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Hongi, a Maori chieftain’s teenage son, must avenge his father’s murder in order to bring peace and honour to the souls of his loved ones after his tribe is slaughtered through an act of treachery. Vastly outnumbered by a band of villains led by Wirepa, Hongi’s only hope is to pass through the feared and forbidden “Dead Lands” and forge an uneasy alliance with a mysterious warrior, a ruthless fighter who has ruled the area for years.

In this poetic short film, writer/director/songwriter Kararaina Rangihau tells a story of great significance to the Tūhoe people. Unfolding entirely in te reo Māori, the narrative follows a child (played by Te Ratauhina Tumarae) learning the origins to the waiata 'Taku Rākau E', from her great-grandmother (Menu Ripia). Flicking between the present day and 1873, the great-grandmother tells how Mihikitekapua, a blind women of Tūhoe (also played by Ripia), first sang this important waiata. Rangihau was mentored by prominent filmmaker Merata Mita, who produced the film with co-producer Chelsea Winstanley.

Inspired by actual events, MURU is the story of a local Police Sergeant ‘Taffy’ Tāwharau, who must choose between duty to his badge or his people, when the Government invoke antiterrorism powers to launch an armed raid on Taffy’s remote Urewera community, on a school day. This gripping action drama is not a re-creation, but a response to the 2007 Tūhoe raids. MURU is a Māori concept for 'forgiveness’.

This footage of the 1984 hīkoi (march) to Waitangi was made by Merata Mita with the intention of producing a documentary about this historic occasion. It was begun during an incredibly busy time for Mita – who had achieved international attention for her groundbreaking documentary *Patu!* (1983) about the 1981 Springbok tour – and launched several other projects including her feature film *Mauri* (1988).

Two young teenagers are forced to take control of their own destiny amid the chaos of a pivotal battle in New Zealand’s first land wars in 1864.

In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.

Six Māori Battalion soldiers camped in Italian ruins wait for night to fall. In the silence, the bros-in-arms distract themselves with jokes. A tohu (sign) brings them back to reality, and they gather to say a karakia before returning to the fray. Director Taika Waititi describes the soldiers as young men with "a special bond, strengthened by their character, their culture and each other.

Roimata, a young Maori woman from the East Coast, travels to the city to meet her half-sister Girlie. Introduced to gang members, the scene is set for a major confrontation when Kevin, a young Salvation Army Officer, arrives. Part of the E Tipu Te Rea series.

On the day she gets her first menses, Hinekura is initiated into adulthood with ceremony and blessings. She's taken to a wananga where her role within the tribe is revealed to her.

After a successful raid and having captured a rival village's leader, a war party must drag their huge canoe or "Taua" through the forest to reach the sea and escape with their trophy but even in a forest of their native land water can be scarce. As the warriors, driven by their insistent chief, press towards home, two boys are tasked to protect the precious water and keep an eye on the prisoner, but need and desperation grows for all as the story drives to a climax.

In pre-colonial Aotearoa a young Māori girl witnesses the best and worst of a rapidly changing world when she encounters a dying man and his horse.

A young girl finds comfort in play and slowly reconnects with her distant father after her mother walks out on the family.

Inspired by an ancient Māori story in which nature intermingles with a child’s love, Washday depicts – with tremendous sensitivity and compassion – a grieving father and daughter coming to terms with a significant death in 1960s New Zealand.

A young Māori girl gets her period for the first time and has to decide between getting pads for herself or a gift for her younger brother's birthday.

Whetū Mārama is the story of Sir Hekenukumai Ngaiwi Puhipi and his significance for Māori in rekindling their wayfinding DNA, reclaiming our place as traditional star voyages on the world map.   

In a Maori settlement, Ngati Toa leader Te Rauparaha composes the famous chant "Ka Mate", also known as the haka, after evading enemy capture by hiding in a kumara pit.

The film told the Māori legend of Hinemoa and Tutanekai. It is the first dramatic feature film produced in New Zealand.

A young Māori girl in the care of a conservative English couple savours her mother's weekly visitations, as a custody battle driven by racial bias will ultimately decide their fate.

An Inuit child wanders away from his village, fascinated by a wild bird. His father follow his trail, determined to find him before he gets lost on the ice floe...