Popular From Kyrgyzstan

In the 1940s, young Kirghiz boy falls hopelessly for Jamilla, but their love has no future.

A young Kyrgyz woman is kidnapped and forced to marry. A drama about the desire for freedom in the clutches of a tradition.

An amnesiac old man Zarlyk who after twenty-three years of ordeal in a foreign land, returns to his homeland. Events take place in a village in Kyrgyzstan, where he is brought by his matured son Kubat. Much has changed during his absence: the morals of the villagers, mired in the realities of a changing world, radicalization of Islam, growing crime, and moral corrosive corruption began to consume... Zarlyk’s wife Umsunai, having lost hope of his return, went into religion, married the local authority Jaichy. The bright past invades the already accustomed Umsunai’s life. But nothing touches Zarlyk. An inexplicable passion for collecting garbage replaced him everything. Will the memory return to him and will Umsunai gain lost happiness when they are pressed by tight attitudes and immorality of the clergy, when love has eclipsed recklessness?

The Chimp is the nickname of a teenage boy (with large ears) who lives in the small town of Balyktchy, Kirghizstan, a former part of the USSR in central Asia. His family is being torn apart by his dad's alcoholism, his emotions are being torn as he sees his friends pair off into couples, and his job working on the railtracks is uninspiring.

In a remote Kyrgyz village, Beshkempir, an infant foundling, is taken in by five older women and later adopted by a couple unable to bear children of their own. Fast forward to his early teenage years, a pubescent Beshkempir is faced with all the problems of crushing on girls and courtship, reconciling with friends and dealing with death in the family. Above all he questions his place in the world as an adoptee.

In a remote Kyrgyz village, 35-year-old Adil, who has the mind of an 8-year-old, lives with his elderly mother, Rayhan. She has always told him he is specially loved by God and destined for Paradise. But Adil refuses to go without her. Upon hearing from his young friend that a pilgrimage to Mecca on foot could secure his mother a place in Paradise too, Adil decides to embark on this journey.

This is a love story set in the steppes of Central Asia of today. Temür a thirty year old Kazakh decides to start life again in his ancestral village in the Kyrghyz Mountains. He discovers soon after his arrival that he is a misfit in this settlement of old conservative Islamic men,some women and children. The only ray of hope for him is Amira a young married woman who waits in frustration for her absentee husband - a Mujahideen. Temur watches sorrowfully as the individual village stories unfold at the same as he tries to help the community out in any way he can. In this way he comes closer to Amira and Taib, her young brother-in-law. In a dead end situation the lovers decide to leave the settlement and travel to a place that would hold out with their dreams. Written by Mira Tanna-Händel

Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.

In a suburban village, a house belonging to a young family who lost their firstborn catches fire. Neighbors say the house is cursed, as no one understands how the fire started, and witnesses have completely different versions of what happened. However, they all share something in common: the mystery that surrounds the house and its inhabitants.

Asema, a Kyrgyz city girl visiting her boyfriends family in the countryside, is mistaken for a villager and accidentally kidnapped by Sagyn, a young shepard who was too shy to ask the young girl for marriage.

Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.

The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.

After his wife’s death, Bolot raises his daughter Kyial, who once defeated cancer. But the illness returns, and there is almost no time left. When he learns about her secret diary of wishes, Bolot decides to take Kyial out of the hospital and fulfill every one of her dreams. Joining them on this journey is Kyial’s best friend, Joki — a grown man on the autism spectrum, who in his own way helps them endure the pain and rediscover the value of every single day.

A tiny Kyrgyz aul in the mountains is slated for demolition, and its people must move to a collective farm. Young shepherd Kanat sets out for the city to study, but after being deceived, he chooses to stay, realizing he must first learn the art of living among people. The village elders, guided by timeless moral values, shape the destinies of the characters, rooted in a deep sense of belonging and communal spirit.

Film adaptation of the Kyrgyz folk legend of Raimaly-aga, based on Chingiz Aitmatov's interpretation from his “The Day Lasts More Than a Hundred Years.”

Follows the party worker who gave up his own child, and a young woman who left her baby in the garbage. After 19 years, it can be seen that the same boy and his mother are living together in a drug dispensary.

At the Kyrgyzstan-Kazakhstan border, Aza and Samat work as members of a drug trafficking organization. One day, they run into Nazik, who has narrowly escaped from human traffickers.

Anticipation of Love has settled in the heart of a young lady. The boundaries between dream and passion are very elusive. Life is full of physical deprivations and, of course, sensual pleasures, and the deep meaning of that all is Love. The deeper the feeling, the more intense the emotions. Each girl dreams about meeting her love one day. An experienced man helps her discover the world of passion and senses, and brings her to ‘heaven’s gate’ where the two of them will prevail. One can only imagine how many hearts were broken along the way to master the science of love. But passion blinds and soon the man becomes slave to the young woman’s sensual body. The carnal knowledge makes the girl try to subdue her love object. This is what the last film by Kim Ki-duk, shot in summer 2019 in Kyrgyzstan, is all about. The film was finished by Kim’s friends and colleagues after he unexpectedly passed away in December 2020.

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.