sense of his goals in front of him

Tahir and Zuhra are a young married couple who, although they married out of love, decide to divorce due to minor family disputes. After receiving the court's divorce decree, they feel relieved and immediately go in different directions, looking forward to their new, free lives. But fate has an unexpected surprise in store for them: no matter where they sleep, every morning they wake up in a traditional wedding tent, a symbol of the first night, set up in an art museum. In desperation, they turn to a psychic to put an end to this mystery.

An agent of Uzbekistan’s Foreign Intelligence Service with the codename “Baron,” who has spent five years undercover working for one of the most influential drug lords, Bassam, wants to finally leave the service and return to his family. However, without him, it’s impossible to prevent a series of planned terrorist attacks in Central Asia. Now Baron must infiltrate the militants’ ranks and complete his mission before his identity is exposed.

Yelena is an activist fighting for the rights of cotton pickers. Mukhabbat is a farmer struggling with the hardships of rural life... COTTON 100% is a story of two strong women facing the challenges of a society where forced labor is a norm.

Two lovers are torn apart by the violence occurring among the feudal lords in early 19th century Tashkent.

A wealthy man hires two bodyguards, one a former paratrooper (Qodirov) and the other just released from prison (Soipov), to protect his two daughters, Gulnoza (Ashurboeva) and Dilnoza (Eshonqulova). Whilst at first the girls are reluctant to accept their fate, they soon realise how lucky they are to have the two young men in their lives…

Mukhabbat, an Uzbek immigrant, works at a convenience store on the outskirts of Moscow. Just like the rest of the immigrants at the store, she is forced to work without getting paid and endure mental and physical abuse, until she overcomes her fear one day and takes her fate into her own hands.

Two successful friends, Kadiev and Aglyamov, are watching a historical video and, as the events unfold on the screen, pour out their hearts on modern life. However, after a slight explosion, time turns back - and heroes in oriental robes and turbans find themselves in the center of events of a distant era...

About the love of the pop singer Akmal for a beautiful stranger, whom he once met in a taxi. Akmal searches for a long time and unsuccessfully for a girl whose name and address he does not know, and as a reward for his long search, he accidentally meets his love...